From Kirkus Reviews
Early in Halston's tale, Charlie has a black sheep tattooed on her back, but that's more a wish than a reality. Living with an abusive aunt after the death of her parents, she is a smart, reflective creature--post-Goth, baleful and brooding with a long streak of bookish bohemianism--though she displays little smarts when she falls for the tattoo artist. The emotional pain that Charlie experiences is beveled as Halston seesaws the chapters, touching down at the aunt's house, then eight years later when Charlie has her own bookstore, and between, the now charged, now dolorous years. The author keeps the scale intimate so readers see the events of Charlie's life up close, from the slap of her aunt reddening her cheek to raw, yet fruitful, discussions with her friends regarding her sexual orientation: "What a gentlemanly feminist you've become," chides one, as Charlie explores her lesbian leanings. The air of the book is sweet but not saccharine, emotionally generous, allowing Charlie to be uncompromising and independent and then tyrannized by her love life, idiosyncratic in her brainy verve, then willing to step back and look at the effluvia of her suburban existence. Halston lets the characters' actions speak for them and, as a result, well-rounded personalities emerge. Charlie is a gem--a hard-bitten gem for sure--if calculatingly available.
A lovely piece of female confessional." --Kirkus Reviews, February 2008Review
Charlie is a gem...A lovely piece of female confessional." --Kirkus Reviews, February 2008
"Strong female bonds, witty dialogue, and an acute sense of what it's like to be young today make Charlie a great read." --Nina Lary, Curve Magazine, August/September, 2009
"A Girl Named Charlie Lester is Reality Bites without the cheesy romantic ending or a soulful Ethan Hawke gazing into the camera." --EDGE Boston, August, 2008
"If you laid out Charlie's story in chronological order, it would resemble the conventional form of the hero's journey...[it] will be totally familiar to those of her generation." --Sarah Boslaugh, Playback: STL, September 2008



