Customer Reviews

In a Glass Darkly

5 star:		(3)
4 star:		(2)
3 star:		(2)
2 star:		(0)
1 star:		(1)

 

 

In A Glass Darkly is comprised of 5 lengthy short stories that are loosely woven together by the figure of Dr. Martin Hesselius, a "psychic doctor." Three of the five stories, "Green Tea," "Justice Harbottle," and "Carmilla," are classics of the Victorian ghost story genre, and are frequently anthologized. In my opinion, it is best to read them as they originally appeared, along with "The Watcher," and "A Room in the Dragon Volant," because Le Fanu had his reasons for ordering these five tales the way he did. This Oxford edition is better than the cheaper Wordsworth edition, and has great end notes. Also, Robert Tracy's introduction to Le Fanu is very accurate and well said. In conclusion, if you haven't read the first story, "Green Tea," then you don't know the full depths of Victorian horror fiction, and in my opinion, to get the fullest effects of "Green Tea," read "In A Glass Darkly" all the way through. You will not be disappointed--but you will get the shivers!

"Horrific." "Superb." "Dark." "Masterful." "Gothic." "Brilliant." All these words and more spring to mind when attempting to describe In a Glass Darkly. This volume contains five tales ranging in length from thirty to seventy pages which purport to record a few of the many cases of the learned psychic investigator Doctor Martin Hesselius.
The first tale, "Green Tea," is perhaps the best ever written by LeFanu. It is narrated by the Doctor himself and records the case of a young man who believes he has awakened a demonic creature bent on his destruction. Hesselius urbanely dismisses this and claims to effect a cure with nothing more than a change in diet. It is obvious that he has gravely underestimated the force assaulting his client, as the shocking conclusion shows only too well. The story is brilliantly carried out and is one of the most frightening stories I have ever read. It is widely anthologized and many readers may be familiar with it but ignorant of the majority of the tales in this book. This is a great pity as they were meant to be read together, and although each of the stories can be read on its own with great pleasure, the cumulative effect should not be missed.
After "Green Tea" there appear two traditional ghost stories, "The Familiar" and "Mister Justice Harbottle." They lack the originality of "Green Tea," but both are quite chilling in their own right. Both stories handle the theme of the vengeful ghost with marvelous skill.
The fourth tale to appear is "The Room in the Dragon Volant." I do not wish to prejudice readers against it and so will refrain from discussing this narrative. It need merely be stated that here LeFanu gives in to his weakness of adding humor to his stories. Unfortunately for us, his comedic skill was rather meager.
The last story in the book is "Carmilla," the mother of all vampire stories. The horror of this novella can hardly be overemphasized. The description of Carmilla's nocturnal visits to her victim rank among the most grisly in all literature. There is only one trifling flaw in the entire narrative. This is the bizarre stupidity of the narrator, the young woman preyed upon. But this is more than made up for by the fascinating complexity of Carmilla herself. In this story, unlike most vampire tales of the period, Carmilla becomes a character instead of a mere monster.
In conclusion, it seems fit to remark upon the interesting form in which LeFanu chose to convey his tales. They are novellas, which seem to work particularly well for the kind of story that he told. More detail is given than in regular short stories, but the book is free from the constraints of the novel. The result is a work of genius.

Perhaps the origin of the 'psychic detective' or ghostbuster genre,
with the use of Doctor Heselius as a framing character for these
stories as being part of his history of cases. Carmilla is a fine, fine
tale, with a disturbing female monster. Le Fanu is well worth
investigating for horror fans that have not done so in the past.

I disagree with the previous reviewer. I thought "The Room at the Dragon Volant" was one of the better stories. It was a little longer than it could have been, and yes, you figured out very quickly what was going on, but that didn't negate my enjoyment of it. (In fact, in most of the stories you have an idea of what's going to happen before it happens--like the end of "The Watcher.") You can enjoy it if you put yourself in the place of the (admittedly dorky) protagonist and read it as straight adventure.

"Carmilla" is a classic. I'd be amazed if it didn't provoke an outcry for its frank lesbian content. It must have been shocking at that time.

