Get Low 2010 PG-13 CC

Amazon Instant Video

(205) IMDb 7.1/10
Available in HD
Watch Trailer

Based on a true story of Felix Breazeale, a Tennessee recluse, who planned his own funeral while he was still alive so he could enjoy it.

Starring:
Robert Duvall, Sissy Spacek
Runtime:
1 hour 44 minutes

Available to watch on supported devices.

Get Low

By placing your order, you agree to our Terms of Use. Sold by Amazon Digital Services, Inc. Additional taxes may apply.

Product Details

Genres Drama, Mystery
Director Aaron Schneider
Starring Robert Duvall, Sissy Spacek
Supporting actors Bill Murray, Lucas Black, Gerald McRaney, Bill Cobbs, Scott Cooper, Lori Beth Sikes, Linds Edwards, Andrea Powell, Chandler Riggs, Danny Vinson, Blerim Destani, Tomasz Karolak, Andy Stahl, Marc Gowan, Arin Logan, Gracie, Randy Bratton, Frances Cobb
Studio Sony Pictures Classics
MPAA rating PG-13 (Parental Guidance Suggested)
Captions and subtitles English Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Customer Reviews

Great story and great acting.
Tom
Bill Murray and Robert Duvall own the screen and are perfectly cast for their roles.
RubensWorld
Don't let anyone tell you this movie was lame, unworthy or anything like that.
E. Hernandez

Most Helpful Customer Reviews

177 of 182 people found the following review helpful By Miles D. Moore TOP 1000 REVIEWERVINE VOICE on August 15, 2010
Aaron Schneider's "Get Low" is a slight, unpretentious film that would blow away in the wind if it weren't anchored by some truly wonderful performances. Based on a true story, "Get Low" is set during the Great Depression, in the Appalachian hills of Georgia. Felix Bush (Robert Duvall) an old hermit feared and despised by his neighbors, hires the local funeral director (Bill Murray) to organize a "funeral party" so he can hear what the locals have to say about him before he's actually dead. That climactic event proves the occasion for Felix to make a full confession to his neighbors about the horrific event, forty years before, that cost him his reputation and has haunted him ever since.

Frankly, not much happens in "Get Low" before that climax, but it's mostly a pleasure to watch, thanks to Schneider's deft, low-key direction and the extremely fine acting, especially by Duvall and Murray. Duvall has made a career specialty of backwoods eccentrics, and his Felix Bush is one of the more memorable of them. The pain in Duvall's eyes blasts away any suggestion of mawkish sentimentality that might be inherent in the film. Murray is equally fine as a man who has more than a little con man in him, but who also has seen enough sorrow in life to spark his essential decency. The earnest Duvall and the roguish Murray play beautifully off each other, as fellow travelers on the Train of Sadness.

Sissy Spacek, as an old flame of Felix's, doesn't have much to do, but it's nice to see her anyway. Bill Cobbs is tartly amusing an a preacher who knows Felix's secret, and Lucas Black is extremely likable as Murray's assistant. "Get Low" is a gentle, poignant film, memorable for the acting.
4 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
66 of 71 people found the following review helpful By Dave Fever Tree Sigmon on September 4, 2010
Robert Duvall should have been in contention for an oscar with his complicated portrayal of Felix Bush, a 40-year hermit from the mountains of Tennessee. Bill Cobbs' performance was also remarkable as an Illinois preacher. In actuality, all the acting was stellar. Bill Murray was worth his weight in yen as the more-than-happy-to-oblige funeral director. This innovative storyline of Felix's wish for his own funeral service during his lifetime was perfectly-paced to let each character unfurl. And it was just the right length. Both the photography and costuming were stunning and gave the impression that this really was bound by that period in time. Even the currency had a look of authenticity from back in the days of the Great Depression. And I'd be remiss if I didn't mention the soundtrack, especially Alison Krauss' splendidly apropos "Lay My Burden Down".
8 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
61 of 67 people found the following review helpful By John F. Rooney VINE VOICE on September 4, 2010
"Get Low" takes place in the thirties and is about Felix who lives in the Tennessee woods for forty years as a foul-tempered recluse having little to do with the local townspeople. The old bearded coot is played by Robert Duvall who does a great but effortless-seeming acting job. He has a guilty secret which has driven him into seclusion. When an old acquaintance dies, he decides to have a funeral, but he decides he wants it to be a party, and he wants people to tell stories about him, and he wants to be there while he's still alive. Felix infrequently comes into town with his old mule. It's fun looking at the old thirties cars and the period hearse.
It's only later as the movie moves along that you realize this is really a mystery movie. One of the first clues comes when an old flame Sissy Spacek runs out on Felix after seeing a photograph on his wall. As a viewer you wonder what gets her so agitated. What Felix wants is one particular friend, an Afro-American minister (played by Billy Cobbs) to tell what he knows about him. Not that Felix built a beautiful church for the minister but what he confessed to him.
As the funeral director, Bill Murray is very winning playing the part of a man who is funny, sly, maybe a bit of a crook. He is only too happy to get paid for the strange funeral party because his business is tanking, not like his former home in Chicago where people were regularly getting bumped off.
It's actually a tour de force role for Duvall, but movie acting has gotten so deeply ingrained in him that he can make it seem organic. The movie is about peeling away layers of humanity in each character, and we slowly see them evolve into better people that we can admire.
Read more ›
2 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
11 of 12 people found the following review helpful By Diana F. Von Behren TOP 1000 REVIEWERVINE VOICE on September 28, 2010
As the eccentric Felix Bush in Aaron Schneider's 2010 film "Get Low," Robert Duvall effortlessly and adroitly infuses the screen with the sweet nuance of the human spirit. In his quiet, camera close-ups the audience marvels at this actor's great gift to enrich a small film with something remarkably indefinable yet magically akin to that illusive music of the spheres that supposedly sings with celestial harmony between the atoms that fuse together to create the ultimate human instrument. As the tortured, yet shrewd and wily Bush, Duvall vibrates with a resonance beyond the machinations and the need for redemption that reverberate through an entire money-starved Depression-Era town. At seventy-nine years young, he reigns as a master of technique, his ability to depict an entire emotional bank account spiked with the deposits of utter inexplicable happiness and the withdrawals of the most unforgivable sorrow shows the audience that he knows the secret to getting older gracefully while still maintaining full control.

The other players in "Get Low" compliment and showcase Duvall to perfection. Sissy Spacek as Felix's one-time girlfriend, Mattie, dually depicts the light and the shadow: a widow caught in the soft nostalgia of younger days where the flirtatiousness of dating and the ceremony of courtship still brings a youthful dimple to her cheeks and then a woman aghast at long ago goings-on behind her back of which her propriety and sense of righteousness could never allow her to comprehend let alone believe possible. Like Duvall, Spacek demonstrates the richness of her acting tally--she flips from refined matriarch to outraged rival with the ease of expertise and confidence in one's craft.
Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again

Most Recent Customer Reviews