This book surveys North German church music from the period of the best-known of J.S. Bach's immediate German predecessors, Dietrich Buxtehude (c.1637-1707). Webber places particular emphasis on composers whose work has suffered unjust neglect, and on the influence of contemporary Italian church music. As well as providing a detailed study of the music itself, the book also examines its religious and social background and aspects of performance practice.
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"Webber's writing style and presentation simultaneously meet the demands of advanced scholars and of novices--no mean feate. Highly recommended for general readers and upper-division undergraduates through faculty."--Choice
About the Author
Geoffrey Webber is at Gonville and Caius College, Cambridge.
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