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  • Gian Francesco Malipiero: Piano Concerto No. 3; Nocturne of songs and Dances; Fantasies of Every Day
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Gian Francesco Malipiero: Piano Concerto No. 3; Nocturne of songs and Dances; Fantasies of Every Day

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Audio CD, May 17, 2005
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  • Sample this album Title - Artist (Sample)
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13:08
Album Only
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3:42
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7:10
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5:37
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7:19
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3:12
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5:32
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3:12

Product Details

  • Audio CD (May 17, 2005)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: First Edition
  • ASIN: B0008JEKIQ
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #714,574 in Music (See Top 100 in Music)

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By Frank on March 8, 2014
Format: Audio CD
You can find here some compositions less known by Malipiero. I suggest you get to listen to this Malipiero record after you listened to the best compositions by this very prolific composer, like the marvellous symphonies I-VII, the fantastic quartets I-VIII, and many other pieces.
Together with Alfredo Casella, Ottorino Respighi and Ildebrando Pizzetti, he was really one of the greatest european composers of the first half XX century, and one of less studied by the official musicology, except for the great work by John C.G. Waterhouse (1939-1998).
You can find in this CD the recording of the third piano concerto; all the piano concertos series were very interesting even if it is rarely played and unknown for most of the pianists.
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1 of 2 people found the following review helpful By Discophage TOP 500 REVIEWER on November 9, 2007
Format: Audio CD
Though well represented on CD, Gian Francesco Malipiero is hardly viewed as one of the most prominent 20th Century composers nowadays, and it is hard to think that, in the first 50 years of the last century (well - make it 40), he was considered as one of the leading figures of the modern music scene, along with his compatriot Alfredo Casella. How fast reputations wane!

This disc collates three Louisville premiere recordings, including two Louisville commissions: the 1948 Piano Concerto and the 1953 "Fantasies of Every Day". The "Nocturne of Songs and Dances" dates from 1957. The recordings date respectively from 1960 (Louisville still stuck to mono in those days), 1954 and stereo 1966. Other than a short left-channel drop out in the piano concerto (at 2:24), the sound is good for its respective vintage, and the mono recordings are not marred by the metallic fluttering that affects some other First Edition Louisville remasterings (see my reviews of Wallingford Riegger: Variations / Sym No.4 and Peter Mennin: Syms 5 & 6 / Cello Cto).

There is nothing very modern in these compositions, and nothing very distinctive either. The music is mildly 20th-Century modern, agreeable to ear and easy listening in its cinematographic expressivity, in turn muscular, dramatic and lyrical, even subtle at times in its orchestration (try the string dialogue at 9:35 into the Fantasie) but with not much that really sets it apart and sticks in memory. It brings to mind the music of Honegger, but there is more distinctive personality in the Swiss-French composer.
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