"Horrific." "Superb." "Dark." "Masterful." "Gothic." "Brilliant." All these words and more spring to mind when attempting to describe In a Glass Darkly. This volume contains five tales ranging in length from thirty to seventy pages which purport to record a few of the many cases of the learned psychic investigator Doctor Martin Hesselius.
The first tale, "Green Tea," is perhaps the best ever written by LeFanu. It is narrated by the Doctor himself and records the case of a young man who believes he has awakened a demonic creature bent on his destruction. Hesselius urbanely dismisses this and claims to effect a cure with nothing more than a change in diet. It is obvious that he has gravely underestimated the force assaulting his client, as the shocking conclusion shows only too well. The story is brilliantly carried out and is one of the most frightening stories I have ever read. It is widely anthologized and many readers may be familiar with it but ignorant of the majority of the tales in this book. This is a great pity as they were meant to be read together, and although each of the stories can be read on its own with great pleasure, the cumulative effect should not be missed.
After "Green Tea" there appear two traditional ghost stories, "The Familiar" and "Mister Justice Harbottle." They lack the originality of "Green Tea," but both are quite chilling in their own right. Both stories handle the theme of the vengeful ghost with marvelous skill.
The fourth tale to appear is "The Room in the Dragon Volant." I do not wish to prejudice readers against it and so will refrain from discussing this narrative. It need merely be stated that here LeFanu gives in to his weakness of adding humor to his stories. Unfortunately for us, his comedic skill was rather meager.
The last story in the book is "Carmilla," the mother of all vampire stories. The horror of this novella can hardly be overemphasized. The description of Carmilla's nocturnal visits to her victim rank among the most grisly in all literature. There is only one trifling flaw in the entire narrative. This is the bizarre stupidity of the narrator, the young woman preyed upon. But this is more than made up for by the fascinating complexity of Carmilla herself. In this story, unlike most vampire tales of the period, Carmilla becomes a character instead of a mere monster.
In conclusion, it seems fit to remark upon the interesting form in which LeFanu chose to convey his tales. They are novellas, which seem to work particularly well for the kind of story that he told. More detail is given than in regular short stories, but the book is free from the constraints of the novel. The result is a work of genius.

WARNING! My Oxford World's Classics paperback copy had pages of Thoreau's "Walden" inserted after p.158 of the story "The Room in the Dragon Volant." Missing are approx. 50 pages of the LeFanu story, so it's not like it's a bonus. I'm letting Amazon know about it, but check your copy on receipt!! Very disappointing to not know what happens, kind of like watching a thriller on TV and then the power goes out, but the broadcast stays on so you miss the middle.

I do rate LeFanu's stories 4-5 stars though. Really well-written page turners!

While the likes of Dickens and George Eliot were pretending to be God, diagnosing the ills of society and showing us how to live better, despised sensationalists like Sheridan le Fanu were busy creating modern literature. 'In a Glass Darkly' is a perfect example of this, with its unreliable narrators, fractured narratives, mysteries, ambiguities, terrors, obsession with failures of the mind and body, and disruptive sexualities. There is one story here which is told at five - five! - removes from the original experience, a Chinese whisper a long way from the dogmatic certainties of Dickens. A collection of five stories, linked as the posthoumous papers of a seriously flawed proto-psychologist, the first three are the best, brief, compressed masterpieces of atmosphere and genuine terror: le Fanu may not be a great writer, but some of his visual coups are incomparable, the nightmare visions of 'Lord Justice Harbottle' being particularly vivid. The final tale, 'Carmilla', the collections' most famous, is an extraordinary coming of age tale, in which burgeoning sexuality and fear of the vampiric unknown are inextricably linked in a work of an overt lesbianism unthinkable for its time. The longest story, 'The Room at the Dragon Volant', is barely readable, interminably dragged out, full of deadening padding - there are some excellent scenes, such as the masked ball, but the hero is an unbearably self-regarding idiot, and the 'twist' is obvious to everyone but him after the first couple of pages, that the rest is just a tedious, suspenseless waiting for his dim enlightenment (which, admittedly, is brilliantly done). The introduction by Robert Tracy provdes some good insights into le Fanu's work as expression of national and colonial fears, but, perversely, he seems less interested in the tales' powerful sexual and gender drives.

During a recent (first) visit to Dublin, my wonderful guide showed me Sheridan LeFanu's lovely Georgian home and turned me on to the creepy classics which the late author wrote and helped to create an entire genre of cliched horror staples we still enjoy today.

This book, however, is a collection of tedious stories...overwritten to satisfy perhaps Le Fanu's contemporary readers, but not those of today. It is unfortunate that we fans of haunted houses and chill-inducing ghost stories have become jaded with the over saturation in the medium. If you can get past comparing it with other examples and want to take your time with this slow (sadly unsuspenseful) read, you may find a few gossebumps along the way.