Giotto's Hand [Paperback]

Iain Pears (Author)

Product Details

• Paperback
• Publisher: Harper Collins; paperback / softback edition (January 1, 2000)
• ISBN-10: 0007767390
• ISBN-13: 978-0007767397
• Product Dimensions: 6.8 x 4.4 x 0.9 inches
• Shipping Weight: 6.4 ounces
• Average Customer Review: 3.3 out of 5 stars  See all reviews (19 customer reviews)
• Amazon Best Sellers Rank: #6,942,874 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

17 of 17 people found the following review helpful:

4.0 out of 5 stars Clever Cozy, November 12, 2001

By 

sweetmolly (RICHMOND, VA USA) - See all my reviews

This review is from: Giotto's Hand (Art History Mystery) (Paperback)

I approached this book with a certain amount of resolve, as my only other outing with Iain Pears was "Instance of the Fingerpost" which while fascinating, was quite complex. "Giotto's Hand" was instead, a very nice diversion. Mr. Pears proves he cannot be pigeonholed into one writing category.

Jonathan & Flavia are a delightful twosome headquartered in Rome, but over half the action takes place in a small village in England. The author is obviously well grounded in the style and flavor of both places. His descriptions of the wiles of Italian bureaucracy are priceless. He has a fine ear for dialogue (see following) and wittiness in comparison between the English vs. Italian spirit:

Flavia: "Why would anyone sneer at someone being charming?
Jonathan: "Because this is England, my dear, and that's what we do here."
F: "Why? I like people to be charming."
J.: "But you're Italian. In this country charm means you're superficial, have a tendency to flattery, are probably a bumptious social climber and, moreover, the term carries very distinct implications that you like women."
F: "What's wrong with that?"
J: "A ladies' man," Argyll said darkly. "Few things can be worse. It suggests a propensity to slobber over people's hands and pay compliments like some continental. You can do that sort of thing with dogs, but not with the opposite sex."

It is rare that a mystery makes me laugh aloud and even rarer that I want to, but Mr. Pears succeeds on all counts. My only problem with the book was most of the characters had a fastidious disinclination to become involved in the plot. I kept thinking I must get them back on track some way or another. Also, Mr. Argyll was so full of moral considerations, I feared for Flavia's financial well-being. What Jonathan would or would not do with ill gotten gains ratcheted up the suspense for me considerably.

This is a fine, clever and cunning read. Recommended as a mood lifter.

17 of 20 people found the following review helpful:

3.0 out of 5 stars I agree: mediocre, but don't write off the author or series!, March 4, 2000

By A Customer

This review is from: Giotto's Hand (Art History Mystery) (Paperback)

In general, Giotto's Hand is not the best in this series. But I urge the previous reviewer not to give up on this author. The other books in this series (I've read every one but the Bernini Bust because I can't find it!). Death and Restoration is GREAT and so are the others. D and R is a later installment; Pears is getting better with these characters as he goes on. So, try another and you won't be disappointed. This one is just not his best. Other good ones include the Titian Committee and the Last Judgment.

10 of 11 people found the following review helpful:

4.0 out of 5 stars A nice little mystery with a cosmopolitan flavor., May 31, 2000

By 

Margaret Fiore - See all my reviews

This review is from: Giotto's Hand (Art History Mystery) (Paperback)

Not only is this book an outstandingly enjoyable read on its own, but also, in Giotto's Hand, Jonathan Argyll and his fiance Flavia meet up with a character who is pivotal to other books of this charming series.

The struggling young art dealer Jonathan and Flavia the art cop live, of course, in Rome, the art capitol of the world. Pears not only gives the reader a beautiful feel for life in this culturally rich and layered city, but also gives a delightful study in contrasts when Jonathan is propelled by circumstances back into a small English village. As the story moves from one country to the other, the characters remain firmly and convincingly immured in the world of art dealers and art thieves - often one and the same.

Unlike so many mysteries, this is not one with an open and shut conclusion. Morality must get gently re-defined as the circumstances of real life impact the black and white facts of the crime. Although this is a relatively simple tale, and doesn't pretend to the complexity of Pears' "An Instance of the Fingerpost", this is a subtle, heart-warming and sophisticated mystery.