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Getting into Character: Seven Secrets a Novelist Can Learn from Actors [Paperback]

Brandilyn Collins
4.7 out of 5 stars  See all reviews (24 customer reviews)

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Book Description

March 11, 2002 0471058947 978-0471058946 1
Want to bring characters to life on the page as vividly as fine actors do on the stage or screen? Getting into Character will give you a whole new way of thinking about your writing. Drawing on the Method acting theory that theater professionals have used for decades, this in-depth guide explains seven characterization techniques and adapts them for the novelist's use.

In this unique and practical book, you'll discover concepts that will help you understand and communicate the behavior, motivation, and psychology of every fictional character you create. Examples from classic and contemporary novels show you how these techniques can be used to help you write scenes as effective as Jane Austen, Mark Twain, Steve Martini, Anne Rivers Siddons, and others. 

These simple yet highly effective techniques will help you:

* Create characters whose distinctive traits become plot components
* Determine each character's specific objectives and motivations
* Write natural-sounding dialogue rich in meaning
* Endow your characters with three-dimensional emotional lives
* Use character to bring action sequences to exuberant life
* Write convincingly about any character facing any circumstance

Frequently Bought Together

Getting into Character: Seven Secrets a Novelist Can Learn from Actors + Plot & Structure: (Techniques And Exercises For Crafting A Plot That Grips Readers From Start To Finish) (Write Great Fiction)
Price for both: $21.70

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Editorial Reviews

From the Back Cover

Proven techniques for creating vivid, believable characters

Want to bring characters to life on the page as vividly as fine actors do on the stage or screen? Getting into Character will give you a whole new way of thinking about your writing. Drawing on the Method acting theory that theater professionals have used for decades, this in-depth guide explains seven characterization techniques and adapts them for the novelist’s use.

In this unique and practical book, you’ll discover concepts that will help you understand and communicate the behavior, motivation, and psychology of every fictional character you create. Examples from classic and contemporary novels show you how these techniques have been used to dazzling effect by Jane Austen, Mark Twain, Steve Martini, Anne Rivers Siddons, and others. These simple yet highly effective techniques will help you:

  • Create characters whose distinctive traits become plot components
  • Determine each character’s specific objectives and motivations
  • Write natural-sounding dialogue rich in meaning
  • Endow your characters with three-dimensional emotional lives
  • Use character to bring action sequences to exuberant life
  • Write convincingly about any character facing any circumstance

About the Author

Bestselling author BRANDILYN COLLINS writes novels in both the women's fiction and suspense genres. She is also the author of the well-received true crime title A Question of Innocence. Before turning to writing, she was a longtime student of drama, including Stanislavsky's writings on Method acting. Visit her Web site at: www.brandilyncollins.com.

Product Details

  • Paperback: 224 pages
  • Publisher: Wiley; 1 edition (March 11, 2002)
  • Language: English
  • ISBN-10: 0471058947
  • ISBN-13: 978-0471058946
  • Product Dimensions: 6.3 x 0.6 x 9 inches
  • Shipping Weight: 11.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon Best Sellers Rank: #148,870 in Books (See Top 100 in Books)

More About the Author

Brandilyn Collins is an award-winning and best-selling novelist, writing her trademarked Seatbelt Suspense®--fast-paced, character-driven suspense with myriad twists and an interwoven thread of faith. She also has written the distinctive book on fiction-writing techniques, Getting Into Character: Seven Secrets a Novelist Can Learn From Actors (John Wiley & Sons).

You can read excerpts from all her books at her Web site: www.brandilyncollins.com.

Customer Reviews

4.7 out of 5 stars
(24)
4.7 out of 5 stars
Most Helpful Customer Reviews
38 of 38 people found the following review helpful
Format:Paperback
This book seemed to be one-half Lajos Egri (The Art of Creative Writing) and one-half John Cleaver (Immediate Fiction). Like both of these authors, Brandilyn Collins explains how to create well-developed, compelling characters that you can let loose in your stories.

All of the author's techniques tie back to Stansislavsky's "Method Acting." Each chapter starts with an analysis of one of techniques of Method Acting. Then that technique is summarized in terms of ficiton writing. The remaining chapter fills in the details and gives examples.

In addition to the techniques of character development, the author presents several narrative frameworks for the overall plotting of the story. She also discusses crafting each scene using character objectives that flow from the character's Inner Values.

