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Get A Grip

AerosmithMP3 Download
4.1 out of 5 stars  See all reviews (42 customer reviews)

Price: $9.49
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Album Savings: $3.47 compared to buying all songs

  • Original Release Date: November 20, 2001
  • Format - Music: MP3
  • Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
 
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  Song Title Time Price  
Play   1. Intro 0:23 $0.99 Buy Track  - Intro
Play   2. Eat The Rich 4:09 $0.99 Buy Track  - Eat The Rich
Play   3. Get A Grip 3:58 $0.99 Buy Track  - Get A Grip
Play   4. Fever 4:15 $0.99 Buy Track  - Fever
Play   5. Livin' On The Edge 6:19 $0.99 Buy Track  - Livin' On The Edge
Play   6. Flesh 5:57 $0.99 Buy Track  - Flesh
Play   7. Walk On Down 3:38 $0.99 Buy Track  - Walk On Down
Play   8. Shut Up And Dance 4:55 $0.99 Buy Track  - Shut Up And Dance
Play   9. Cryin' 5:08 $0.69 Buy Track  - Cryin'
Play 10. Gotta Love It 5:57 $0.69 Buy Track  - Gotta Love It
Play 11. Crazy 5:17 $0.99 Buy Track  - Crazy
Play 12. Line Up 4:02 $0.99 Buy Track  - Line Up
Play 13. Amazing 5:52 $0.99 Buy Track  - Amazing
Play 14. Boogie Man 2:16 $0.69 Buy Track  - Boogie Man
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Customer Reviews

42 Reviews
5 star:
 (18)
4 star:
 (16)
3 star:
 (3)
2 star:
 (4)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (42 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

17 of 19 people found the following review helpful:
5.0 out of 5 stars A Helluva Package, May 11, 2004
This review is from: Get a Grip (Audio CD)
This album is PACKED with songs - and they happen to be big songs that rock. Granted, it's produced with polish, but when you've got loads of money and you're in the big game (AND trying to keep your 2nd wind rolling with momentum in your third decade of relevance), there WILL be some "commercialization" to your music. But if I ever get any point across to anyone, hear ye hear ye: Commercialization doesn't have to be a bad word if you still back it up with your musical integrity.

Many people say that Get a Grip does not back up the integrity of Aerosmith. It's funny how in the early 90's, this album was the ONLY thing acceptable in the teenage mainstream (aside from Zeppelin and Floyd) that wasn't spelled with an N, an I, an R, a V, an N, ... you get the idea. So, when it was trendy to bash the 80's, Aerosmith sort of fell through the cracks of adolescent ridicule and sold millions of this record, and they have been paying for it with many "loyal and disappointed" fans ever since Grunge faded out and the late 90's gave way to the new Millenium. Now, many call the AmazaCrazyCryin trilogy a bunch of cheesy garbage. Funny how these are the same songs that were colossal hit singles with fans and newly-converted alike, back in 93-94. Then you've got your older generation who won't shut up about how Aerosmith will never rock like "Toys in the Attic."

So, as a fan of All Aerosmith Eras, I hope you can accept that as a chance for an objective (if passionate) review of "Get a Grip", when placed into the big picture.

First of all, in another 5 years, this album will probably be well-remembered again, and probably thought of as a classic, just as some of their 70's stuff (especially since word is they're going back to that direction at last). It's all just a big cycle, and if you need proof, trust me - the 80's are MUCH more tolerated now than a decade ago. It's just taboo to touch anything within the 5-15 year span after the initial craze dies down. But I'm gonna touch it. And listen to it. And talk about it. And love it.

This album rocks big time. And it doesn't rock shallowly, either. Joe Perry's got some scorching solos all throughout (especially given his "sloppy" bluesy balls-to-the-wall technique). The one in "Livin' on the Edge" is quite melodic and creative. The one in "Crazy" is so tasteful to the mood of the song. And mainly, "Eat the Rich"... this is one of Aerosmith's greatest non ballad songs ever. It starts with the 'Walk This Way' riff, but does not cash in. It dives into a fast gritty riff of its own and plunges into a real calorie-burner of a song, no pun intended. The lyrics, the music, the groove, the cohesiveness as a band, the refraining from substance abuse that often clouded the band's creativity - it all came together with "Permanent Vaction" and "Pump," and triumphantly kept on going.

Let's tackle the issue of AmazaCrazyCryin. These songs are expertly written, recorded, and performed. So emotional, not pretensious, at times epic, and when closely analyzed, creatively crafted. If you are thinking they sound like a formula that's been repeated over and over, ... don't forget that someone first has to invent the formula. There, issue tackled.

