Product Details

• Actors: Elliott Gould, Candice Bergen, Robert F. Lyons, Jeff Corey, Max Julien
• Directors: Richard Rush
• Writers: Ken Kolb, Robert Kaufman
• Format: Color, DVD, Subtitled, Widescreen, NTSC
• Language: English
• Subtitles: English
• Region: Region 1 encoding (US and Canada only)
  PLEASE NOTE: Some Region 1 DVDs may contain Regional Coding Enhancement (RCE). Some, but not all, of our international customers have had problems playing these enhanced discs on what are called "region-free" DVD players. For more information on RCE, click here.
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rated: R (Restricted)
• Studio: Sony Pictures Home Entertainment
• DVD Release Date: February 3, 2009
• Run Time: 124 minutes
• Average Customer Review: 4.0 out of 5 stars  See all reviews (15 customer reviews)
• ASIN: B001LMAK6K
• Amazon Best Sellers Rank: #23,448 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "Getting Straight" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

Though its plot varies widely from the "bad trip" films of its time (The Trip or Psych-Out), Getting Straight exists in this movie vein that illustrates the 1960s countercultural movement, both through its settings--wild parties and college campus hallways--and through its experimental camerawork, such as the way the lens focuses and de-focuses on characters as they converse. Moreover, the protagonist’s best friend, acid drop-out Nick (Robert Lyons), does make several good points throughout the film pointing out absurd realities, as characters typically do in this hippie film genre. That said, Getting Straight has a fairly complex story, and stars the excellent Elliot Gould as Harry Bailey, a Vietnam Vet whose past commitment to activism has been put to the test as he struggles to earn a living. Under the tutelage of conservative Professor Willhunt (Jeff Corey), Bailey is studying for his Master’s degree to become a teacher, to the chagrin of his radical friends, like Nick, and like his girlfriend, Jan (Candice Bergen), who waffles between wanting a conventional relationship and total freedom. Directed by Richard Rush, who worked for Roger Corman previous to making this film, Getting Straight has a B-movie feel in a good way, maybe because there are several stylishly clichéd characters in Bailey’s social circle. Yet Elliot Gould injects so much angst into Bailey’s character that this movie offers a well-rounded glimpse into the mind of someone whose idealism is at odds with learning to "exist," as Bailey says, in a Capitalist society. Dialogue gets heady and psychedelic at times, sometimes feeling as if Terry Southern (Candy and The Magic Christian) wrote the film. In all, Getting Straight is perfect for those aficionados of the 60s genre film, and will also please Gould fans who may have missed this entertaining gem. --Trinie Dalton




Stills from Getting Straight (Click for larger image)

Product Description

Genre: Drama
Rating: R
Release Date: 3-FEB-2009
Media Type: DVD

Customer Reviews

Most Helpful Customer Reviews

22 of 25 people found the following review helpful:

5.0 out of 5 stars GETTING STRAIGHT IN A TWIST 'N TURN WORLD, December 2, 2003

By 

M. DONERIAN (East Windsor, CT) - See all my reviews
(REAL NAME)   

This review is from: Getting Straight [VHS] (VHS Tape)

Don't let anybody else's review of this fool you. First of all, it's NOT THAT DATED. Secondly, after not seeing this movie since it came out in 1970, I was able to view it with the eyes of an adult instead of a 14 year old young girl.
I first saw this movie in the Summer of 1970, at a Drive-In Theatre with my parents. We went to the Drive-Ins every Saturday in the Summers. This was when they showed first run movies that were popular and had quality. (of course they showed all the other stuff too)
But there was something about GETTING STRAIGHT that has haunted me since 1970. The movie has always been in the back of my mind, so I finally got straight myself, and purchased a copy. And here goes.....

This movie should have been nominated for some Academy Awards back then. It is a terrific movie, directed by Richard Rush, who made another favorite of mine.... "PSYCH-OUT". But that's another review. Elliott Gould was at the top of his game at the time this movie was made. Harrison Ford??? (plays a bit part as a student in this film) Who was he???? Well, we found out later, didn't we? He must have been in his late 20's when this was filmed.
The Harry Bailey (Gould) character was a "down on his luck kind of guy", living on the fringes of life and society. In the film, he is a Vietnam Veteran, returning to get a Master's Degree. He wants to be a teacher.
If you think his car is a "classic", then you have no idea of being poor. This guy is so at the edge, he'll do anything to survive. He's not a bad person, but he takes too many shortcuts, and in the end, his integrity is at stake. You will see this yourself. The scene with Cecil Kellaway in a cafeteria where he makes tomato soup out of hot water and ketchup should have gotten him the Oscar right there! Not that it hasn't been done before, but this is no comedy. This is REAL LIFE, and it shows what you have to do just to make it every day! Gould crushes the crackers in the glass as if he has done this in his sleep!
Candace Bergen is his "love interest" and also in the end, she makes the right choice.
What was very real to me at the time in 1970, was the Campus Unrest, Protests, Barbed Wire, and the National Guard. Like Vietnam comes to College. Those scenes were "right on" at the time, because we were embroiled in so much. Kent State had just happened on May 4, 1970; we had Nixon/Agnew in office, Vietnam, Conscientous objectors (Can you say Canada?) Campus Unrest, and Tear Gas, Tear Gas, and then more Tear Gas.
This movie ends on a "high note", although smashing up the building isn't an option I favor highly. But you will get the point.
Well I guess I have rallied on long enough. This is a great movie, with some humour, but just to see Gould try to get through every day alone is worth watching. I am sorry he and Mr. Rush didn't get some well deserved Oscars.

7 of 8 people found the following review helpful:

4.0 out of 5 stars A timeless movie about a strange time, January 10, 2000

By 

Eric C Hedberg (USA) - See all my reviews

This review is from: Getting Straight [VHS] (VHS Tape)

For anyone who has wondered how the 60's turned into the 70's this movie should be the answer. Getting Straight personaifies the transition from extreme activist to pratical adult in Gould's character. This movie is a must for any college student annoyed with what seems to be pointless protests to stupid issues like dorm hours.

8 of 10 people found the following review helpful:

4.0 out of 5 stars When you say it's dated..., March 3, 2006

By 

J. Figler "jfigl" (portland, or United States) - See all my reviews
(REAL NAME)   

This review is from: Getting Straight [VHS] (VHS Tape)

...you fail to realize that, to the extent that you are conveying anything meaningful at all, you are paying it a compliment.

The film captures, as well as any film I've ever seen, the disintegration and the insanity of its specific moment. Compare Richard Rush's visceral staging of the campus riots here to any fictional or documentary footage you've run across; even "Medium Cool", the legendary fiction-doc hybrid, comes up feeling distant and tentative. If "Getting Straight" were not so steeped in sweat, incense and tear gas; if it didn't fill the viewer with the dread and danger of the social rift it depicts; if it were lazy, unfocused, generalized, no one would think to apply the term "dated".

The film was not just released in 1970. It is 1970.

Of course it's dated.

It's possible that your use of the term is meant to imply that the film is dumb or corny, but if it were either of these things, it would have been dumb and corny on the day it was released, two years after it was released, and yesterday. If the film didn't have several dozen thoughtful things to say about its milieu, if it were in fact just striking fashionable poses ("Bob and Carol and Ted and Alice" comes immediately to mind as an example of an empty-headed, would-be-"relevant" film of the same era), when its supposed "shock of the new" had worn off, "dated" in this particular derogatory sense might well apply.