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27 of 27 people found the following review helpful:
5.0 out of 5 stars
Probably my favorite novel., September 28, 2001
Mind you, I've only read five of Zola's books (I'd be plowing through the rest now, if not for the bane of schoolwork...grrr), so it's possible that the man's written something even better, but it's hard to imagine how that would be possible, really. Germinal is such an amazing, multi-faceted piece of work that it seems difficult if not impossible to encapsulate the whole thing in a paltry review. If the concept of a novel based around a coal miners' strike in nineteenth-century France sounds off-putting to you, be assured, it's much more accessible than you think. Frequently depressing it certainly is, but it's never less than gripping, and with such a dazzling array of characters and scenes, you'll be riveted throughout. Who can forget the allegorical Russian anarchist Souvarine (who I always picture as looking like Xellos from Slayers, for some reason)? The lugubriously tortured sexual longings of M Hennebeau? Or the horses who work in the mine, doomed to live a life entirely devoid of sunlight? I don't think think anyone short of Tolstoy is capable of doing animals this well. And let's not forget about the awe-inspiring closing paragraph. Germinal is frequently a melodramatic novel, but never in a propagandizing way--while Zola's sympathies clearly lie with the miners, he is careful not to pile the whole of the blame for their living conditions on the owners, instead making most of them into sympathetic, or at least comprehensible, people. The blame lies with the entire system, and Zola's determination not to resort to simple-minded scapegoating makes the novel all the more real. Admittedly, Zola's writing and use of imagery isn't exactly subtle (how often does he characterize the mine as a devouring maw--or words to that effect--in the first chapter alone?), but he has a rare gift for portraying large, panoramic scenes, as well as endowing smaller ones with a great deal of atmosphere (which latter talent is really more evident in Nana--also highly recommended)--his strengths are well-suited to the story he's chosen to tell, and the strong focus prevents it from meandering, as his later--somewhat comparable--novel The Earth sometimes does. I can't recommend Germinal highly enough. If you read just one nineteenth-century French novel, you really ought to be doing more reading. But if you're that determined to limit yourself to just one, make sure that it's Germinal.
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