Each individual work is re-examined with reference to the history of its criticism up to the present times and new suggestions are made on the date of their composition. This book, is supplemented by a detailed series of illustrations of recently restored works and from his earliest efforts up to his death in Spain in 1770, ex[ploring an extremely long career which ultimately produced over 500 works and 37 painting cycles.
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3 of 4 people found the following review helpful:
3.0 out of 5 stars
some tiepolo,
By dontbesojumpy (United States) - See all my reviews
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This review is from: Masters of Art: Tiepolo (Hardcover)
not a master catalogue of paintings or info, but there's some info here. focuses mainly on his biblical-reglious images. i actually wanted more of his allegorical/mythological paintings, in particular his fresco The Allegory of Apollo and the Continents. None of that, nothing even like that is in this. again, this is mostly just some of the biblical paintings.
9 of 13 people found the following review helpful:
5.0 out of 5 stars
a communion with the gods,
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This review is from: Masters of Art: Tiepolo (Hardcover)
When I was young I used to think that Tiepolo was a Renaissance painter.A contemporary of Raphael, I thought, perhaps a real live rival of Titian and Tintoretto. But as I found out this languorous painter was in reality an 18th C Venitian virtuoso. After a while, still in awe, I started to view him as a superb anachronism, and like he belonged, also, atop the Sistine Chapel somewhat.If Caravaggio astonishes with his inner turmoil. Tiepolo vis-a-vis seems to enjoy the purity of soul, of a monk. His brush seems pulled by a determined higher force. Christianity was sometimes his great medium, and he continuously uses every religious legend to express something divine that was in him, naturally. He is as pure as Praxiteles. And William Barcham deliniates Tiopolo's life as ordely and purposely as can be. The lucid preface, from Venice to Madrid. Tiepolo, a life, seemingly in a higher realm, dedicated to his art. But the many grandiose frescoes, beautifully illustrated here, don't need any words, really.
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