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Gilda [VHS]
 
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Gilda [VHS] (1946)

Rita Hayworth , Glenn Ford , Charles Vidor  |  VHS Tape
4.6 out of 5 stars  See all reviews (88 customer reviews)


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Product Details

  • Actors: Rita Hayworth, Glenn Ford, George Macready, Joseph Calleia, Steven Geray
  • Directors: Charles Vidor
  • Writers: Ben Hecht, E.A. Ellington, Jo Eisinger, Marion Parsonnet
  • Producers: Virginia Van Upp
  • Format: PAL
  • Language: English, French, German, Spanish
  • Run Time: 110 minutes
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (88 customer reviews)
  • ASIN: B00004RLFY

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Customer Reviews

88 Reviews
5 star:
 (60)
4 star:
 (24)
3 star:
 (3)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.6 out of 5 stars (88 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

34 of 35 people found the following review helpful:
4.0 out of 5 stars "Hate is a very exciting emotion!", October 10, 2006
By 
Snowbrocade (Santa Barbara, CA) - See all my reviews
(VINE VOICE)   
This review is from: Gilda (DVD)
Rita Hayworth and Glenn Ford star in Gilda, a noir thriller set in Buenos Aires. Ford plays Johnny, a down on his luck gambler who is picked up by a casino owner. Johnny quickly becomes the casino owner's right-hand man--with a pact that women and gambling don't mix. Then Johnny's boss comes back from a trip with a new wife, Gilda,played incandescently by Rita Hayworth. Gilda is a typical noir femme fatale. She acts fast and loose but is actually just trying to get her guy jealous. Of course, her guy isn't her husband--its Johnny.

This odd little story is highly likeable for about three quarters of the film, when it makes a strange detour. Fortunately for us, the story gets right back on track at the end.

Ford does a good job as the loyal and jealous Johnny. He is vibrant, athletic and serious. Hayworth's beauty glows and gleams. She is given quite a few song and dance numbers. Her dancing is talented but strangely loose limbed. The movie steams with chemistry between Ford and Hayworth which is fortunate because the plot is more than a little cockeyed. The filming is gorgeously contrasted black and white with the requisite shadowy interiors.
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26 of 27 people found the following review helpful:
5.0 out of 5 stars Noir Classic!, August 2, 2000
This review is from: Gilda [VHS] (VHS Tape)
Rita Hayworth's immortal film that haunted her throughout life and career, once quoted about the men in her life as, "They went to bed with Gilda, and woke up with me...".

Infamous and seductive in its most popular days, Gilda is a film that represents some of the best and memorable scenes from the film noir genre. The beauty of this film is in the silent moments. It is in the contrast of the shadows and light in every scene from the moment when Glen Ford enters the film from a darken alley to Rita Hayworth tossing her hair over her shoulder. What is impeccable about the film is the chemistry of the cast, and style of the film itself. Several particular scenes that stand out:

---Gilda's sultry performance of "Put the Blame on Mame".

---Gilda and Johnny dancing for the first time at the club.

---Gilda's curse of damning the woman who wronged Johnny.

---Gilda's declaration of hate for Johnny, " I hate you so much, I'd destroy myself just to take you down with me..."

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10 of 10 people found the following review helpful:
4.0 out of 5 stars "Johnny. I hate you so much I think I'm going to die from it.", March 8, 2006
By 
This review is from: Gilda (DVD)
Indeed. I've hated women like that too, it usually translated into some of the most passionate sex
and most ardent damage to my home, cars, golf clubs, shoes, life, etc. haw haw

The best of the "Holy Cripes, look who's working for my new husband in an Argentine Casino" Noir-nivals.
Rita Hayworth is absolutely stunning in the role as Gilda, and the chemistry and tension between her and
Johnny Farrell (Ford) is incredible. You know instantaneously when they are reunited that somebody got
hosed pretty badly, and the hosing ain't over cause thats just what follows these two.

A 5 star flick except for the last 20-30 minutes which lapses into total predictability, and the underlying
attraction between Hayworth's husband (Ballin) and Johnny Farrell. Fantastic black and white clean transfer,
and a ten minute featurette on Hayworth's career. A devoted heterosexual declares this film 4 Keys.
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