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35 of 36 people found the following review helpful:
5.0 out of 5 stars
Haunting and funny!, July 29, 2005
What a marvelous book this was! The cover of the novel likens Caroline Graham to Agatha Christie - a comparison given to all the finer female British mystery authors, even when their books are nothing like Christie's. The small village settings here do resemble those in the Miss Marple stories, but there is a modern sensibility and a fine nasty streak in Graham's work that is anything but cozy. In a way, this latest in the Barnaby/Troy series is more Dickensian to me than Christie-like. In some ways, it's barely even a mystery. Yes, there is a murder - two, in fact - and yes, there are a small group of suspects, one of whom is definitely responsible for those murders. But the mystery is secondary to the wonderful depiction of these characters and to the charmingly creepy village life in Forbes Abbot. The first murder doesn't occur till late, and yet I never once felt impatient. The second victim and her family are not introduced until the middle of the book, but Graham's marvelous way with characterization made them so compelling that I accepted them into the circle immediately. I consider it high praise indeed that I could have enjoyed this story without the murders...as a comedy of manners, in and of itself.
One could almost do without Barnaby and Troy here as they appear very late in the story. (Christie used to do this occasionally with Poirot and Miss Marple, as in THE MOVING FINGER and THE CLOCKS.) But I'm so glad when they arrive because their relationship is hysterical. They are a bit different than their counterparts on the TV series (which, by the way is, in my opinion, the best detective series to come out of Great Britain!), but they have a wonderfully, sort of snarky affection for each other. Their investigation this time around isn't particularly clever, but then A GHOST IN THE MACHINE is more about the effects of events on the characters themselves than on the parceling together of clues and alibis. Watching these people change and grow as a result of their own actions and the actions of others was compelling. I particularly loved the Lawsons and their horrible daughter Polly, whose metamorphosis is highly dramatic but inherently realistic. Even the smallest of characters never gets short shrift. You feel as if you know every one of these people and have spent a wonderful time in their presence.
I would never attach a spoiler to a mystery review (or to any novel, for that matter), but I must say a word about the ending. For the final page to this book contains one of the most startling surprises I have ever read in a book of this type, and it made me put down the novel with a chill and a smile. Let's just say that Graham stretches and switches around the concept of genre here. Otherwise, my lips are sealed.
I suppose I'm preaching to the choir here, but if one stranger happens upon this review and thereafter decides to read the Barnaby mysteries, then I will be satisfied. I fear that Graham will retire from writing, and we will be without new adventures. At least the TV shows are continuing and are being made available to those of us in the States on DVD. I highly recommend them as well.
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29 of 32 people found the following review helpful:
5.0 out of 5 stars
a fantastic read, October 7, 2004
Lovers of old fashioned British police procedurals (the ones where there is plenty of character development, and where the novel dwells more on the personal stories of the characters involved rather than on the police detectives and the sometimes too gruesome investigation at hand) can rejoice: Caroline Graham has penned, after an absence of a few years, another Chief Inspector Barnaby mystery novel. I loved the Chief Inspector Barnaby mysteries when I first started devouring them almost a decade ago, and I loved the TV dramatizations of the series (alas only available on A&E now and then), so I was truly excited when I noticed "A Ghost in the Machine" sitting on the shelving cart. "A reprint?" I wondered, only to realize that it was a brand new mystery novel that I had yet to read! My excitement paid off: once I started the book, I found it difficult to put down. This, in spite of the fact that I had gotten used to the more streamlined police procedurals, where the crime is committed in chapter one, and the police investigation starts off almost at once. Caroline Graham's novels involve a different kind of approach: one in which the village life and the quiet and intimate lives of the denizens of that village are examined, and where a small event or arrival of a new person to the village signals the onslaught of devious and more sinister happenings. DCI Barnaby and his trusty sidekick, DS Troy only really came into the picture almost halfway through the book. Not that one ever feels impatient with the slowness at which the police investigation part of the mystery at hand gets off the ground. On the contrary: how on earth could you feel impatient when there are all these village characters and their own personal stories and worries to get involved with? Intriguing, suspenseful and simply chockfull of characters that suspiciously, "A Ghost in the Machine" was a compelling and absorbing read. So, if you're a lover of a more old fashioned approach to the mystery novel, the one where the village and the villagers are the stars, and where the author really gets into the personalities and motivations of characters involved, you're in for a treat, and really should not miss "A Ghost in the Machine."
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8 of 9 people found the following review helpful:
4.0 out of 5 stars
A Good Read, December 3, 2005
Caroline Graham's novels are always character-driven and more in the vein of suspense than the mysteries they purport to be. Her latest, "A Ghost in the Machine," is typical of the fare and a good read.
I've always liked the cozy, though Graham has updated the genre to conform to more modern times and made it a bit more gritty than some of her predecessors.
As in the past, she has lain her story in a small English village flush with diverse and eccentric people.
A stressed out teacher inherits the property of his beloved aunt. This offers the opportunity to escape the city and follow his wife's long-cherished dream of becoming a publisher of literary novels. Their spoiled-rotten daughter remains in London to become involve in a matter which will later impact on them and their plans.
Their financial consultant, who seems to be well-liked by everyone in the village, has the odd habit of collecting ancient war machines. He is the first murder victim, though at first his death seems to be accidental. Other notable characters include Brinkley's friend, the former companion/housekeeper of the aunt; an assortment of odd neighbors, spiritualists and pathetic children.
It is sometime in this novel before the pragmatic Chief Inspector Barnaby and the all too human Sergeant Troy make their first appearance and even longer before they agree a murder has been committed. After that, the action picks up.
Some have compared Graham to Dickens because of her reliance on characters to carry her plots. I would not go so far as that since her style is as eccentric as some of her characters. Still, that is part of her charm. The reader (this reader, at least) is willing to forgive her variance from accepted style because it is just so entertaining.
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