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Girlbomb: A Halfway Homeless Memoir [Hardcover]

Janice Erlbaum (Author)
4.1 out of 5 stars  See all reviews (37 customer reviews)


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Book Description

March 7, 2006
Just two hours ago, I had been heating up some lentil soup at my mom’s in Brooklyn, thinking I’d eat it and maybe read some Edith Wharton before bed. Now here I was at a runaway shelter, staring at a nun’s mustache and wondering where I was going to spend the rest of my adolescence.

At fifteen, sick of her mom’s spineless reactions to abusive men–and afraid of her stepfather’s unpredictable behavior–Janice Erlbaum walked out of her family’s apartment and never returned. What followed that fateful decision is the heart of this amazing, fascinating, and disturbing memoir.
From her first frightening night at a shelter, trying to sleep in a large room filled with yelling girls, Janice knew she was in over her head. She was beaten up, shaken down, and nearly stabbed by a pregnant girl. But it was still better than living at home. Just like that, she was halfway homeless, always one step away from being sent “upstate to Lockdown.”
As Janice slipped further into street life, she nevertheless continued to attend high school, harbor crushes, even play the lead in the spring production of Guys and Dolls. She also roamed the streets, clubs, bars, and parks of New York City with her two best girlfriends, on the prowl for hard drugs and boys on skateboards. Together they scored coke at Danceteria, smoked angel dust in East Village squats, commiserated over their crazy mothers, and slept with one another’s boyfriends on a regular basis.
Janice Erlbaum paints a wry, mesmerizing portrait of being underprivileged, underage, and underdressed in the 1980s, bouncing from shelters to group homes, from tenement squats to legendary nightclubs. A moving and tremendously entertaining ride through the seediest parts of New York City, Girlbomb provides an unflinching look at street life, survival sex, female friendships, and first loves.


Editorial Reviews

From Publishers Weekly

Erlbaum, a columnist for Bust, left her Manhattan home at 15 after her mother reunited with Erlbaum's abusive stepfather. Landing first in a shelter and then a group home, Erlbaum—shattered by her mother's choice—embarks on a treacherous course of self-destruction. Casual sex with a series of brutally uncaring boys coupled with daily drug and alcohol abuse become her antidote to the violence and racism in the child-welfare system housing her. Her isolation and loneliness threaten to swallow her whole. Yet when Erlbaum's mother invites her home (the dreaded stepfather gone for good), things don't improve. Erlbaum has more freedom, which allows more opportunity for trouble. At 17 she leaves again (this time to live with an older boyfriend), becomes addicted to the cocaine so plentiful in the 1980s New York club scene and nearly dies from an overdose. Through Erlbaum's adolescence, she often seems a willing victim. In her chaotic senior year of high school, she begins writing stories, attempting to put the life she's been living into perspective. Her memoir (comparable to Koren Zailckas's Smashed) reads like a neorealist novel. Sharp yet poignant, raw and vivid, it illumines the dirty underside of American girlhood and brings it to harrowing life. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal

Adult/High School–The author's childhood was not a pleasant one. Her mother's string of abusive boyfriends and husbands had left her with no choice; after her mom kicked her last stepfather out, Erlbaum told her, If you take him back, then I'm leaving. When she was 15, she left her Manhattan home after her mother once again reunited with the man. She spent several weeks in a shelter and eventually ended up in a group home. She had casual, unprotected sex with a string of boys and abused alcohol and drugs. Just over a year after she moved out, she moved back in with her now-single mother, and the book's title (a play on the author's last name) was realized: life as a high school student clashed with the cocaine-fueled club scene of the 1980s. This memoir illustrates the conflicting desires of adolescence–to fit in, to be loved, and to be independent. The writing is concise and engaging, but, most of all, it's honest. Erlbaum doesn't try to excuse her behavior; rather, she analyzes why she went down that self-destructive path and what made her change her ways. Readers will find solace in the knowledge that, despite the lack of structure in her home life, she managed to pull it all together. She worked at an after-school job, starred in a school play, graduated high school, and got into college.–Erin Dennington, Chantilly Regional Library, Fairfax County, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Product Details

