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Gr. 9-12. In publishing these novels by an Australian poet as original paperbacks, Simon Pulse combines the slick packaging of series fiction with rich, layered verse reminiscent of works such as Sonya Sones' Stop Pretending (1999). The narrative rotates among several characters, but the primary speaker is Jack, who is 16 at the start of Love, Ghosts, & Facial Hair. Jack is an aspiring poet who falls in love with another soulful teenager, Annabel. Their intense connection, as cerebral as it is lustily sexual, soothes Jack's grief over the loss of his mother seven years earlier, a loss Herrick captures in shifting, raw emotion--from nihilistic bitterness ("They said it was a harmless lump / it wasn't") to brooding melancholy ("There's a ghost in our house / in Mum's / red evening dress"). A Place Like Thi s follows Jack and Annabel on a postgraduation road trip, tapping into a Kerouacian fantasy that will resonate with many teens. This novel lacks the immediacy of the family tragedy found at the heart of Love, focusing instead on the pregnant, 16-year-old daughter of the apple farmer who gives Jack and Annabel a job. Both books, however, speak with sincerity and sensitivity to the "quiet revolution in every family." Billed as "companion novels," this pairing evidently does not represent the beginning of a Jack-and-Annabel franchise, though YAs touched by the couple's sweet, redemptive relationship may wish it were otherwise. Jennifer Mattson
Copyright © American Library Association. All rights reserved
--This text refers to the
Paperback
edition.
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Most Helpful Customer Reviews
4.0 out of 5 stars
I Enjoyed It,
By Shelly (Delaware, USA) - See all my reviews
This review is from: Love, Ghosts, & Facial Hair (Paperback)
I enjoyed this book very much. I am a fan of Steven Herrick's books in general, but I have to say this one is not my favorite of his works. If you are new to Steven Herrick I would recommend "The Simple Gift" which is my favorite. What I enjoy so much about all of his works is that while he writes in verse, the story unfolds quite clearly and naturally. The plot line isn't told directly, rather the story unfolds slowly through small scenes and images and thoughts from the characters. One snippet might be about one of the characters looking at herself in the mirror, but so much is said about the characters, their history and their emotions. The issues in all of his works, including this one, are very real to life, and in some ways very heavy, but they are not really depressing because the story is told in such a light simple way. This is such a different and refreshing way to read a book, please read this and other Steven Herrick stories because they are always beautiful.
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