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Ghost Lights: A Novel [Hardcover]

Lydia Millet
4.3 out of 5 stars  See all reviews (14 customer reviews)

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Book Description

October 24, 2011

A funny and haunting new novel from "one of the most acclaimed novelists of her generation" (Los Angeles Times).

Hal is a mild-mannered IRS bureaucrat who suspects that his wife is cheating with her younger, more virile coworker. At a drunken dinner party, Hal volunteers to fly to Belize in search of Susan's employer, T.—the protagonist of Lydia Millet's much-lauded novel How the Dead Dream—who has vanished in a tropical jungle, initiating a darkly humorous descent into strange and unpredictable terrain.

Salon raved that Millet's "writing is always flawlessly beautiful, reaching for an experience that precedes language itself." In Ghost Lights, she combines her characteristic wit and a sharp eye for the weirdness that governs human (and nonhuman) interactions. With the scathing satire and tender honesty of Sam Lipsyte and a dark, quirky, absurdist style reminiscent of Joy Williams, Millet has created a comic, startling, and surprisingly philosophical story about idealism and disillusionment, home and not home, and the singular, heartbreaking devotion of parenthood.

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Editorial Reviews

Review

“[Lydia Millet] takes aim at the metaphysical jugular...her gorgeous narration...exists in some extraordinary place, at once discursive, editorial, and ruminative…. If literature can under the best circumstances transport, then Millet's extraordinary vision brings us in on the float.” (Minna Proctor - Bookforum )

“In Lydia Millet's brilliant new novel, a skeptical tax man follows a runaway millionaire to Latin America.

Can it be a coincidence that this year — when the issue of taxes has become an abyss that both divides and conquers our national government — we also have two new books about IRS workers by important novelists of ideas? The first, of course, is David Foster Wallace’s posthumously published The Pale King.... The second is Lydia Millet’s new novel, Ghost Lights....

...Millet is seldom compared to J.M Coetzee, who seems an obvious and fruitful influence on...Ghost Lights.... Their prose has a similar, lovely stillness, and both portray characters nudged beyond typical human navel-gazing....” (Laura Miller - Salon.com )

“Millet is a gifted writer, often dropping droll and sardonic throw-away lines of surprisingly smart humor.” (Kirkus Reviews )

“Millet… skillfully interweaves the personal and the political, making Hal’s journey both specific and universal.” (Christine DeZelar-Tiedman - Library Journal )

“Millet is that rare writer of ideas who can turn a ruminative passage into something deeply personal. She can also be wickedly funny, most often at the expense of the unexamined life.” (Tricia Springstubb - Cleveland Plain Dealer )

“...surreal, darkly hilarious and profound… With its linguistic and plot pranks and underlying moral complexity, Ghost Lights recalls the laconic, Lacanian novels of Paul Auster. Like Auster, Millet presents a disoriented postmodern hero who becomes a willing but only marginally competent detective in a mystery that requires a series of absurd divagations leading to a life-changing or life-threatening existential inquiry.” (Carolyn Cooke - San Francisco Chronicle )

“[A] whip-smart, funny novel…. A yarn about marriage, fatherhood, and idealism, its every page idiosyncratically entertaining, amusing, and insightful. Millet proves she might have Jonathan Franzen beat at expertly mixing the political and domestic.” (Martha Steward Whole Living )

“At her best [Millet] exhibits the sweep and Pop-Art lyricism of Don DeLillo, the satiric acerbity of Kurt Vonnegut, the everyday-cum-surrealism harmonics of Haruki Murakami, and the muted-moral outrage of Joy Williams… Strange, alternately quirky, and profound… Millet is operating at a high level in Ghost Lights, and the book provides a fascinating glimpse of what can happen if the self’s rhythms and certainties are shaken. We should be grateful that such an interesting writer has turned her attention to this rich, terrifying subject.” (Josh Emmons - New York Times Book Review )

About the Author

Lydia Millet is the author of the New York Times Notable Book Ghost Lights and eight other works of fiction. Her short story collection Love in Infant Monkeys was a finalist for the Pulitzer Prize. She lives with her children outside Tucson, Arizona.

