Gershwin: Porgy and Bess [Original recording remastered]

George Gershwin (Artist), Simon Rattle (Artist), Hyacinth Nicholls (Artist), London Philharmonic Orchestra (Artist), Camellia Johnson (Artist), Maureen Braithwaite (Artist), Colenton Freeman (Artist), Alan Tilvern (Artist), Anne Fridal (Artist), Autris Paige (Artist), Barrington Coleman (Artist), Billy J. Mitchell (Artist), Blair Wilson (Artist), Bruce Hubbard (Artist), Curtis Watson (Artist), Cynthia Clarey (Artist), Cynthia Haymon (Artist), Damon Evans (Artist), Gregg Baker (Artist), Harolyn Blackwell (Artist), Johnny Worthy (Artist), Linda Thompson (Artist), Marietta Simpson (Artist), Mervin Wallace (Artist), Michael Forest (Artist), Paula Ingram (Artist), Raemond Martin (Artist), Ron Travis (Artist), Ted Maynard (Artist), Wayne Marshall (Artist), Willard White (Artist), William Johnson (Artist) | Format: Audio CD

Product Details

• Audio CD (September 13, 2005)
• Number of Discs: 3
• Format: Original recording remastered
• Label: EMI Classics
• ASIN: B000AQACX4
• In-Print Editions: MP3 Download
• Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #162,765 in Music (See Top 100 in Music)

Track Listings

Disc: 1

1. Porgy and Bess, opera: Act 1. Scene 1. Introduction

2. Porgy and Bess, opera: Act 1. Scene 1. Summertime and the livin' is easy

3. Porgy and Bess, opera: Act 1. Scene 1. Oh, nobody knows when the Lawd is goin' to call

4. Porgy and Bess, opera: Act 1. Scene 1. Give him to me... Lissen to yo' daddy warn you... / Oh, a woman is a sometime thing

5. Porgy and Bess, opera: Act 1. Scene 1. Here's the ol' crap shark!... No. no, brudder

6. Porgy and Bess, opera: Act 1. Scene 1. Here comes Big Boy!

See all 14 tracks on this disc

Disc: 2

1. Porgy and Bess, opera: Act 2. Scene 1. Oh, I'm agoin' out to the Blackfish banks

2. Porgy and Bess, opera: Act 2. Scene 1. Mus' be you mens forgot about de picnic... / Oh, I got plenty o' nuttin'

3. Porgy and Bess, opera: Act 2. Scene 1. Lissen there, what I tells you... I hates yo' struttin' style

4. Porgy and Bess, opera: Act 2. Scene 1. Mornin', Lawyer, lookin' for somebody?

5. Porgy and Bess, opera: Act 2. Scene 1. Boy. Come here, boy!

6. Porgy and Bess, opera: Act 2. Scene 1. Buzzard keep on flyin' over

See all 19 tracks on this disc

Disc: 3

1. Porgy and Bess, opera: Act 2. Scene 4. Oh, Doctor Jesus

2. Porgy and Bess, opera: Act 2. Scene 4. One of dese mornings you goin' to rise up singin'

3. Porgy and Bess, opera: Act 2. Scene 4. Oh, dere's somebody knockin' at de do'

4. Porgy and Bess, opera: Act 2. Scene 4. You is a nice parcel of Christians!

5. Porgy and Bess, opera: Act 2. Scene 4. A red-headed woman make a choo-choo jump its track

6. Porgy and Bess, opera: Act 2. Scene 4. All right, I'm goin' out to get Clara... Oh, Doctor Jesus

See all 18 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful:

4.0 out of 5 stars One of the two best recordings of the complete opera., September 14, 2010

By 

Steven Schwartz (Austin, TX USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

Amazon Verified Purchase

This review is from: Gershwin: Porgy and Bess (Audio CD)

Like Verdi, Gershwin regularly gets patronized by the classical critical "highbrows," who fault his technique without recognizing how his genius transcends his technical limitations. And, by the way, often what they perceive as limitations are Gershwin's legitimate innovations. Neither Aaron Copland nor Samuel Barber produced an opera as fine as Porgy and Bess. Virgil Thomson's operas, wonderful as they are, fundamentally differ from what people normally consider opera and, in any case, haven't struck as deep into the American psyche as P&B. People know arias from this score without realizing that the tunes belong to something larger. For many folks, Porgy and Bess has become less an opera than a "show." Furthermore, we seldom hear the music as Gershwin wrote it. We hear it in jazz settings, Robert Russell Bennett's "Symphonic Picture," and so on. Yet, for me it has always been one of the world's great operas, let alone the greatest American opera. Even the libretto is superb. With a cast of characters that rivals that of Boris Godunov in number, the Gershwins and Dubose Heyward manage to concentrate dramatic power and to move things along.

The first relatively complete recording comes from the early LP era on the Columbia label, conducted by Lehman Engel. The first complete stereo versions come from the Houston Grand Opera and Loren Maazel and the Cleveland Orchestra on London/Decca. Rattle's is the third entry. He shares some of the principal singers with Maazel. Engel's version at this point has become historically, rather than aesthetically important, except as a record of some wonderful Black singers and entertainers. The Houston Grand Opera production is little better than okay, although some writers have an affection for it. I don't see why. The orchestra is scrappy, the reading gives ammunition to those who think of Gershwin as an amateur, and the performers (although there are fine voices among them) nevertheless in general seem stiff or in a daze. To me, there's little difference between Maazel and Rattle. Maazel has an amazing orchestra at his disposal. On the other hand, Rattle handles Gershwin's musical transitions better (if not completely successfully). I listen to both regularly, and I think both have their claims to your wallet and shelf space.

Nikolaus Harnoncourt, of all people, has just recorded a version for Sony with a European orchestra, the Arnold Schoenberg Choir, and a mixed American-European cast. The results are mixed. The cast is the weakest element. Gershwin has been rewritten in spots (to make him more "up-to-date?"). On the other hand, Harnoncourt gives the best overall reading so far of the "operatic" elements, although in some places he just don't swing. The soundtrack to the Preminger movie (music arranged by Andre Previn) has by far the best cast -- Robert McFerrin as Porgy, Adele Addison as Bess, Brock Peters as Crown, Eddie Matthews as Jake, and the incredible Cab Calloway as Sportin' Life) -- but it's not complete and it's not really Gershwin. Nevertheless, it's the best-performed recording out there. Until we get a complete version as good, it's still necessary.

3 of 4 people found the following review helpful:

5.0 out of 5 stars Genius!, January 27, 2010

By 

M. Brust (Denton, TX United States) - See all my reviews
(REAL NAME)   

This review is from: Gershwin: Porgy and Bess (Audio CD)

Gershwin caught the essence of the American Experience in his music. Here he goes beyond color and cultural experience to the fundamentally human experience of living in "The Land of the Free". This music is now woven into the very fabric of America. There is no greater testament to the quality of this music and the value of the music of Gershwin. This recording is the benchmark by which all others will be measured.

11 of 18 people found the following review helpful:

5.0 out of 5 stars Simply the best!!!!!!!!!!!!!!, February 1, 2007

By 

Alex Simon (Athens, Greece) - See all my reviews

This review is from: Gershwin: Porgy and Bess (Audio CD)

This recording of Porgy and Bess is an incredible performance!!!
The performers sund just beautiful and the recording is very well remastered!!!!
Buy it!!!