  • Hardcover: 272 pages
  • Publisher: Villard (March 7, 2006)
  • Language: English
  • ISBN-10: 1400064228
  • ISBN-13: 978-1400064229
  • Product Dimensions: 5.8 x 1 x 8.5 inches
  • Shipping Weight: 14.4 ounces
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (37 customer reviews)
  • Amazon Best Sellers Rank: #607,172 in Books (See Top 100 in Books)

More About the Author

I wrote a book. It's called GIRLBOMB: A Halfway Homeless Memoir. I hope you'll like it. But then, I also hope for world peace, and that hasn't happened yet.

 

Customer Reviews

37 Reviews
5 star:
 (21)
4 star:
 (7)
3 star:
 (4)
2 star:
 (2)
1 star:
 (3)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (37 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

34 of 39 people found the following review helpful:
5.0 out of 5 stars A Jolting and Compelling Account, March 17, 2006
This review is from: Girlbomb: A Halfway Homeless Memoir (Hardcover)
The book, Girlbomb: A Halfway Homeless Memoir, tells the story of 15-year-old Jan, whose serially marrying mom has latched onto a real jerk of a man. She finally tells her mom to make the choice: Him or me. And when the mother chooses the guy, Jan goes from heating soup to grabbing her backpack and walking out the door.

She manages to find a shelter, where she stays for several weeks. This is not a sugar-coated story. This is a story of other residents threatening her with knives. Racial tensions. The very young girl who slips away and later is spied at a Port Authority men's room, clearly prostituting herself. Jan bonds with some girls who disappear from her life. It's not a great place to be.

Her next step is a group home, which is slightly better. Except by now, Jan has discovered night clubs and cocaine and cigarettes and booze.

One element to the story that strikes me as so interesting, having never been a homeless teenager on the streets of New York, is how Erlbaum kept her act together. With very little structure in her home, when she had a home, and then living in a shelter, Erlbaum managed to go to high school. She maintained school friends. She was in the school play. She got into college. She eventually had a somewhat longterm and loving relationship with a guy.

But the lifestyle extracted a toll. She had sex with boys she didn't like, much less love. She had drug problems. Her friends were unsupportive. She lied, and she stole.

At times, the book feels like a cautionary tale, a relatively modern-day and truthful Go Ask Alice.

Other times, the book feels like an exploration of dumb luck. You steal from work, but skip going the day they make arrests? You leave home, become "halfway homeless," but manage to score a leading role in the school play and get into college? You leave your friends, and by minutes you miss the guy having the mishap that leaves him in a coma?

Sometimes the book seems to rise above the specific matter of Erlbaum, New York City and homeless youths. I personally felt the book echo in my soul. The issues of sexuality, of confusion, of friendships, parent-child relationships, of high school reputations and repercussions could have been my issues in the suburban Midwest in the same era.

I kept having this sense of deep memories being shaken loose. I used to get fed up, wanted to run away, get out, go to New York and try things on my own. In Girlbomb, I see what I would have been up against.

I didn't know whether I would have been friends with young Janice, or been terribly afraid of her.

She wasn't always the sweetest and nicest girl, the true-blue friend or the ideal daughter. It's an honest book, one that neither apologizes nor brags about the facts.

Let's not forget this: When we read a book where the subject is so compelling, it's very easy to overlook the writing. When we talk about this book, we tend to discuss the story, the social implications, the woman who is now Janice Erlbaum.

We rarely talk about the actual prose. And to me, this is a sign that the writing is perfection. The writing doesn't stand in the way of Erlbaum's story, doesn't lend a false air or a sense of melodrama. It's vivid, concise, humorous, conversational. It's not showy or overwrought.