Product Details

  • Hardcover: 256 pages
  • Publisher: W. W. Norton & Company; 1 edition (October 24, 2011)
  • Language: English
  • ISBN-10: 0393081710
  • ISBN-13: 978-0393081718
  • Product Dimensions: 6 x 0.9 x 8.7 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Best Sellers Rank: #664,364 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews
7 of 8 people found the following review helpful
5.0 out of 5 stars " Mid-Life Angst and Misadventures" December 5, 2011
Format:Hardcover
An edgy, side splitting novel of a mild-mannered government bureaucrat who fears that he has been cuckolded by "Robert the Paralegal". Subsequently, he goes through a number of existential crises that lead him to the hotels and jungles of the Carribean, where he is confronted by a pair of "neurotic bohemians" and by a family of "aggressive German tourists" in his search for a venture capitalist gone missing. The scenarios in this book are written tongue-in-cheek, and bring to mind a WASPish Woody Allen/Larry David misadventure. I should add that there is a very dark side as well, but this only adds to the novel's edginess. Highly recommended for a very pleasurable reading experience.
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4 of 4 people found the following review helpful
5.0 out of 5 stars Book two of the trilogy June 27, 2012
Format:Hardcover|Amazon Verified Purchase
This second book of Millet's trilogy, following the intrepid How the Dead Dream, centers on middle-aged IRS bureaucrat, Hal Lindley, Susan's husband, both who were minor characters in the first book. Susan works for T., the protagonist of book one, the man who is missing in Belize, and presumed dead. You don't have to read the first book to engage with the second, but it adds more background and material on several of the characters (especially T.), and some more dimension and history on the story as a whole.

The only writer I can think of that reminds me of Millet is Paul Auster, with his postmodern, darkly comic and surreal novels of characters earnestly struggling, and yet with an absurd haplessness, too, to comprehend their lives. They suffer from disorienting delusions, so that their self-directed journeys are fevered with mortifications. Millet is somewhat quirkier, even, and without the assembled, careful structure of Auster. She is less antiseptic than Auster, with an undertone of gallows humor.

After Hal comes to the conclusion that Susan is having an affair with her preppy office paralegal, he decides to play the potential hero, offering to travel to Belize to find T. Stern, who has been missing since he went on a boat trip with a guide up the Monkey River. Several issues plague Hal, besides Susan's affair. First, he feels like he is responsible for forcing Susan to suppress her bohemian, free-love spirit that she possessed when they first met in the 60's (it is now 1994, dated by the death of Kurt Cobain).

Secondly, and more importantly, he is emotionally choked with guilt and pain about his daughter, Casey, who had an accident when she was 17 and is now a twenty-six-year-old paraplegic. Apparently, she once had an intimate affair with T., (if you read the first book, you get the full story), but she isn't sharing the details. T. was responsible for her new and improved outlook--her shedding of cynicism, self-enmity, and former scorn for all of existence. Now that Casey is engaged with life, she has taken on an acrimonious, mocking ex-cop paraplegic boyfriend, and an appalling telephone job that Hal found out about inadvertently.

Hal's feelings of profound loss over Casey, and his frequent interior dialogues about her "before" and "after" state, as well as the shock of his wife's infidelity, crushes him with an awareness of his own obsolescence. This keeps with the themes of extinction started in the first book. Although it is animal extinction that was How the Dead Dream's concern, there has always been a subtext of human dissolution and annihilation.

"...suddenly he was older and part of the architecture, its tangibility and the impulse behind it, its failings and strengths. The heavy installation had lost their majesty and seemed temporary, even shoddy, with a propensity for decline."

"He was a surplus human, a product of a swollen civilization. He was a widget among men."

Hal's adventures in Belize include breakfast:

"Eggs arrived, with a slice of papaya to remind him of his location. Lest he mistake them for Hackensack eggs or eggs in Topeka, the papaya came along to announce they were tropical eggs, to remind him that congratulations!-he was on a tropical vacation."

Hal meets a German couple named Hans and Gretel (seriously!), (with twin blonde young "cornboys" obsessed with table tennis and video games), who are resolutely cheerful and beautiful to look at, and radiate a glowing bliss. "Such Germans were irritating. On the one hand they were an unpleasant reminder of Vikings and Nazis, on the other hand you envied them."

Hans, an avionics genius and specialist in something called tactical sensor networks, is well-connected to the military, and after hearing Hal's reason for coming to this island, organizes a search for T., with the U.S. armed forces, the Belize Defence Force Cadets, and NATO on board. Hal joins Hans and the muscle bound military men, and has his own Heart of Darkness trip through the jungle, as T. did in the first book.

