The Gift [IMPORT] [ORIGINAL RECORDING REMASTERED]

The Jam

Product Details

• Audio CD (August 11, 1997)
• Original Release Date: March 12, 1982
• Number of Discs: 1
• Format: Import, Original recording remastered
• Label: Polygram UK
• ASIN: B000006ULM
• In-Print Editions: MP3 Download
• Average Customer Review: 4.1 out of 5 stars See all reviews (9 customer reviews)
• Amazon.com Sales Rank: #13,925 in Music (See Bestsellers in Music)

  Popular in this category: (What's this?)

  #65 in

  Music > Imports > Alternative Rock

Editorial Reviews

Product Description
Remastered reissue of the mod icon's ambitious sixth album.11 tracks including the hit single, 'Town Called Malice', 'Precious' and 'Ghost'. 1997 release. Standard jewel case.

Customer Reviews

Most Helpful Customer Reviews

6 of 6 people found the following review helpful:

4.0 out of 5 stars A band that refused to run on the spot...., June 28, 2000

By	Rob Hosking (Wellington, na New Zealand) - See all my reviews

I'll plump for 'Sound Affects' as the Jam's best album, but although 'The Gift' is a flawed work there is an emotional intensity about many of the tracks that appeals. Particularly the first three - 'Happy Together' (which, with the constant 'Fa-fa-fa' backing vocals on several songs seems to be an oblique nod to US sixties band The Turtles) is sardonic; while 'Ghosts' and 'Precious ' have some of Weller's best ever lyrics. 'Running on the Spot' and 'Carnation' are in a similar vein - intense and emotional. And, likewise, one is highly personal, the other seems to reflect Weller's social concerns. At the time the album was released I could never get past the fact that 'A Town Called Malice' sounds rather too like the Supremes' 'Can't Hurry Love'. It's grown on me a bit now, but still.....Elsewhere 'Just Who is the Five O'Clock Hero' and 'Planners Dream Went Wrong' sound like a Ken Loach or Mike Leigh movie set to music. The former is a great track, the latter just, well, goes wrong...The remaining tracks don't really work, for this reviewer anyway. But the explosive intensity of the remainder are enough to warrant four stars. And I always take my hat off to an artist who is not satisfied with repeating a previously successful formula, but who pushes the creative envelope and tries new things. For that, (rare in rock music in the early 1980s, seemingly non-existent now ) the occasional miss is forgivable.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Goobye Jam,Hello....Style Council?, August 4, 2003

By	Andre' S Grindle "Funk Meister" (Bangor,ME.) - See all my reviews (REAL NAME)

Paul Weller is ready for a big musical change.While on
"The Gift" Weller and The Jam deliver some typically catchy,
sponanious Brit pop like "Happy Together","Ghosts" and "Running
On the Spot",much of this album seriously attempts to blend in
heavy funk,jazz,Carribean and even African styled music into
The Jam's framework.This approch doesn't always succeed entirely
but on numbers like the Sly Ston-ish "Trans-Global Express",the
bombastic afro-funk of "Precious" and the classic,almost ready
-made Motown beat of the classic "Town Called Malice".While
the Jam effectively pull off the diverse songwritng assignments
and add in punchy horn charts,it's clear Weller was proven right-
the guitar-based Jam simply wern't the band to make this kind
of music consistantly and while they're all fantastic musicians
in their own right,Weller was wise to try something new next time
around with a new band to work with.But that doesn't take anything away from this fun,bouncy album!

5 of 6 people found the following review helpful:

5.0 out of 5 stars A great band's potential fully realized, October 1, 2001

By	Christopher Ingalls (Massachusetts) - See all my reviews (REAL NAME)

It's hard for me to give any Jam album less than five stars...they are, after all, one of my favorite bands. Paul Weller, before forming the Style Council and eventually going on to a solo career, was the singer/songwriter/guitarist for this influential mod/punk trio that was enormously successful in their native England but never really hit it off in the States. As their albums progressed, Weller began moving the band further away from straight punk and into more R&B-flavored territory. Here are the ultimate fruits of that transformation.

Along with the influence of Motown ("Town Called Malice"), this album also includes tasteful nods to disco ("Precious"), along with a more mod/punk call to their ealier days ("Just Who Is the Five O'Clock Hero"), an interesting instrumental track ("Circus)" and catchy numbers like "Happy Together" and "Ghosts." Further evidence of experimentation is evident on the dancey "Trans-Global Express" and the use of steel drums on "Planner's Dream Gone Wrong."

Unfortunately, Weller disbanded the group soon afterwards, but in a way it's a good thing -- quitting at their peak was the classiest thing these guys could have done.

Highly, highly recommended.