In the turn-of-the-century story, the two characters, having managed to find one another against great odds, seek refuge in a gay utopian colony in Colorado loosely modeled after Edward Carpenter's farm in Sussex, England. There they discover a gay positive, post-Christian, Whitman-inspired spirituality.
The writer is never clear whether he is seeing ghosts or simply very vividly creating his novel. But the Topper-esque ghosts playfully assist him in coming to terms with his own self-pity and fear of dying.
It's a sweet, occasionally sexy, historical romance with a contemporary spiritual/philosophical message woven in--along with justs a touch of the Twilight Zone.
