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Editorial Reviews
From Publishers Weekly
The intrepid Nancy Drew has given girls a sense of their own power since she was born, Athena-like, from the mind of Edward Stratemeyer in 1929 and raised after his death in 1930 by his daughter Harriet Stratemeyer Adams and Mildred Wirt Benson, a journalist who was the first to write the novels under the pen name Carolyn Keene. Poet and critic Rehak invigorates all the players in the Drew story, and it's truly fun to see behind the scenes of the girl sleuth's creation, her transformation as different writers took on the series, and the publishing phenomenon—the highly productive Stratemeyer Syndicate machine—that made her possible. Rehak's most ambitious choice is to reflect on how Nancy Drew mirrors girls' lives and the ups and downs of the women's movement. This approach is compelling, but not particularly well executed. Rehak's breathless prose doesn't do justice to the complexity of the large social trends she describes, and tangents into Feminism 101 derail the story that really works—the life of a publishing juggernaut. All the same, Stratemeyer himself would undoubtedly say that the story is worth telling. Drew fans are likely to agree.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School-As much a social history of the times as a book about the popular series, this is a fun title that will appeal to older teens who remember the series fondly. In 1930, she arrived in her shiny blue roadster and she has remained a part of the children's book scene ever since. While Nancy may have been the brainchild of Edward Stratemeyer, creator of the successful Stratemeyer Syndicate, it was the devotion of Harriet, his daughter, and syndicate writer Mildred Wirt Benson who brought her to life. The series succeeded beyond anyone's wildest dreams but things were not always peaceful in River Heights. Rehak does a good job of explaining the intricacies of the Stratemeyer Syndicate and the sometimes-rocky relationship between these two strong women, each of whom felt a sense of ownership of the girl detective. Those who followed the many adventures of Nancy Drew and her friends will be fascinated with the behind-the-scene stories of just who Carolyn Keene really was.-Peggy Bercher, Fairfax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
See all Editorial Reviews
The intrepid Nancy Drew has given girls a sense of their own power since she was born, Athena-like, from the mind of Edward Stratemeyer in 1929 and raised after his death in 1930 by his daughter Harriet Stratemeyer Adams and Mildred Wirt Benson, a journalist who was the first to write the novels under the pen name Carolyn Keene. Poet and critic Rehak invigorates all the players in the Drew story, and it's truly fun to see behind the scenes of the girl sleuth's creation, her transformation as different writers took on the series, and the publishing phenomenon—the highly productive Stratemeyer Syndicate machine—that made her possible. Rehak's most ambitious choice is to reflect on how Nancy Drew mirrors girls' lives and the ups and downs of the women's movement. This approach is compelling, but not particularly well executed. Rehak's breathless prose doesn't do justice to the complexity of the large social trends she describes, and tangents into Feminism 101 derail the story that really works—the life of a publishing juggernaut. All the same, Stratemeyer himself would undoubtedly say that the story is worth telling. Drew fans are likely to agree.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School-As much a social history of the times as a book about the popular series, this is a fun title that will appeal to older teens who remember the series fondly. In 1930, she arrived in her shiny blue roadster and she has remained a part of the children's book scene ever since. While Nancy may have been the brainchild of Edward Stratemeyer, creator of the successful Stratemeyer Syndicate, it was the devotion of Harriet, his daughter, and syndicate writer Mildred Wirt Benson who brought her to life. The series succeeded beyond anyone's wildest dreams but things were not always peaceful in River Heights. Rehak does a good job of explaining the intricacies of the Stratemeyer Syndicate and the sometimes-rocky relationship between these two strong women, each of whom felt a sense of ownership of the girl detective. Those who followed the many adventures of Nancy Drew and her friends will be fascinated with the behind-the-scene stories of just who Carolyn Keene really was.-Peggy Bercher, Fairfax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
See all Editorial Reviews
Product Details
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