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| 1. Jumpin' Jack Flash |
| 2. Carol |
| 3. Stray Cat Blues |
| 4. Love in Vain |
| 5. Midnight Rambler |
| 6. Sympathy for the Devil |
| 7. Live With Me |
| 8. Little Queenie |
| 9. Honky Tonk Women |
| 10. Street Fighting Man |
Rolling Stones Photos
Ya-Ya's showcases how they've evolved as a band since 1966's Got Live If You Want It. Gone are the sloppy playing that was heightened by the screaming teenagers. Here, the band showcases themselves as accomplished and focused musicians. Part of this transformation was the new kid on the block back then, Mick Taylor. While not as versatile as Brian Jones, Mick Taylor played the best lead guitar ever for the greatest rock 'n' roll band in the world. Taylor works hard but never overplays; his riffs are brilliant on Jumpin' Jack Flash, Midnight Rambler & Sympathy For The Devil (listen to the second solo, it's by him, not Keith). Stray Cat Blues is much different from Beggars' Banquet's version, with the runaway's age changed from fifteen to thirteen, and slowing down the tempo. Love In Vain is brilliant, and on it Taylor again shines. Carol and Little Queenie are great and do justice to Chuck Berry's originals. Live
With Me Rocks with out-and-out fantastic bass playing by the great Bill Wyman. Honky Tonk Women is the only song here I think could have been better, but Street Fighting Man is great, thanks to yet again Taylor's fantastic electric lead guitar work.
Get Yer Ya-Ya's Out isn't the greatest live album ever, but it lands near the top. It's a blistering example of how good live the Stones are when they feel like being this good rather than extremely sloppy. Compared to this, Love You Live and Still Life are big letdowns. I recommend this album today.
This is the remastered super audio CDs (SACD) of the Stones ABCKO catalog (which includes all the early Decca/London material. ABCKO acquired the Stones' catalog after Allen Klein became their manager in 1965. The resulting legal battles produced releases that the Stones opposed (they took out full page adds asking fans not to buy them), including the controversial Metamorphosis releases (which are now available on CD for the 1st time ever). But the sad fact is that the Stones lost control of their great early material. With these remastered SACD releases, we at last have some idea of what they really sounded like in the studio. I guess if we had these 40 years ago they would have ended up Greatest Rock And Roll Band in the Universe instead of Greatest Rock And Roll Band in the World.
Many serious Stones fans consider this the best of the live albums they have done over the years. It was the 2nd live album but it caught them at their peak as a driving band with their own megahits first peaking....Honky Tonk Woman, Jumpin' Jack Flash, & Street Fighting Man are all delivered hot and fresh with blazing licks by Keith on everything......Sympathy For The Devil has a great delivery by Mick, but my favorites on this one remain Carol, Little Queenie, and Midnight Rambler. The incredible drive of the rhythm section on Carol and the opening chords of Midnight Rambler are historic....are part of the basic fabric of rock......no matter how you look at it, this is one album you must have if you want a live Stones piece in your collection.
The album has several notable facts connected with it:
.....Albert and David Maysles filmed the Madison Square Garden shows and they form part of the movie Gimme Shelter that focuses mostly on the infamous Altamont concert that occurred a few days later on Dec 6th
.....Tina Turner opened the MSG shows and did a duet with Janis Joplin while Jimi Hendrix watched...
.....2 days after the Boston Garden show the Stones recorded both Brown Sugar and Wild Horses in Muscle Shoals, just before they flew to SF for the Altamont concert
This information comes from "It's Only Rock And Roll: The Ultimate Guide To The Rolling Stones" by Karnbach and Bernson and from my own collection.