Product Details

• Actors: Ben Affleck, Jennifer Lopez, Justin Bartha
• Directors: Martin Brest
• Format: AC-3, Anamorphic, Closed-captioned, Color, Dolby, Dubbed, Full Screen, NTSC, Subtitled, Widescreen
• Language: English (Dolby Digital 5.1), French (Dolby Digital 5.1)
• Subtitles: English, French, Georgian, Chinese, Thai
• Dubbed: French
• Subtitles for the Hearing Impaired: English
• Region: Region 1 encoding (US and Canada only)
  PLEASE NOTE: Some Region 1 DVDs may contain Regional Coding Enhancement (RCE). Some, but not all, of our international customers have had problems playing these enhanced discs on what are called "region-free" DVD players. For more information on RCE, click .
• Aspect Ratio: 2.40:1
• Number of discs: 1
• Rated: R (Restricted)
• Studio: Sony Pictures
• DVD Release Date: December 9, 2003
• Run Time: 121 minutes
• Average Customer Review: 2.3 out of 5 stars  See all reviews (218 customer reviews)
• ASIN: B0000DKDUT
• Amazon Best Sellers Rank: #132,812 in Movies & TV (See Top 100 in Movies & TV)
• Learn more about "Gigli" on IMDb

Editorial Reviews

Amazon.com

Many critics called Gigli one of the worst movies ever made, but their condemnation isn't entirely justified. The movie's got plenty of problems, such as inconsistent tone, gag-inducing dialogue, and a meandering plot that fails to generate momentum over 124 minutes. And yet, this character-based vehicle for Hollywood sweethearts Ben Affleck and Jennifer Lopez is not without its charms: To begin with, there's J-Lo, whose beauty and presence flourish despite her ill-conceived role as a lesbian contract killer. Critics were also wrong in saying Lopez lacks on-screen chemistry with her off-screen beau; there are moments when they click, but director Martin Brest's screenplay maintains sexual confusion right up to an ending that's a total cop-out. Affleck (who did the lesbian-love thing in Chasing Amy) plays another good-natured killer, and their joint kidnapping job (involving the mentally disabled brother of a federal prosecutor) is destined to fail for all the right reasons, even as this anti-romantic comedy (featuring scenery-chewing cameos by Christopher Walken and Al Pacino) fails for all the wrong ones. --Jeff Shannon

Product Description

Small-time street hood Larry Gigli (Ben Affleck) has a reputation for big-time screw-ups. Ricki (Jennifer Lopez) is a tough gal gangster. When they're paired together on an assignment that careens wildly out of control, will they find a way to work through their personal differences and work out their mutual attraction?

Most Helpful Customer Reviews

33 of 35 people found the following review helpful

1.0 out of 5 stars My synopsis, to save you money! (SPOILERS, like you care) January 11, 2005

By Richard Goddard

Format:DVD

At a laundromat, toughguy Ben Affleck (lol) has a man in a dryer. He talks to his victim (not the audience), rattling off threats regarding shoelaces and body moisture, threats that exist only in the world of hack writing. The man owes some money to Ben's boss, Louis. Ben says "f**k" a lot, so he's tough. Ben then meets with Louis. Louis chews out Ben. Louis says "f**k" a lot, so he's tough. Louis wants Ben to kidnap Brian, the younger brother of a man causing bossman Mr. Starkman trouble. Brian is a "beloved relative with certain psychological defects"; no, he's not the screenwriter.

Ben heads out to the institution. Apparently, security there is non-existent as Ben walks right in and begins conversing with Brian (Justin Bartha). Brian is apprehensive, as if he were going to a Ben Affleck movie. Brian says "f**k", so he's tough. Naturally, Ben has no trouble leaving with Brian as he heads to his apartment (great place to bring a kidnap victim). Brian wants to go home. I wonder if they'll put aside their animosity and eventually develop a true friendship?

Later on, JLO (who says f**k, so she's tough) visits, asking to use Ben's phone. They stare, then Ben asks her "Do we know each other?" Clever!?! JLO turns to Brian and says "you're a very handsome young man" Apparently, JLO is lining him up to be her ninth husband or whatever number she's up to now. JLO tells Ben, "I heard you were a f**kup". She must've seen `Pearl Harbor'.

