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Girl Groups, Girl Culture: Popular Music and Identity in the 1960s [Paperback]

Jacqueline Warwick (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

February 22, 2007 0415971136 978-0415971133 New Ed

Then He Kissed Me, He's A Rebel, Chains, Stop! In the Name of Love all these songs capture the spirit of an era and an image of "girlhood" in post-World War II America that still reverberates today.

While there were over 1500 girl groups recorded in the '60s--including key hitmakers like the Ronettes, the Supremes, and the Shirelles - studies of girl-group music that address race, gender, class, and sexuality have only just begun to appear. Warwick is the first writer to address '60s girl group music from the perspective of its most significant audience--teenage girls--drawing on current research in psychology and sociology to explore the important place of this repertoire in the emotional development of young girls of the baby boom generation.

Girl Groups, Girl Culture stands as a landmark study of this important pop music and cultural phenomenon. It promises to be a classic work in American musicology and cultural studies.


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Girl Groups, Girl Culture: Popular Music and Identity in the 1960s + Empire of Dirt: The Aesthetics and Rituals of British Indie Music (Music Culture) + Performing Glam Rock: Gender and Theatricality in Popular Music
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Editorial Reviews

Review

"…[Warwick’s] thoroughness lends the book—which flies in the face of the notion that producers are musical gods—a sense of much-needed authority. Through [her] Marxist feminist lens, even thin-voiced Diana Ross seems worthy of a little more R-E-S-P-E-C-T." --Harp Magazine

"This eminently readable and groundbreaking book is a must for all girl group fans, and anyone interested in the social history of music and culture during the 1960s." --Readings, Australia

"Warwick is on solid ground with her arguments, and this book makes strong contributions to popular musicology.  Her work on female identity in a popular-music context is particularly innovative.  Highly Recommended." --CHOICE

About the Author

Jacqueline Warwick is an Assistant Professor in the Department of Music at Dalhousie University, Canada, where she specializes in music history and popular music. She is an active member of the International Association for the Study of Popular Music, and has presented papers at numerous conferences in North America and Europe.

Product Details

  • Paperback: 288 pages
  • Publisher: Routledge; New Ed edition (February 22, 2007)
  • Language: English
  • ISBN-10: 0415971136
  • ISBN-13: 978-0415971133
  • Product Dimensions: 9 x 6.5 x 0.6 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #226,121 in Books (See Top 100 in Books)

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4 of 4 people found the following review helpful:
3.0 out of 5 stars Interesting Take On Impact of Girl Group Sound of the 1960s, July 11, 2007
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This review is from: Girl Groups, Girl Culture: Popular Music and Identity in the 1960s (Paperback)
Jacqueline Warwick has written a thesis-like revisionist take on the girl group sound of the 1960s, focusing on the messages and impact of The Shangri-Las, Chantels, Ronettes, Marvelettes and their ilk. At times relying heavily on earlier tomes, Warwick nevertheless argues convincingly that teenage girls lip-syncing and singing along with these records and adopting different poses were an important aspect of the womens' movement as well as the civil rights explosion. She points out how many young girls worshipped Diana Ross in the mid to late 1960s, an unprecedented stance that I remember well. She also breaks down a number of songs according to song structure, chords and changes, and things get a bit dry right about then for the non-musician. Scholarly and often fun, this is a welcome addition to the girl group herstory shelf.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars not rock criticism, but an academic study of the girl groups, September 12, 2007
This review is from: Girl Groups, Girl Culture: Popular Music and Identity in the 1960s (Paperback)
An excellent book, provided you realize what it is and what it's not. It is by a college professor and it is published by an academic publisher. It's an academic study. There are lots of footnotes.

So it is not for everyone. It is not INTENDED for everyone.

Warwick argues that the girl groups weren't just disposable pop music. They were a very prominent and important dimension of 1960s feminism. They were also an important element of the civil rights struggle of the time. For musicological analysis the writing is very accessible. I'll never listen to the Crystals in the same way again.
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