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13 of 15 people found the following review helpful:
5.0 out of 5 stars
Who ya gonna call?, August 19, 2002
What was the first ever, pop album I ever, and I mean EVER bought? Whatcha gonna say? GHOSTBUSTERS! The soundtrack, that is.Ray Parker Jr.'s immortal rollicking fusion of rock and funk title track kicks off the soundtrack. As a bookend, the instrumental version of this song completes the album. Yes, it is worth having both versions. The Bus Boys' rock-a-billy "Cleaning Up The Town" picks up the pace of a party in full swing. It's the most lively track on the album. I never heard anything else by Alessi, but their "Saving The Day" is a mid-paced synthesizer number with backing horns. The Thompson Twins' bouncy post-modern new wave "In The Name Of Love," originally from their Into The Gap album, is present as well. With Steve Lillywhite producing this song, it's good to know he had more than just DMB on his producing credits. Air Supply's "I Can Wait Forever" a Chicago or REO Speedwagon-type ballad, is simply wonderful. The first time I heard them I wondered about the vocalist's gender. I found out later, of course. He kind of reminded me of Dennis DeYoung of Styx. Laura Branigan's "Hot Night" is actually different from the synthesizer pop she usually performed. It's a rocking club number complete with driving electric guitar. Her best song ever! Mick Smiley's "Magic" predominates with a synth-drum reminiscent of Phil Collin's "In The Air Tonight" and some rock guitar used in the chorus. This song is played when the city begins to be riddled with spooks in the movie, with ectoplasmic ghosts trails floating towards the sky; the portion used is the monologue spoken over the moody uptempo drums and eerie synthesizer, conveyed to denote the ghosts taking over. Two of Elmer Bernstein's score numbers are included, the rhythmic piano march dubbed "Main Title Theme," used to show the boys on the move, and the love theme, Dana's Theme, scored around the relationship between Dana and Venkman. This soundtrack captures yet another 80's snapshot, and it's message is that the new wave movement was dying out, pop ballads and female songstresses were still the groove, and took Ray Parker Jr. to his peak before he became relegated to obscurity after one more album. Several things happened that crucial year, 1984. Yes, Ghostbusters came out, but I freed myself from the musical shackles that my parents kept me in, and on 16 October, a day that will forever live in my personal history books, And that was only the beginning.
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