Louis calls Ben, telling him he hired JLO because of the operation's importance. Why have Ben there in the first place, I dunno. JLO and Ben argue, then Ben says something which isn't quite a killer put-down:

"...sit at my f**king feet. Gather the pearls that emanate forth from me" ?!?...

This movie is real deep. Brian twice tells Ben he's an idiot.

We discover that Brian likes to be read to before sleeping(Read him the script!). Unsurprisingly, Ben doesn't own books. Later, JLO reads a book. Ben finds out she's a lesbian. And that's about it for that scene.

Morning comes and Brian calls a number in Australia that gives weather reports, `Cause Brian is so innocent, and he doesn't know the call is expensive! Comedy! A detective stops by (Christopher Walken, proving he will appear in ABSOLUTELY ANY MOVIE!). Walken is suspicious of Ben. Before leaving, he proves that, like Ben, he's a master of verbal jabs:

"go down to Marie Callender's, get me a big bowl, pie, some ice cream on it, mmmm good. Put some on your head your tongue would slap your brains out trying to get to it. Interested?"

The trio drive (let's drive our kidnapee around in our convertible) to a restaurant (let's bring our kidnapee to a public place) where punks are playing loud music. Ben demands they lower it (let's loudly bring attention to ourselves). The gang threatens to beat him (if only!). JLO steps forward and makes another forced speech about how she's tough. Suspend disbelief, `cause the SEVEN punks fearfully back off, instead of wasting Bennifer.

Ben goes to his mom's house. She gives him a slap, meant to elicit laughs but really elicits envy. Brian volunteers he has to pee. I have to vomit.

At Ben's apartment, Ben catches Brian calling Australia again. Brian states he likes the weathergirl's voice, maybe `cause she has a POINT! Ben pesters JLO, who's doing yoga. For five minutes, Ben and JLO describe private parts. Comedy!?! Louis calls but Brian picks up; They argue `comically'. Louis orders Ben to mail Brian's thumb; Ben reluctantly agrees. Given the films Ben stars in, I figured he'd agree to anything.

The next morning Brian's dancing and rapping. Comedy!?! A woman knocks; Ben lets her in. She says, "f**k", so she must be tough. It turns out she's JLO's ex (who isn't?) and wants her back. Everybody argues. What is this movie about, again? The ex-lover runs into the kitchen and cuts her wrists, presumably because she'll never again be taken seriously as an actress. They rush her to the hospital to get bandaged and that's the last we see of her. Too bad, I thought she had some kind of PURPOSE.

Ben and JLO decide to get a thumb from a corpse in the morgue, apparently not realizing thumbs get fingerprinted. JLO asks Ben, "Are you with me?". Ben says, "sure", beginning a debate about how "sure" is the same thing as "yes"; an argument some concussed 3-year-olds might have. Ben sneaks into the morgue with no problem. Ben obtains a corpse's thumb with a plastic knife (?). Brian raps again. Comedy!?!

The next day, Ben gets all teary-eyed, babbling about how he feels about JLO. In Ben's apartment, JLO makes a `funny' speech about how men check their fingernails. Mine are currently embedded into my skull. Louie calls and wants a meeting. Our two stars get it on in a PG-13 way. JLO's character likes women, but she couldn't resist girly Ben's charm.

Louis tells them Starkman wants a meeting. At Starkman's impressive home, we are puzzled to see Al Pacino in this turkey. Somewhat unshockingly, police fingerprinted the thumb. Pacino shoots Louie. Finally, something actually happened in this film. Pacino shouts, "I have no compunctions!", which is obvious; he's in this film. We now hope Pacino splatters Ben's and Jen's brains but JLO makes another pathetically forced speech, saving them.

Our leads drive down the coast with Brian; Ben bonds with him in more insightful exchanges that I leave to your imagination. Brian thinks he sees "the Baywatch" and they eventually drop him off there. I guess Brian will be fine wandering a beach by himself. JLO drives away only to come back and pickup Ben; why, I dunno. Read more ›

61 of 69 people found the following review helpful

1.0 out of 5 stars A big fat turkey August 4, 2003

By E. A Solinas HALL OF FAMETOP 100 REVIEWERVINE™ VOICE

It would be difficult to find a movie more loathsomely, hilariously bad than "Gigli." Despite the tabloid buzz about its two photogenic yet stiff stars, interest in Gigli was generally restricted to the repulsed excitement of watching a train zooming toward a stalled car.

