Customer Reviews

The Getting of Wisdom

5 star:		(3)
4 star:		(0)
3 star:		(0)
2 star:		(0)
1 star:		(1)

 

 

This is a beautiful film.
This vaults into my Top 10 Coming of Age films EVER.
I don't want to give out plot details, like the other misguided reviewer did.

Masterful filmmaking. Strong Acting.
Lovely script.
Makes you want to cheer and yell.
See this film, it will make you think of what happened to you when you were growing up.

This is a gem of a film from Australia. Susannah Fowle in the lead role as Laura is well acted and keeps you interested right to the end. I love this film and would highly recommend it.

First saw this a number of years ago when it was first released and loved it. A wonderful coming of age flick that treads lightly, but firmly, where others might sensationalize. Had to get it the PAL version since it's not available in US format. Wish I knew why great films like this haven't yet been released by US companies (although The Chant of Jimmy Blacksmith recently came out thankfully).

This Australian film directed by Bruce Beresford was made in 1977 but not released in the U.S. until 1980, when overseas interest in Australian films was fueled by titles like My Brilliant Career and The Chant of Jimmie Blacksmith. However Beresford is a lesser talent than either of the directors of those two films, Gillian Armstrong and Fred Schepisi. This film is like the underbelly of Peter Weir's 1975 Picnic at Hanging Rock, also set in a turn of the century ladies college, but while Weir's title is all romantic lyricism, Beresford goes for lowbrow comedy. Beresford's out to show how schoolgirls are just as cruel as schoolboys by placing a fish-out-of-water into their "well-bred" environment. Of course, it's no surprise that the impoverished heroine Laura is far more civilised than the other girls. That is, until she learns that the "wisdom" to be got is being an opportunist. Pauline Kael put it best when she wrote "what she learns is the principle of contagion - that you get close to the powerful, so that their power can rub off on you, and stay clear of the helpless and weak, so their failure won't infect you". Such is the rewards of finishing schools. Beresford even gives us a freeze-frame close-up of Laura with over-bite begging for acceptance. He isn't interested in presenting these girls as beautiful or sensuous, and deliberately shows their facial pimples and awkward bodies. Even the suggestion of lesbianism in Laura's relationships with 2 girls are diffused by making one fat and expelled (for stealing from the others to buy a ring for Laura), and the other a rich older student, who cradles Laura in bed like a mother. The female staff are also grotesques - Sheila Helpmann as the schoolmistress wears an unwavering look of disdain, though when she drops it at Laura's graduation, we get a laugh, and Beresford undercuts the sight of floating black swans that Laura feeds by having them bleet loudly. The film works the best with Beresford's use of Laura's piano playing, when he edits to his comic routines, but he unfortunately indulges Barry Humphries as the school's minister in a long monologue where he denounces the thieving friend.