Anyone thinking chants of "sellout" might want to think of the pressure-filled situation of having sold gazillions of copies and STILL having the ball in your court, knowing that the public won't forget you've got another album coming up again. This album also proves that not so long ago, you could have 5 HUGE big singles and NOT chalk the rest of an album up to filler. This album can be thought of as a great template which, aside from Amazin/Crazy/Cryin, has never stimulated later influence in other artists who boybands shall here britney go unnamed matchbox20.

Only "Gotta Love it" gets a bit boring and repetitive, and even there, they experimented with some different chords that just didn't happen to work. As far as 14 song journeys go, "Get a Grip" is one of the strongest albums. I think it's a wonderful touch to close with a well-written instrumental ("Boogie Man"), showcasing immense diversity for an American staple known as Aerosmith.

Don't get me wrong, I DO have issues with outside writers, when the band could do it themselves (I've got huge problems with the Diane Warren infection that would soon follow), but in my modestly educated opinion, the product as a whole DOES sound like the band you expect it to sound like, just a next-decade upgrade (And I usually call veteran rockers' "evolutions" DOWNGRADES instead).

Bottom line, put all the mild controversy aside, put the phones on (or crank the stereo up) and blast off to Aeroland. You'd be hard-pressed to honestly call "Get a Grip" anything short of quality rock and roll from a legendary band that does just that.

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5 of 5 people found the following review helpful:
3.0 out of 5 stars Good album, but not on the same level as its predecessor "Pump", June 16, 2006
This review is from: Get a Grip (Audio CD)
THE BAND: Steven Tyler (vocals, piano, harmonica), Joe Perry (guitars), Brad Whitford (guitars), Tom Hamilton (bass), Joey Kramer (drums & percussion).

THE DISC: (1993) 14 tracks clocking in at just over 62 minutes. Included with the disc is a 6-page foldout containing a band picture, song titles, song lyrics, thank you's and assorted finger prints (as well as nipples on the disc itself). Several guest musicians contributing on keyboards or backing vocals include Don Henley, Desmond Child, Lenny Kravitz, Ritchie Supa. Recorded at Little Mountain Studios (Vancouver, Canada) and A & M Studios, Los Angeles, CA. Label - Geffen.

COMMENTS: I like this album, though it was somewhat of a disappointment after "Pump" (1989). The writing was on the wall - the power ballads were coming. "Pump" and "Permanent Vacation" each featured a smash ballad that got tons of air-play. "Get A Grip" features three ballads... "Cryin'", "Crazy" and "Amazing". Good songs, but not what I was expecting. These three songs sound similar and I'd be willing to be that most of the listening public would say they're interchangeable. The song "Eat The Rich" is borderline rap/hip-hop. "Gotta Love It" and Joe Perry's "Walk On Down" are the weakest tracks on the disc. Perry is a God on the guitar, and his lead vocals on his one song makes me think he should stick to the axe and backing vocals. There are several great songs here... "Get A Grip" with it's slow heavy drum beat, the fast paced "Fever" and "Shut Up & Dance", and the 1st hit released from the album "Livin' On The Edge". The 3 ballads mentioned above would also be big hits from this album. Like anything the band did in the 90's or after; the material has changed with the times, but it just can't compare to their music from the 70's. A good album for Aerosmith, not a classic though (3.5 stars).
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Get a Grip brought Aerosmith into the ninties, September 17, 2004
By 
Gitters (Allendale, IL United States) - See all my reviews
This review is from: Get a Grip (Audio CD)
1993's Get a Grip was the follow up to Aerosmith's 1989 classic Pump.While Get a Grip was a huge smash hit, it doesn't rank anywhere close to most of it's preceeders.I'd say it falls into the ranks of Draw the Line,A Night in the Ruts, and Rock in a Hard Place, all decent albums but not really up to the standards of the rest of Aerosmith's albums. Their where a handful of hit singles from the album, including Livin' on the Edge, Cryin', Crazy, and Amazing. The album is a polished affair with professional songwriters brought in, but it doesn't have the edge of Permanent Vacation or Pump(both of these albums they used professional songwriters also). Where Pump came close to bringing the Aerosmith sound back to what it used to be, Get a Grip makes a bid for radio airplay, and attracking more of a pop audience then their earlier work.If you like Aerosmith I'm sure you'll like Get a Grip, but I just want to say that it's not one of Aerosmith's best albums, go out and buy the first four albums instead of this one, then you'll hear the real Aerosmith.
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Aerosmith's album Get a Grip was produced by Bruce Fairbairn.
Joe Perry, Steven Tyler, Tom Hamilton, Brad Whitford, Joey Kramer and three other artists have been a member of Aerosmith.

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