From Publishers Weekly
Readers who subscribe to encounter groups or self-help journals might find Broner's (A Weave of Women) writing interesting; those who enjoy good fiction will be disappointed. The primary theme of the collection is the relationship between a mother and daughter as the mother ages, dies and becomes a ghost-potentially a great idea but one only lazily explored here. Vacillating between whiny and self-stroking, the dialogue between the old-world Jewish mother and her more modern American daughter is chronically prosaic. "I suddenly want to know everything she remembers. 'Take this down,' says Mama. I pick up a notebook I always carry...I crank her up. She remembers stuffed cabbage." The mother's complaints, advice, memories, recipes hold great significance for the daughter, but they're lost on the reader. The lack of invention in their telling, the amateurish, step-by-step recording of mundane details, render her litany more burdensome than enlightening. What could be a meaningful exchange between the two instead comes across as a sheltered child marveling too readily at its parent's past hardships. As an aside to the central maternal theme, "Cousins," depicts the incestuous love between the daughter and her cousin Benny. These tales nudge their way closer to a compelling narrative and get away from rhetorical personal growth masquerading as fiction.
Copyright 1995 Reed Business Information, Inc.
Copyright 1995 Reed Business Information, Inc.
From Booklist
A surviving daughter's account of her Russian Jewish mother's death necessarily contains grief, regret, and unfulfilled longings. But her mother's return as a ghost, full of tales, recipes, and wry judgments, transforms the story into a book that makes you laugh so much your stomach hurts. In the ritual 11 months of reciting mourning prayers after a death, Leila dutifully attends synagogue each Friday and Saturday. There she finds her mother's ghost, eager to tell the story of her life. Leila relates the latest news of neighbors, relatives, and other deaths as she and the ghost talk out loud in the middle of religious services, to the dismay of neighboring worshipers. During these weekly visits, Leila finds more companionship, sharing, and commonality in the bizarre and sometimes disruptive relationship with her mother's ghost than she had with her mother during their decades of shared corporeal life. Broner's tale of lives reclaimed offers more than Jewish humor sprinkled with rue; it affords us excruciatingly sad and funny probings of an enduring mother-daughter relationship. Whitney Scott