This next quote, although not plot progressing, is an example of Millet's sly, dark wit as channeled by Hal's interior thoughts:

"Armed forces personnel were not as bad as cops, when it came to the aggregate probability of antisocial personality disorder...They were not homicidal so much as Freudian; they liked to feel the presence of a constant father. And their fringe benefits included fit and muscular bodies."

Millet's charismatic wit blends with her piercing, philosophical insights and compassion to portray a man on the brink of an existential crisis. What is especially endearing about Hal Lindley is his humanity as a parent, ripe and heartfelt with touching contradictions. The ending is surreal and mystifying, with a touch of the bizarre, a soul-searing finale that makes me impatient for book three. Magnificence is scheduled for November release.
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3 of 3 people found the following review helpful
5.0 out of 5 stars An Engrossing Journey May 28, 2012
Format:Hardcover
An I.R.S. agent, Hal, goes looking for his wife's missing boss in a Central American jungle. Why? Because he thinks his wife is having an affair with a paralegal who works in the boss's office? Maybe, maybe for more complicated reasons. The boss, "T." disappeared on a trip to Belize. Hal's wife is frantic. Hal, drunk at a party, announces he will go to Belize and find T. Hal's wife and his paraplegic daughter, are amazed and grateful. Hal is stunned by his own decision, but "what the hell?" During his sojourn in the jungles and resorts and jails and bars and house parties of Belize, Hal reflects on his life, his character, his failures as a husband and father, and life in general. He meets a German couple and their two young sons. "Hans and Gretel" befriend him and, incredibly, volunteer to help him find the missing (dead?) T. Hal ruminates on the German character; determined, efficient, productive, and goes skinny dipping with the beautiful wife. They have sex on the beach, while the husband enlists the aid of the American Coast Guard, and Belize military cadets in a search for T. Hal's reflections on the human condition, his own failings, his newly formed aspirations, are sincere, touching, pathetic, and humorous all at once. Maybe this sounds too cerebral, but Lydia Millet weaves this tale so deftly, with such sly humor and such dead-on pathos, with such terrible insights, and suspense, that the book simply won't be put down. One reviewer here criticized the novel for not having a plot. Wrong. The plot is one man's journey to a new comprehension of his being. It is an engrossing journey.
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Most Recent Customer Reviews
4.0 out of 5 stars Enjoyed it a lot
I enjoyed this story and Millet's excellent writing. There was enough ambiguity in the characters to keep me guessing, and Millet has some interesting and humorous takes on the... Read more
Published 4 months ago by Daniel Holland
4.0 out of 5 stars Ghost Lights
Highly readable with no gripping passages. Descriptions not original. Ending left me wanting a more satisfying resolution.
Good beach read for next summerr
Published 4 months ago by Trudy Kosower
2.0 out of 5 stars once again, she lost me
This is the 2nd novel of Millett's I have read. I did enjoy this one more, for awhile, than the other one, but......somewhere along the was she loses me. Read more
Published 11 months ago by S. Struhall
5.0 out of 5 stars Pulitzer, please
When asked about her close brush with the Pulitzer Prize at the Tucson Festival of Books, Lydia Millet was ironic and self-effacing. Read more
Published 13 months ago by J. Knauss
5.0 out of 5 stars Hitting Her Stride
This sequel, and a second in a trilogy, surpasses the first volume while featuring a minor character in the first book who tracks down the trilogy's main figure in a tropical... Read more
Published 14 months ago by Jonathan A. Weiss
3.0 out of 5 stars about nothing
I guess I've grown too used to good european mysteries that have a plot, characters and an resolution. This book is like a lot of contemporary fiction. Read more
Published 14 months ago by Danae M. Falliers
5.0 out of 5 stars a very satisfying read
This is my first book review for Amazon and I am jumping in here only because I so loved this book I wanted to see it get another 5 star rating. Read more
Published 16 months ago by voraciousreader
5.0 out of 5 stars GHOST LIGHTS: MILLET'S CROSSING
GHOST LIGHTS: MILLET'S CROSSING

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BOOK REVIEW: MILLET'S CROSSING... Read more
Published 17 months ago by John M. Edwards
4.0 out of 5 stars Brilliant writer, but too rich a diet for me
Millet in the first five pages packs more witty, original, insightful observations and metaphors than most writers might do in an entire novel. Read more
Published 17 months ago by Grant Barber
3.0 out of 5 stars Ghost Lights
This is the story of Hal, who goes through life just being; he is married to Susan who he believes is having an affair with a co-worker. Read more
Published 18 months ago by grumpydan
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