The chapter on dialog was interesting. Here, the author shows you how to link the hidden-message of dialog (sub-texting) back to the richly-developed psychological profile, or inner values, of the character.

I liked the book very much - particularly her conceptualization of Method Acting back to narrative writing and her well-explained examples. This book is different than many others describing character development. The author also includes exercises that the reader can pursue.

John Dunbar

Sugar Land, TX
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35 of 37 people found the following review helpful
5.0 out of 5 stars The start of a new era in character development October 2, 2002
Format:Paperback
If you want to get a headstart into what is to come in the next wave of character development then get this book. In my opinion, the future of character development and the secrets in creating a real person on paper lies in the studies done by professional acting coaches.

How did I get this opinion? Well, I was so enlightened by the information in this writing manual that I read the books by the acting coaches Collins refers to and discovered that Collins has scraped the surfaced on a whole science. These acting coaches studied human behavior not only from a scientific point of view but from a sensory point of view. At the time these "Acting Scientists" wrote these books, human behavior sciences like psychology, psychiatry and hypnotherapy were making great strides and right along with them, "Acting Scientists" were adding these priniciples to their acting methods creating a science that changed acting forever. And today, thanks to Collins, Novelists who want to create a real person can benifit handsomely.

There is a thin line between a great novelist and a great actor and I hope to see more acting techniques being translated for the novelist who wants to be great.

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21 of 22 people found the following review helpful
5.0 out of 5 stars What more can I say? February 28, 2003
Format:Paperback
The other reveiwers have it right. After studying more than 30 titles on the craft of writing, I can say that this is by far the most useful work on developing believable and well-rounded characters that I have seen to date. The information is timely, practical, and accessible. The examples are well-organized and perfectly suited to the material. The writer can take what he learns and put into practice immediately. Excellent work!
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Most Recent Customer Reviews
5.0 out of 5 stars Simply the Best Book For Your Money
I am no novice when it comes to reading books on the subject of writing. I have a library that would rival most of the big booksellers in America. Read more
Published 4 months ago by Jac Tyler
5.0 out of 5 stars Writing Ed 101
This book is well done and full of great study illustrations to cement each lesson into place. Very helpful for a writer, or a writer to be. Read more
Published 17 months ago by William E. Bryson
5.0 out of 5 stars A must for the Writers toolkit!
Sage advice on how to involve the readers. The writers secret weapon for providing a cinematic effect to the written word.
Published 22 months ago by Pheenyx
5.0 out of 5 stars Really excellent and advanced
I've had a couple novels published by New York publishers and have sold a number of short stories, but I've never felt my characters had sufficient depth. Read more
Published 24 months ago by J. Stoddard
5.0 out of 5 stars An in-depth look at character development
I am a beginning writer, so I'm reading as much as I can about the craft of writing fiction.

"Getting into Character" is one of my favorite books on writing. Read more
Published on February 15, 2011 by J. Belcher
1.0 out of 5 stars Completely Fails to Deliver
When I found this book, I was ecstatic because I had been meaning to study Stanislavsky's Method acting to enrich my fiction. I started reading it with gushing enthusiasm. Read more
Published on January 28, 2010 by Taka
5.0 out of 5 stars Book Review for "Getting Into Character" by Brandilyn Collins
The sub-title for this book is: "Seven Secrets A Novelist Can Learn From Actors." Author Brandilyn Collins adapts the Method acting techniques of famed acting coach, Stanislavsky,... Read more
Published on December 22, 2008 by Cathy Bryant
5.0 out of 5 stars Acting to Writing--A Sourcebook of Inspiration!
Getting Into Character is an excellent resource for all fiction writers. Brandilyn Collins adapts her knowledge of Method acting to the art of creating multi-faceted characters in... Read more
Published on December 7, 2008 by R. Poole-Carter
5.0 out of 5 stars A polished gem
As a writer of character-based novels, I found this book to be a veritable fountain of perspicacity, chock full of pithy analogies and examples. Read more
Published on November 10, 2008 by Donald James. Parker
5.0 out of 5 stars Take a closer look
It's true, writers often say it rather than show it. This book helps you take a look at a character and like an actor would show their action gives writers tips on how to make your... Read more
Published on October 20, 2008 by Maritsa
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