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German National Cinema (National Cinemas) [Paperback]

Sabine Hake (Author)
4.0 out of 5 stars  See all reviews (1 customer review)


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German National Cinema (National Cinemas) German National Cinema (National Cinemas) 4.0 out of 5 stars (1)
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Book Description

December 9, 2001 0415089026 978-0415089029 1

Sabine Hake presents the second edition of her comprehensive account of German cinema from its origins to the present. From The Cabinet of Dr. Caligari to Run Lola Run, Hake examines a range of films in relation to the social, political, economic and technological events surrounding them.

The second edition has been thoroughly revised and updated to include: an expansion of the final chapter on Post-unification cinema; references to recent film releases (through 2006) such as Downfall, Goodbye Lenin, and The Edukators; Analysis of German-Turkish cinema, gay and lesbian cinema, new documentary styles (Berlin School), and the question of postnational or transnational cinema.

Covering a wide range of genres, Hake assesses the work of directors and stars alike, exploring the competing definitions of German cinema as art cinema, quality entertainment, political propaganda and rival of Hollywood.

 


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Editorial Reviews

Review

German National Cinema provides colleagues and students with a stimulating and comprehensive historical summary of German cinema from Skladanowsky to Tykwer. The author's arguments are cogent, persuasive, and incorporate numerous current theoretical approaches without the use of technical jargon. It will serve as a valuable resource tool for colleagues teaching German cinema and should be in every college library.
–Franz A. Birgel, Muhlenberg College

Hake (German studies, Univ. of Pittsburgh) offers an impressively comprehensive account that bristles with intriguing questions and opens new perspectives on many of the seven phases she persuasively identifies in German film history. She provides a more balanced presentation of the 1950s than has heretofore been available in English and also does a good job sketching East German cinema and the new initiatives since national reunification in 1991.
–S. Liebman, CHOICE

...an excellent introduction to the history of German cinema.
–Jaimey Fisher, Tulane University German Studies Review, 2003

About the Author

Sabine Hake is Professor of German at the University of Texas. She is the author of Popular Cinema in the Third Reich

Product Details

  • Paperback: 240 pages
  • Publisher: Routledge; 1 edition (December 9, 2001)
  • Language: English
  • ISBN-10: 0415089026
  • ISBN-13: 978-0415089029
  • Product Dimensions: 9.1 x 6.1 x 0.5 inches
  • Shipping Weight: 15.2 ounces
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,537,483 in Books (See Top 100 in Books)

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0 of 1 people found the following review helpful:
4.0 out of 5 stars Coherent Work on German National Television, January 3, 2010
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This is really the first work to review German national television as a whole, rather then discuss the twenties, the forties and then the New German Cinema. This coherent work suffers only from an enormous task at hand and too little space to do it. Her sections on Heimat film bring new ideas to the table and the book is intelligently written.
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Inside This Book (learn more)
First Sentence:
Until recently, little was known about films from the Wilhelmine period, that is, the cinema before 1919. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
chamber play film, conventional genre films, rubble films, postwar cinema, film authorship, filmic practices, revue films, rustic comedies, filmic traditions, genre cinema, prestige productions, filmic medium, other national cinemas, early sound film, cultural films, filmic style, cinema culture, privileged expression, expressionist film, popular cinema, sophisticated comedies, modern mass culture
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Third Reich, West German, Federal Republic, East German, National Socialism, Young German Cinema, National Socialist, New Waves, Cold War, Propaganda Ministry, Second World War, Soviet Union, First World War, Economic Miracle, United States, Henny Porten, Weimar Republic, Berlin Film Festival, Conrad Veidt, East European, Oberhausen Manifesto, Thomas Mann, Bertolt Brecht, East Berlin, Film Europe
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