'A Song outlasts a Dynasty.' Gerald Finzi's maxim embodies his creed. As a song writer, his affinity with Thomas Hardy is stronger even than Fauré's with Verlaine, or Wolf's with Mörike. His most famous work is his exquisite cantata Dies Natalis. His Intimations of Immortality is worthy of Wordsworth's poem, and his Cello Concerto is a big turbulent work. From being a solitary introverted young man, he developed into a great activator. He held strong views on education, pacifism, vegetarianism, the nature/nurture debate, the Arts and Crafts movement, the English pastoral tradition, English apple varieties, the significance of ancestry, friendship and marriage in an artist's life. His country home became a centre from which his influence radiated widely. He championed the neglected Ivor Gurney, and revived 18th-century composers with the amateur orchestra he founded. Most of his output is recorded and he is increasingly performed in the USA. McVeagh is known as an Elgar scholar and for her articles and sleevenotes on Finzi. His widow Joy asked her to write the book; she knew Joy well and quotes often from her unpublished journal. She interviews the main figures in Finzi's life, so has exclusive stories, many of them very funny. She quotes too from his correspondence with Vaughan Williams, Edmund Blunden, Arthur Bliss, Edmund Rubbra, Howard Ferguson and Herbert Howells. She discusses every work within the narrative of Finzi's life, and shows what makes his output individual.
