Amazon.com Review
Historians not affiliated with the movie
Gladiator praise it as the most realistic depiction of Roman combat ever committed to celluloid.
Gladiator: The Making of the Ridley Scott Epic illustrates how the filmmakers achieved that authenticity. It's the official tie-in, and one of the handsomest movie books Newmarket Press has ever produced. (No, it's not as fancy as
The Art of the Matrix, but it's not that kind of massive book--this one is for the howling yet discerning fans in the cineplex coliseum.) The filmmakers explain how they coped with the considerable weight of Roman movie tradition--"Transcending the Toga," they call it--mostly by drawing their inspiration more from Gérôme's 1872 gladiator painting
Pollice Verso ("Thumbs Down"), an evocative rendering of the life-or-death drama subject to the emperor's whim. Ridley Scott is famous as a director (the modern equivalent of an emperor), but he started out as a painter at London's Royal College of Art, and his training has served him well.
Explications of scary stunts and ingenious special-effects scenes, crisp film stills, fascinating storyboards, architectural renderings, thumbnail histories, cast profiles, production drawings of boar-tusk helmets and spiky maces--this little book packs in a lot of information, and enlarges one's appreciation of a very big movie. --Tim Appelo
From School Library Journal
Adult/High School-An intriguing look at the Academy Award and Golden Globe-winning film. "Raising the Roman Empire" covers the background of the film, from its original conception and development to set design and the re-creation of the Colosseum. Short interviews with the principal actors include their takes on their respective characters and the actual history behind the story. "A Dream That Was Rome" uses narration, script excerpts, storyboards, and stills to describe the film's action. The entire book is lavishly illustrated with photos, production drawings, and reproductions. The design is attractive and lends itself to browsing. Readers will find many interesting facts, especially about the costumes (Russell Crowe's armor had to be duplicated 12 times) and the visual effects (extras were shot against a green screen and multiplied in the computer for the Colosseum crowd shots).
Susan Salpini, Fairfax County Public Schools, VA Copyright 2001 Reed Business Information, Inc.