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5.0 out of 5 stars
Not as Bad as Many Claim, September 13, 2008
This review is from: Gilbert & Sullivan: Princess Ida (Audio CD)
If Decca had left Princess Ida without a filler, I may have given it four stars, but on account of the fabulous filler, Pineapple Poll, this is definitely a five star product.
Generally, the biggest complaint about this 1965 performance is Sargent's slow tempi. I agree. But, there is a remedy. An open source program called Audacity may be used to speed up recordings without distorting the sound or making all the singers sound like Smurfs. It gives one satisfaction to change the dirge-like "The woman of the wisest wit" to its proper speed.
The most controversial singer is Elizabeth Harwood as Princess Ida. She was never a part of the D'Oyly Carte Opera Company, and often gets flack for having never performed the role on stage. In reality, however, her performance isn't bad at all. The singer who normally performed the role was Ann Hood (who recorded Psyche), though I cannot imagine her doing any better than Harwood.
The only thing that might have been better would have been Valerie Masterson, the normal Psyche, taking Ida, but alas, she was demoted to Melissa for this recording, pushing the normal Melissa, Pauline Wales, out completely. (A pity too, Ms. Wales had a fine voice.) Still, as a consolation, we are left with the best "Death to the invader" ever. Masterson sings the solo deliciously and hops up to a high C at the end.
The rest of the cast is pretty good to excellent. Phillip Potter is probably the best of the lot. John Reed gives an acerbic King Gama, Kenneth Sandford gives a pretty good Hildebrand, and Donald Adams' a resounding Arac. I'm not a fan of David Palmer, who makes a bit too much effort to get up to his high notes, but he is balanced by Potter's Hilarion and Jeffery Skitch's Florian (the second time he recorded the role, and the last time he recorded any role with the company).
The sound given to Ida is perhaps the best of the stereo D'Oyly Carte series. The chorus in Hildebrand's first song is almost magic (for lack of a better word).
Princess Ida deserves four stars, but the bonus on the second CD, deserves at least five. Pineapple Poll is a ballet arranged by Charles Mackerras (who conducts it himself) from various Gilbert and Sullivan tunes from all the operas except Utopia Limited and The Grand Duke. From the first moment to the end, Mackerras skill in arranging makes the ballet a complete delight. I don't want to say too much, for it is wonderful to listen to fresh. The sound is digital.
Overall, this a good album for any serious G&S fan to investigate. It is one of the few entries we have in the in the Princess Ida discography, to treasure always.
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5.0 out of 5 stars
Friendly satire and inadvertent prophecy, July 5, 2009
This review is from: Gilbert & Sullivan: Princess Ida (Audio CD)
As early as the Renaissance some women had dreamed of having a university their own, and in the late 17th century an Englishwoman, Mary Astell, imagined a utopian feminine retreat where women could get educated. Gilbert and Sullivan's Victorian "Princess Ida" is not a feminist dream and it would be silly to demand that it be politically correct, but for anyone like myself who teaches in an all-woman college (Barnard) this send-up of female higher education has historical interest as well as some good friendly satire--and, as one would expect from G&S, some lovely as well as witty songs. Not great G&S, but lots of fun, and if the work is pretty sexist, then one of the paradoxical pleasures it offers is the thought that "go ahead and laugh, but we did it." I had given my copy to my daughter and was thrilled to replace it. Anne Lake Prescott
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