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Ghettoblaster

SocalledMP3 Download
4.2 out of 5 stars  See all reviews (8 customer reviews)

Price: $8.99
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Album Savings: $3.88 compared to buying all songs

  • Original Release Date: June 12, 2007
  • Format - Music: MP3
  • Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
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  Song Title Artist Time Price  
Play   1. Ghettoblaster Intro Socalled 2:21 $0.99 Buy Track  - Ghettoblaster Intro
Play   2. (These Are The) Good Old Days Socalled feat. Fred Wesley, Subtitle, and David Krakauer 5:17 $0.99 Buy Track  - (These Are The) Good Old Days
Play   3. Let's Get Wet Socalled 3:20 $0.99 Buy Track  - Let's Get Wet
Play   4. You Are Never Alone Socalled feat. C Rayz Walz, Doris Glaspie & Katie Moore 4:31 $0.99 Buy Track  - You Are Never Alone
Play   5. Slaughter On 10th Ave. Socalled 2:13 $0.99 Buy Track  - Slaughter On 10th Ave.
Play   6. Ich Bin A Border By Mayn Vayb Socalled feat. Irving Fields 3:40 $0.99 Buy Track  - Ich Bin A Border By Mayn Vayb
Play   7. (Rock The) Belz Socalled feat. Theodore Bikel, Teah, & Susan Hoffman-Watz 5:11 $0.99 Buy Track  - (Rock The) Belz
Play   8. Rece Cica Socalled 4:31 $0.99 Buy Track  - Rece Cica
Play   9. Slaughter Interlude Socalled 1:53 $0.99 Buy Track  - Slaughter Interlude
Play 10. Heart Attack Feeling Socalled 6:39 $0.99 Buy Track  - Heart Attack Feeling
Play 11. Baleboste Socalled feat. Gonzales, Sophie Trudeau, & Adrienne Cooper 5:17 $0.99 Buy Track  - Baleboste
Play 12. Bikel Family Nigun Socalled feat. Theodore Bikel 0:47 $0.99 Buy Track  - Bikel Family Nigun
Play 13. Let's Get Wet (Louder Remix) Socalled 6:07 $0.99 Buy Track  - Let's Get Wet (Louder Remix)
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Customer Reviews

8 Reviews
5 star:
 (3)
4 star:
 (4)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (8 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
5.0 out of 5 stars BCAUVA, April 18, 2010
This review is from: Ghettoblaster (Dig) (Audio CD)
On Thursday, April 15 the Klezmer Ensemble, featuring Socalled, performed at Old Cabell Hall at the University of Virginia. The ensemble performed traditionally Jewish music with Socalled integrating hip hop and funk into the performance.
The word klezmer was traditionally used to refer to the musical instruments used in secular Jewish music first heard around the 15th century; however, in the late 1900s it became used to describe the professional musicians and then to describe the sounds as their own musical entity.1 The "Yiddish" music ensemble that performed the other night at the University of Virginia incorporated several violins, clarinets, trombones, trumpets, piano, accordions, mandolins, flute, and a bass. The director Joel Rubin combined both undergraduate and graduate students, faculty, and community members to play in his ensemble. 2
Socalled can be described as "a hip hop maestro... a musician, producer, composer, arranger, magician, filmmaker, photographer and visual artist." 3 Born as Josh Dolgin, the Quebec resident became interested in playing the accordion at a young age. He played for numerous bands just outside of his community, including salsa, gospel, rock, and funk groups. 2 Never feeling close to his Jewish roots, he began to explore the sounds of old Yiddish records and realized the potential they contained for developing into "cool sounds he could sample to make hip hop beats." 3 He has created his own genre of music, incorporating the old traditional sounds of his Jewish heritage with the new sounds of his own generation and the pop music culture.
To begin the concert, Socalled played the accordion alongside Joel Rubin and the rest of the ensemble. It was a very traditional sounding song and tended to match the vibe of the audience (a mostly above 40 crowd). However, the mood quickly changed as during the next song Socalled was handed over the microphone to rap a Hebrew poem. He then took over the piano and continued to sing with a more pop sound on the next song performed. Next, he participated in a traditional trio style sound of music; however only Rubin on the clarinet and Socalled on the accordion were used. Finally, the sampler was utilized as Socalled put a wonderful back beat to the traditional sounds of the ensemble. He got the entire audience captivated as he performed a magic trick that was done by ripping up pieces of paper while getting the audience to clap with each "rip" sound he produced into the microphone and then stunned all viewers by magically creating a full piece of paper from the scraps. He appeared to just spontaneously push buttons on his sampler but all the previously recorded sounds meshed perfectly and the beats were wonderful additions to the violins and clarinets.
Finally, Socalled got to perform his very own song with his sampler: "These Are the Good Old Days." He changed up some of the lyrics to suit the present audience, but with his sampler he produced an entire band for himself, and then he asked Rubin and a guest trumpet player to accompany him for parts of the song. He also asked for audience participation in singing the "na na na..." part of the melody. The audience responded well to his more modern approach to the Klezmer sounds and actively shouted out their designated part. What could have been a lot of chaotic sounds filling the air blended nicely into a sound that before that night I could not say I had heard.
Socalled is unique in his attempts to blend the old with the new by his creation of digital music beats from Yiddish records and in his ability to combine very different sampled sounds from miscellaneous music genres into one new song. I highly recommend anyone to explore his music and read more about what goes into the creation of each song.

1 - Wikipedia
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1 of 1 people found the following review helpful:
5.0 out of 5 stars beautiful, October 18, 2007
This review is from: Ghettoblaster (Dig) (Audio CD)
This is an extremely well-crafted album. I first discovered it through YouTube's hosted video for "You Are Never Alone," in which the artist (who provides no vocals for this track) symbolically mechanically replaces body parts with those of the actual performers. I ordered the album (through not through Amazon) before it even finished playing. The music -- hiphop and ethnic fusion, with heavy influences from Jewish folk music -- is too dissimilar from anything I know well to adequately summarize, but bears an attention to detail that doesn't detract from its grander sweep. In discussing it with friends, I've compared it to Gorillaz, but only for lack of a better analogy. ...As a last note, something I find personally amusing: "You Are Never Alone" has a (deliberate) Western-ish feel, similar to Mirah (another Jewish artist)'s "Cold Cold Water". I blame Kinky Freidman.
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4.0 out of 5 stars Expand you musical horizons, June 10, 2011
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This review is from: Ghettoblaster (Dig) (Audio CD)
I was exposed to this artist through a documentary I watched on Netflix and thought he was really quite interesting so I searched for his music on Amazon and found this CD. He takes samples from the oddest recordings and mixes them to end up with a really unique sound. He raps and also has very good musicians that sound great together. SoCalled is worth listening to so give him a try you just might like this skinny white Canadian rapper/musician.
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