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German and Dutch Theatre, 1600-1848 (Theatre in Europe: A Documentary History)
 
 
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German and Dutch Theatre, 1600-1848 (Theatre in Europe: A Documentary History) [Hardcover]

George W. Brandt (Editor)

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Book Description

0521233836 978-0521233835 June 25, 1993
This book makes available for the first time an overview of a significant segment of European theater history and, with few exceptions, none of the documents presented have been published in English before. Gathered from a rich variety of sources, including imperial and municipal edicts, contracts, architectural descriptions, playbills, stage directions, and actors' memoirs among others, the book sheds light on one of the most fascinating areas of cultural life in the German and Dutch speaking countries.

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Editorial Reviews

Review

"...a thorough, interesting, and useful 'collection of primary source materials for teachers and students' covering two and a half centuries of the German and Dutch theater." Choice

"It is impossible in a review of this length to consider the many details of theater ideology, production, craftsmanship, artistry and assessments of appeal which are represented by the documents in this volume. One can, however, applaud the highly successful efforts of the compilers, marvel at the diversity of the materials, and look forward with great interest to subsequent volumes." Sixteenth Century Journal

"[F]or English-speaking/reading historians of the theatre and drama, this anthology will become indispensable....The repertoire of touring companies, the kinds of regulations to which they were subject, the changes over the years in the composition, stability, professionalism, and artistic attention of theatre companies, in architecture and staging, in audiences and relation to their urban contexts, the growing sophistication of theory and criticism--all these things are traced out here in a quite remarkable diversity of unfamiliar documents. This is an essential collection." Timothy J. Reiss, Canadian Review of Comparative Literature

Book Description

This book makes available for the first time an over-view of a significant segment of European theatre history and, with few exceptions, none of the documents presented have been published in English before. Gathered from a rich variety of sources, including imperial and municipal edicts, contracts, architectural descriptions, playbills, stage directions, and actors' memoirs among others, the book sheds light on one of the most fascinating areas of cultural life in the German and Dutch speaking countries.

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Inside This Book (learn more)
First Sentence:
As companies of strolling players travelled place to place within the Holy Roman Empire, they depended on the gracious permission of local authorities before they were able to perform anywhere, usually in venues in the gift of these authorities. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
theatre governors, theatre secretary, organisational documents, theatre regulations, wardrobe staff, court actors, playwriting competition, travelling actors, strolling players, latter party, national theatre, theatre history, guest performances, municipal theatre, dramatic theory, staging methods, des spectacles
Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Hague, Frau Neuber, Amsterdam Schouwburg, Gysbreght van Aemstel, Johann Friedrich, Jan Punt, Die Braut von Messina, Emilia Galotti, Ludwig Devrient, Mme Hensel, Franz Moor, Jan Vos, Minna von Barnhelm, High Priest, Eduard Devrient, Friedrich Ludwig, Royal Theatre, Southern Netherlands, Goethes Werke, Karl August, Samuel Coster, Wallensteins Lager, Wallensteins Tod, Die Jungfrau von Orleans, Hamburgische Dramaturgie
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