|
| |||||||||||||||
|
Product Details
Would you like to update product info or give feedback on images? |
that's all very well but what earns this disk 5 stars is its extraordinary feel. initially it sounds just like those 50's pop instrumentals: happy, carefree, upbeat. but you quickly get the idea that something is wrong. the smile is slowly turning into a sinister grin. as the cd moves on this aspect begins to dominate and the music becomes tense with evil. the intent is made clear with the last track; a grotesque reprise of the first. it's as though the music has been secretly invaded and taken over by an invisible, sinister force like in a cheesy horror movie: the face still has a vapid smile on it but you can see that behind it is a body posessed by evil.
this therefore functions as a powerful critique of 50s american life: vapid, hypocritical and secretly sinister. this is quite an achievement for an instrumental cd. the packaging and art (which is really nothing to get excited about) is another metaphor of the same deciet: evil wrapped as a gift.
This album --- a collection of beautiful, playful melodies --- seems to be out of character. But it's not. Scattered throughout the massive Zorn catalogue are dozens of songs like these. Just
listen to Bar Kokhba or his soundtrack to Port of Last Resort and you'll see he's been here before.
The real step forward on this album is an eerie tension that underlies every song. Somehow, there's a *threat* lurking in the surf music and the gentle trumpet solos. Is it in the composition, or should we credit the musicians? I have no idea. I just know that after the sixth or seventh time I heard this album, I heard more than pretty background music.
This album --- a collection of beautiful, playful melodies --- seems to be out of character. But it's not. Scattered throughout the massive Zorn catalogue are dozens of songs like these. Just listen to Bar Kokhba or his soundtrack to Port of Last Resort and you'll see he's been here before.
The real step forward on this album is an eerie tension that underlies every song. Somehow, there's a *threat* lurking in the surf music and the gentle trumpet solos. Is it in the composition, or should we credit the musicians? I have no idea. I just know that after the sixth or seventh time I heard this album, I heard more than pretty background music.