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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Dare to Think Deeply, August 11, 2002
A woman comes out of a coma after almost 20 years to discover that the world has changed for the worse and her friends have barely changed. All the newest inventions have left people with less and less time and made everyone shallower and shallower. She predicts that, 3 days after Christmas, the end of the world will come and only herself and her slacker friends will be left. The question is, can they learn from being the only people left in the world or will they continue to be slackers. I have never been swept into a book in such a way; I found my dreams getting tangled up in this book at night. But it's fitting, since it seems that much of the book takes place in the realm of dreams. I love the mandate given to the characters at the end of the book to go out and ask questions and make people think. Without asking questions about how we got to where we are, the purpose of it all, and where we are going, the world stagnates. The author touches on my own feeling that technology is actually causing many people to stagnate. You can tell this if you've ever been in an internet chat room and have tried to procure any intellectual conversation from anyone. Great book.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Haunting if choppy, January 30, 2003
"Girlfriend in a Coma" is one of those titles that just sucks you in, and on the advice of a pal, I started reading the works of Douglas Coupland with this book. It's a good novel, with a weirdly haunting and poignant storyline. Actually, two of them. But even with a bit of choppiness in the story, it's a very moving, interesting book.In the waning days of the 1970s, seventeen-year-old Karen falls into a coma during a party with her pals and her boyfriend, Richard. After making love with Richard on a mountaintop, she had confessed to having dreams of a frightening future about her friends and home; now, she lapses into a mysterious sleep that lasts another seventeen years. Nine months afterwards, she gives birth to a daughter, Megan, who is cared for by her parents. Richard, still in love with her, remains near Karen and Megan, who grows up unhappy and insecure because of her depressed father and comatose mother. Her friends graduate and drift away from the place where they grew up, only to be drawn back for different reasons. And one night, when they have all come to the hospital -- Karen wakes up. As she struggles to accustom herself to the more advanced, bleaker world and the changes around her, she reveals on a talk show that the world is ending. And her words come true when the population of the world begins to fall into a sleep of death.. The most hard-hitting part of the book is, oddly, not the commentary on our increasingly soulless world or the end-of-the-world twists. It's the people in it, especially Richard, whose life increasingly revolves around Karen (he rarely, if ever, says that he loves her, but it's obvious he does) and Megan, whose unhappy feelings that she is Death result in a goth getup and a druggie biker boyfriend. Other people drift in and out (including the ghost of Jared, a classmate who gets to be the bemused observer), and their lives are in stark, sometimes chilling contrast to Richard's. (Especially junkies Hamilton and Pam) There are some problems. The first half of the book is basically about Karen's coma and how it affects the people around her; the second half is the surreal, semi-supernatural apocalypse. It seems a little like two novellas crammed into the same book, because there aren't enough threads to tie the two halves together -- you just suddenly slam headlong into the end-of-the-world plot. And Coupland's vision of the apocalypse seems a little localized, but he more than makes up for this at the climax of the book, which is doubt the most beautiful part of the book. Sad and happy, haunting and liberating -- pure poetry. If nothing else, the book should be read because of that. Coupland's writing shifts around from one part of the book to another. Sometimes it's fairly stark and matter-of-fact, but during the more introspective, symbolic, or just dreamy scenes he really lets rip with the prose. (And don't worry, the narration from a ghost is not particularly gimmicky -- Jared really does have a part to play) "Girlfriend in a Coma" is in some ways not an easy book to read. But it raises some intriguing what-ifs and features some truly beautiful scenes and memorable characters. Definitely recommended.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
I find your lack of faith disturbing., January 19, 2007
Having now read "Life After God," "Microserfs" and "Girlfriend in a Coma" back-to-back-to-back, it's obvious that Coupland had a mortal terror of the emptiness and faithlessness of the '90s culture. This is the scariest, creepiest and oddest display of that fear.
The novel starts off in the late '70s when 17-year-old Karen loses her virginity on a skiing trip to boyfriend Richard and soon falls into a coma. Richard already lost one young friend to cancer (a jock named Jared, who acts as our narrator in the beginning and end of the book) and his girlfriend's tragic disappearing act is something he never truly gets over. The first section of the book shows us Richard and his friends -- sarcastic Hamilton, model Pam, lonely Wendy, smart but aloof Linus -- numbly trek into adulthood. They battle addictions, they question life, they marry -- and they all end up back in their old Canadian neighborhood.
Karen awakes two decades later to a world she finds disturbing -- empty, mindless worker drones simply existing. No free time, no fun, no leisure. While technology has grown stronger, she feels like the world has become emotionally cold and disconnected.
The frail, emaciated Karen reenters the life of her friends -- she gets to meet her daughter for the first time (she was impregnated by Richard on that night) -- and she also has visions of a coming apocalypse.
The apocalypse eventually arrives. The world "goes to sleep" -- people around the world simply pass out and die wherever they are. The aftermath is a world gone quiet. Streets filled with rotting corpses. Animals running wild in the street. The stink of death everywhere. Coupland has never been better than when he describes the horror of this plague. I think it may be the best writing he's ever done.
The friends and Megan (Richard and Karen's daughter) are the last people left on earth. Like all humans, they adapt to their situation. They watch videos and eat canned food.
At this point the three sections are like references to Stephen King -- "The Body" (a.k.a. "Stand by Me"), "It," and "The Stand."
Then things get "It's a Wonderful Life" as Jared rejoins the picture.
But the book goes deeper than that. In fact, before Coupland brings on his metaphor for our lack of beliefs and emotional remoteness, his book is quite sharp and effective in rendering the lives of his characters. Unlike in his previous novel, "Microserfs," where I often found it hard to identify with his characters, here I felt like I knew each one intimately. Some of their more cliche drug and drinking addictions are the point. Sometimes we're so lonely or angry or bitter that we don't know what to do but go to the cliche of drinking and drugs.
As horrifyingly real as the apocalypse is -- you can practically smell it -- I think Coupland's judgement is a wee too harsh. I think too much faith is just as bad as no faith at all. And I think religion (which is Coupland's major concern, it would seem) can be used too much to cover the reality of your problems.
Maybe my reaction is a bit of a "I resemble that condemnation" defense, but I don't think Coupland had to take the novel so far off the tracks, and I'm not really crazy about where the whole thing ends up (though the tone of the last section -- which is loose and blase -- will have you laughing).
But all flaws aside, this is an original, entertaining and powerful novel from a very talented author.
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