Disgraced journalist Mikael Blomkvist (Daniel Craig) accepts an invitation to surreptitiously investigate a forty year old unsolved murder on behalf of the victim's uncle, Swedish industrialist Henrik Vanger (Christopher Plummer). Meanwhile, tattooed hacker Lisbeth Salander (Rooney Mara), hired to investigate Blomkvist, discovers the truth behind the conspiracy that led to his fall from grace. Thrown together by fate, the unlikely duo uncovers a secret history of murder and sexual abuse festering beneath the veneer of Sweden's industrial past, all the while drawing closer to a quiet evil waiting to engulf them both.
A murder mystery rife with suspense, scandal, sexual abuse, and some supremely intriguing characters, The Girl with the Dragon Tattoo
is an excellently crafted film adaptation of Stieg Larsson's equally fascinating book of the same name. Larsson's book was also the basis of a 2009 Swedish film (also with the same title), and while the Swedish film was good, this American version is far superior, thanks to fantastic cinematography and livelier pacing that results in a constant, electric tension that drives every second of the movie. The breathtaking footage of a snowy, remote island in Sweden thoroughly exudes bitter cold, and the attention to the smallest details, like the whistling of the wind through a door left ajar, makes the hairs on the back of viewers' necks absolutely prickle. Like the book, the film is long (158 minutes), there's an abundance of dialogue that is never awkward and always efficient, and there are plenty of false endings. The suspense and the intricacy of the mystery are stellar, and even viewers who know the story well will find themselves sucked into the riddle being investigated by journalist Mikael Blomkvist (Daniel Craig). The casting is great, as are the performances of all the key actors, but by far the best thing about this film is Rooney Mara, who is utterly believable as the incredibly strong, extremely disturbed Lisbeth Salander, Blomkvist's unlikely assistant. Mara's performance is chillingly real and completely riveting. Yorick van Wageningen is perfectly despicable as Nils Bjurman (though his scene with Salander is sure to prove highly disturbing to some viewers), Christopher Plummer is an effective Henrik Vanger, and Stellen Skarsgård is eerily frightening as Martin Vanger. Viewers can only hope that director David Fincher, screenplay writer Steven Zaillian, and actors Craig and Mara will continue their collaboration to produce films based on the final two books of Larsson's Millennium trilogy. --Tami Horiuchi