Gigli (Ben Affleck) is a minor-league thug without much in the way of brains or talent. He's ordered to kidnap and imprison the mentally-challenged brother of a federal prosecutor, and he does so. After he's stashed Brian (Justin Bartha), in his apartment, Gigli gets a shock: His boss has sent Ricki, a hitwoman (Jennifer Lopez) to keep an eye on him.

Lacking a brain, Gigli immediately begins pursuing Ricky, only to be semi-rebuffed by the announcement that she's a lesbian. Of course, he doesn't give up, and eventually despite her disgust for the male anatomy, Ricki starts to reciprocate his attraction. But things go haywire again when Gigli's boss decides to play nasty.

Given the number of plot holes, "Gigli" should not be compared to Swiss cheese -- it should be compared with a fishing net in the advanced stages of decay. Through most of the film, it seems like the director just started direction, then walked off the set and said, "Seeya! I'm sure you know what to do next."

"Gigli" doesn't know whether it wants to be a crime movie, a drama, a romance, or a black comedy. So it tries to be everything, and accomplishes nothing. Needless gore, stupid plot twists (Gigli sawing off a corpse's thumb with a plastic utensil?), and completely unfunny material (the lesbian lover slashing her wrists) deprive this of all humor. But it might have struggled its way to mediocrity, if it weren't for the ghastly dialogue. (And that horrific shot of Mrs.... Gigli's butt)

I can only conclude that whoever wrote this movie was either on crack, or possesses a level of ineptitude on par with the title character's. "Gigli" contains some of the worst dialogue ever, including the insane "bull and cow" discussion, Lopez's bizarre "turkey time, gobble gobble" seduction, and the hideously embarrassing and frighteningly written argument about the pros and cons of male and female genitalia. It'll make you laugh or cry, or both.

Affleck clearly has no idea what he's doing, and so wings it with an over-the-top, drawling imitation of Tony Soprano. Yet somehow he doesn't go over-the-top enough to make fun of himself (now THAT would be funny). Jennifer Lopez, with her perfect makeup, provocative yoga and baby voice, can't make her character even halfway convincing. You can't believe she's a thug, a lesbian, or that she could gouge someone's eyes out. Bartha might be good if he weren't retreading "Rain Man." Cameos by Christopher Walken and Al Pacino can't save the story, although they are briefly entertaining to watch, being the only actors of worth that we get to see.

There are one or two moments of actual humor in "Gigli," such as the moment where the all-but-illiterate Gigli reads the tabasco sauce bottle. But a few flickering moments can't even begin to save the horrendous turkey that is "Gigli." Gobble gobble. Read more ›

26 of 33 people found the following review helpful

2.0 out of 5 stars gobble gobble July 31, 2003

By Yossarian VINE™ VOICE

Unlike other reviewers who apparently haven't ever met a Jennifer Lopez film they haven't liked, I profess to more than a little discomfort sitting through this monstrosity. Let's just say it would probably be more entertaining and enjoyable to sit through a double feature of the Care Bears Movie and the Teddy Ruxpin Movie (1999) than this heap. Why? Acting, plot, chemistry.. shout out of anyone spots these, they do a great job hiding. The only nominal performances go to Walken and Pacino, aptly chagrined at the display of their talents like guys who mistakenly wear tuxedos to a monster truck rally. I've seen this film compared to 'Glitter' and 'Crossroads' and that's pretty accurate; it's an awkward derivative ego piece ironically showcasing all the wrong aspects of its purported stars. Joanie and Chachi had more chemistry, and probably will have had longer staying power. Here's hoping Hollywood's next reigning couple shows up sooner rather than later.

5 of 5 people found the following review helpful

1.0 out of 5 stars Is it as bad as they say? August 8, 2003

By Gary P

In a word YES. I went to see this movie to see if it was as bad as everyone said. I figured with the big name stars that it could't be, but I was wrong. It seems to start out fine and I wanted to like it but soon the bad dialog begins to stand out. After about 20 minutes I kept waiting for "Come on Guys. Let's cut em off at the pass" It got to be where the characters seemed to get confused as to how to place the emphasis on the words making for the feeling of "What did they say?"

The plot wasn't too bad but it was as if some of the scenes came from a different movie. Some scenes would go on forever and others would end before you could figure out what there purpose was.
Is this the worst movie of the year? Possibly not, but if you really have to see it then wait until it's been out on video for a while so you can rent it cheap.