Product Details

• Actors: Ossie Davis, Charles S. Dutton, Andre Braugher, Richard Belzer, De'aundre Bonds
• Directors: Spike Lee
• Writers: Reggie Rock Bythewood
• Producers: Spike Lee, Barry Rosenbush, Bill Borden, Reuben Cannon
• Format: Closed-captioned, Color, NTSC
• Rated: R (Restricted)
• Number of tapes: 1
• Studio: Sony Pictures
• VHS Release Date: October 14, 1997
• Run Time: 120 minutes
• Average Customer Review: 4.1 out of 5 stars  See all reviews (22 customer reviews)
• ASIN: 0800195213
• Amazon Best Sellers Rank: #113,721 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

Prolific director Spike Lee (Do the Right Thing, Malcolm X) offers the fictionalized account of the pilgrimages black men all across the country made to the Million Man March in Washington, D.C., and the process showcases a fine ensemble cast of eclectic actors. Shot in a fast-paced low-budget style, the film chronicles a bus trip beginning in Los Angeles and the passengers, all from vastly divergent ages, backgrounds, and beliefs, getting to know one another and discussing their respective reasons for making the trip. The group, including a gay couple, a father and his son, a cop, and an actor, each confront the hostilities and prejudices they have faced as well as the ones they hold within themselves. And along the road they encounter incidents that bring into sharp focus the need they feel to acknowledge their heritage and shared struggle. Frequently entertaining in its rapid pace and cutting dialogue, this small but ambitious effort is sure to provoke debate even as it entertains. --Robert Lane

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

4.0 out of 5 stars A thoughtful film, March 9, 2004

By 

Rob Walsh (Putney, Vermont) - See all my reviews

This review is from: Get on the Bus (DVD)

Get on the Bus is one of Lee's best works. Poignant, funny and introspective, it tells the tale of various black men from various walks of life; a father and his estranged, angst-ridden son, a gay couple, an arrogant actor, an ex-Crip turned Muslim, a half white cop and Ossie Davis as the "spiritual grandfather/moderator" type. They travel from California to DC for the Million Man March, and along the way come to terms with prejudice and hatred they have felt without as well as within.

Some may criticize the "stereotypical" treatment of the white characters, but this may be a bit much. The Jewish Bus driver is an honorable character, and in a scene with him and Charles Dutton, director Lee let's him speak his side of the story "OK, I may have some problems with blacks....but no more worse than the problems you have with whites. I don't have anything to prove to these guys". Randy Quade's redneck cop may have been over the top, but suffice to say, there are people in parts of America who still treat people that way.

Overall, I think this film is definitely Lee's most underrated work.

6 of 6 people found the following review helpful:

5.0 out of 5 stars A kaleidoscope of the black male experience..., May 27, 2000

By 

John K. Reed (Harrisburg, PA United States) - See all my reviews
(REAL NAME)   

This review is from: Get on the Bus [VHS] (VHS Tape)

set against the backdrop of the Million Man March.

I believe that many people see us as one person, with a single set of feelings, motivations, values, abilities, temperments what have you. Spike Lee has done a wonderful job of chronicling the many different facets of what the black male experience is in america. But at the same time he very accurately shows how despite our differences, political affiliations, generations, educational levels, economic realities, and even sexual orientation we have a common goal and collective spirit that binds us together perhaps in a way that no other group (in america) will hopefully ever have to be bound.

As only a small minority of the populace falls within the spectrum of the characters represented in the film so too will only a small minority of the viewing public recognize the importance and quality of this film.

As a participant in the March itself I felt tremendous pride in seeing such a large and diverse representation of black america assembled united in a common cause. Not one that is directed angrily at anyone but one that hopes to inspire the individual to take greater responsibility to himself, his family, community, and mankind as a whole.

Accordingly this film is a fitting tribute to that event and the spirit of its participants and sympathizers.

10 of 12 people found the following review helpful:

4.0 out of 5 stars Spike Lee at his best and worst..., April 26, 2004

By 

Eduardo Nietzsche (Houston) - See all my reviews

This review is from: Get on the Bus (DVD)

His best: social journalism. Nobody brings perennially pressing issues to the screen as consistently and vitally as Spike Lee---love or hate his films as you may, there's no argument that he does a superb job of provoking debate and reflection. Here it's Lee's two favorite topics, racial history/injustice/relations and (less prominently but still significant) gender/sexual issues...treated with a vast amount of humor and often insight.

His worst: at times some of his films implode when Lee gets on his soapbox and goes too heavy-handed---the Message blots out the Movie. This happens towards the last one-third, with the last 10 minutes especially preachy and contrived. The film craft breaks down, characters and dialogue that before had been pretty much spot-on suddenly verge into labored allegory and caricature.

It's like Lee drew up a laundry list of Pressing Societal Problems (brings to mind Larwence Kasdan's "Grand Canyon") and tried to allot 5-10 minutes for each one. Sometimes he does so with grace and wit, but sometimes he stumbles into glibness and stereotyping.

I was a little disappointed that Lee didn't show more of the actual Million Man march, maybe explore the controversial Louis Farrakhan a little bit more deeply. I was however pleasantly surprisd that Lee does take a fairly mature, gutsy stand on homosexuality and homophobia absent in some of his earlier films.

Had Lee made this film more as a straight (or pointed) documentary rather than trying to turn it into a heavy-handed inspirational treatise, I'd gladly give it 5 plus stars. Even in its current form it's well worth watching.