| ||||||||||||
|
"Man of Steel" Soundtrack
Academy Award, Grammy, and Golden Globe-winning composer Hans Zimmer composed the soundtrack to the highly anticipated Superman film Man of Steel, joining forces for the first time with director Zack Snyder. Learn more |
Product Details
Would you like to update product info or give feedback on images? |
| 1. Progeny |
| 2. The Wheat |
| 3. The Battle |
| 4. Earth |
| 5. Sorrow |
| 6. To Zucchabar |
| 7. Patricide |
| 8. The Emperor Is Dead |
| 9. The Might Of Rome |
| 10. Strength And Honor |
| 11. Reunion |
| 12. Slaves To Rome |
| 13. Barbarian Horde |
| 14. Am I Not Merciful? |
| 15. Elysium |
| 16. Honor Him |
| 17. Now We Are Free |
Hans Zimmer and Lisa Gerrard work together (composed by and arranged by these two) in this soundtrack to bring a myriad of heart-pumping brass and percussion and ethereal ancient (or old-style) sounding music. The contrasting music of these two work magnificiently in the score, weaving the two types together fluidly into one another... I was most impressed with the four scores (The Wheat, Sorrow, Reunion and Elysium) written and sung by Gerrard, which sets the mood for the movie from the very beginning to the final scene. These scores deeply reflect the sorrow and loss of life and the earning for something one can't have. Her dreamy and woeful voice captures just that. Heitor Pereira on the solo Spanish guitar in "The Battle" adds to the old-style. Zimmer's orchestral and dramatic scores sincerely tell the heart of the movie, which is vastly memorable. "The Might of Rome", which is very reminiscent of the movie, is also one of my favorites.
This 61 minutes of Gladiator soundtrack is heartfelt and majestic, very equal to the epic masterpiece of the movie itself. And very very Oscar worthy.
As soon as the movie starts, one is surprised by the subdued tone that the musical score seems to be taking. Knowing that Hans Zimmer was the composer, I was expecting his usual rousing, booming and very pleasant music, as seen (or rather, heard) in other movies like 'Crimson Tide', 'The Peacemaker', and 'Backdraft'. However, what we get, as a friend of mine remarked, is something like a cross between Vangelis and 'The Rock' (which also includes participation by Zimmer). Which is fine.
While not as melodic as, for example, a James Horner score like Braveheart, Hans Zimmer's score, with Lisa Gerrard's participation, perfectly complements the action on screen. When battle music is required, the score returns to a classic, if somewhat more mature, Zimmer feel; totally classical in style and paying homage to Gustav Holst's Masterpiece - The Planets, particularly 'Mars - Bringer of War'. Very appropriate, given that Mars was the Roman god of War!
This, added to Zimmer's trademark rousing passages, and Lisa Gerrard's moving, lyrical contributions, makes Gladiator a memorable score. Gerrard's participation, in particular was a very pleasant addition, because it adds an ethereal element which is necessary for such concepts as Elysium (the Afterlife) and Freedom. Throughout the movie, the Hero, Maximus, constantly weaves between the 'here and now' scheming and battles, and a longing to join his family, in the afterlife. The score reflects these concepts with an excellent treatment of both dimensions.
Which leaves us listeners with a score that is not exactly easy to listen to. It is not too melodic and pleasing to the ears, but is contains a lot of wonderful, mature music. It is something like an acquired taste: after listening to the CD for a couple of times (or watching the movie itself more than once) one becomes pleasantly hooked.
A truly memorable score, for a memorable movie.
|