This is a book I highly recommend. If you have teen-age daughters, you might read it and consider whether they ought to read it, too.

I'm not just saying this because she's my friend. This is truly one of the best memoirs I've ever read.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Articulate, Witty, Unassuming, March 14, 2006
By 
luckydave (Brooklyn, NY USA) - See all my reviews
This review is from: Girlbomb: A Halfway Homeless Memoir (Hardcover)
Articulate, witty, and unassuming, Janice Erlbaum has presented her audience with a masterwork. She guides us through the roughest times of any young woman's life - namely, high school.

Of course, a memoir focusing only on the difficulties of, say, cheating one's way through Chemistry while starring in the Drama Club's Spring production, wouldn't capture us in the way that her "halfway homeless" memoir does. We're invited to tag along as young Janice finds herself alone in Manhattan after following through on an ultimatum given her mother. From a Catholic teen runaway shelter, to an Upper West Side group home, to a Lower East Side studio, Erlbaum illustrates the confusion, the adaptation, the pain and the humor through which she must wade in order to find the girl in the mirror who keeps reminding her that she is still fragile, somewhere behind all the bravery.

"Girlbomb" is a powerful read that will touch teens, mothers, those who've overcome their own personal struggles, and the rest of us, who just like to peer at the trauma and humor that forever mark the lives of the fiercely independent. With this, her first book, Erlbaum has triumphed as neatly in the publishing world as she did years ago in the New York City of the mid-eighties. And best of all, this memoir is verifiably true!
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8 of 8 people found the following review helpful:
5.0 out of 5 stars An inside book both at a troubled family life and at the street culture of New York city in the 1980's, September 12, 2006
By 
This review is from: Girlbomb: A Halfway Homeless Memoir (Hardcover)
In her memoir, author Janice Erlbaum take the reader inside her halfway-homeless adolescence on the streets, shelters, squats, and apartments of 1980's New York City. She is candid, unapologetic, and speaks with nary a trace of self-pity. She first ended up in a shelter at age 15 when she carried out her ultimatum to her mom--if mom took back her abusive, manipulative, unemployed, baby-shaking husband, Janice was going to walk out. Janice's childhood to date consisted of a revolving door of boyfriends for mom, losers who would be kicked out and taken back again and again, shifting Janice's role from trusted confidante to sullen, rebellious child at each turn.

Janice, now an accomplished professional writer, relates her story from the perspective of a teenager. She worries about wearing the right clothes to night clubs. She is in a constant tug-of-war with her two best friends, and their relationship suffers all the petty jealousies and misunderstandings of young adulthood. She seeks escapes via alcohol and the hot street drugs of the mid eighties. Not surprisingly, she confuses sex and love, constantly looking for a protective male figure to latch on to.

One striking moment is Janice's identification with Preppie Murder victim Jennifer Levin. Janice reveals the side of the 1980's club kids that the headlines missed. She could identify with trying to fit into the scene, trying to snag the handsome, older scenester (who happens to be a murderer), and to having a moment of drug-fueled lust under a tree in the middle of the night. Janice's revelations make Jennifer Levin seem both less and angelic than the media would like, and far more human as a young girl driven by an overwhelming desire for acceptance and social status.

Janice Erlbaum has gripping subject material, but she is also an excellent storyteller. Don't miss out on learning about a halfway homeless young adulthood from this talented writer.
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Sister Thomas Rita, Sheep Meadow, Jennifer Levin, Ollie Wythe, Brian Cooper, Washington Square Park, Jimmy Wilson, Dougie Paradise, Becky the Baby, Drinking Club, Sam King, Drama Club, Leland Banks, Julie the Snitch, Shirley the Nympho, Jay Finster, Grandma Dolores, Domenic Burns, Upper West Side, Mike Shanahan, Coney Island, Robert Chambers, Port Authority, Upper East Side, Miss Poulos
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