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Glass Soup [Paperback]

Jonathan Carroll (Author)
4.0 out of 5 stars  See all reviews (20 customer reviews)

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Book Description

November 28, 2006
For connoisseurs of imaginative fiction, the novels of Jonathan Carroll are a special treat that occupy a space all their own. His surreal fictions, which deftly mix the everyday with the extraordinary, have won him a devoted following. Now, in Glass Soup, Carroll continues to astound . . . .
 
The realm of the dead is built from the dreams--and nightmares--of the living. Octopuses drive buses. God is a polar bear. And a crowded highway literally leads to hell.
 
Once before, Vincent Ettrich and his lover, Isabelle Neukor, crossed over from life to death and back again. Now Isabelle bears a very special child, who may someday restore the ever-changing mosaic that is reality. Unless the agents of Chaos can lure her back to the land of the dead--and trap her there forever.
 
Glass Soup is another exquisite and singular creation from the author January magazine described as "incapable of writing a bad book much less an uninteresting one."

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Editorial Reviews

From Publishers Weekly

An ambitious retelling of the cosmic struggle between good and evil, with a little Judeo-Christian mythology and a smattering of popular culture mythos thrown in, make Carroll's latest a delicious dish—one that's lighter and better plotted than his White Apples (2002). A group of 30-something Americans living in Vienna (where Carroll himself resides), find themselves caught in the middle of a battle between God (a giant polar bear named Bob, or possibly a mosaic) and Chaos (most often John Flannery, a rapacious sex demon—when he's not just raw ectoplasm inhabiting a leather sofa). The McGuffin is Anjo, the unborn baby of Isabelle Neukor. In a reverse Orpheus, Isabelle has already crossed the border between life and death to retrieve the deceased Vincent Ettrich, Anjo's father. As the contest for Isabelle's child heats up, more and more characters—some good, some evil, but most indifferent—are drawn into the fray, while the world, both real and unreal, living and dead, constantly blends, shifts and changes dimension. In-jokes abound, as do barbs thrown at George W. Bush and Arnold Schwarzenegger, rap music, Austrian traffic problems and even chocolate pudding. This is a marvelous comic feast, but logic, consistency and plausibility are not on the menu.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Prolific and imaginative, Carroll writes delectable novels that combine riddle-like metaphysics with Magritte-like surrealism and romantic fantasy. In his latest cosmic Vienna-based tale, he echoes Hermann Hesse and Steven Millhauser as he picks up the story of the passionate lovers Vincent and Isabelle, who starred in White Apples (2002). In spite of this connection, readers new to Carroll's magic need not hesitate. They won't be anywhere near as confused as Simon, a blatant womanizer who finds himself confronting an octopus driving a bus, a tiny yet dapper and bossy fellow named Broximon, and God in the form of a polar bear. Elsewhere, a shape-shifting villain has evil designs on Isabelle's two closest friends, and Chaos, a malevolent force, grows ever more destructive. Pregnant with a child crucial to the battle between order and chaos, Isabelle must stay safe, yet there seems to be little Vincent can do to protect her. Carroll's clever and spellbinding tale offers fans and newcomers alike startling perspectives on time and reality, an afterlife made of dreams, a glimmering vision of the divine, and a sweet tribute to love. Donna Seaman
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 320 pages
  • Publisher: Tor Books; 1st edition (November 28, 2006)
  • Language: English
  • ISBN-10: 0765311801
  • ISBN-13: 978-0765311801
  • Product Dimensions: 8.2 x 5.5 x 0.9 inches
  • Shipping Weight: 9.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (20 customer reviews)
  • Amazon Best Sellers Rank: #1,274,640 in Books (See Top 100 in Books)

More About the Author

Biography,free downloadable stories, screenplays, daily blog and other relevant information available at

www.jonathancarroll.com

 

Customer Reviews

20 Reviews
5 star:
 (10)
4 star:
 (3)
3 star:
 (5)
2 star:    (0)
1 star:
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Average Customer Review
4.0 out of 5 stars (20 customer reviews)
 
 
 
 
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6 of 7 people found the following review helpful:
5.0 out of 5 stars Enthralling, March 8, 2006
By 
This review is from: Glass Soup (Hardcover)
Preparing for a recent interview with Carroll, I reread a pair of his earlier works to reacquaint myself with his unique storytelling style and the themes and motifs he returns to again and again. Sampling The Land of Laughs and Outside the Dog Museum again was pure pleasure--notable for their memorable lead characters, and for the nimble way Carroll depicts the intersection of the fantastic and the ordinary, both books demonstrate why Carroll is one of the most respected fantasists working today. Reading those books, however, did little to prepare me for the overall eloquence and bravado of Carroll's latest effort, Glass Soup.

Building on characters and situations established in his previous novel, 2004's estimable White Apples, Glass Soup tells the continuing story of lovers Vincent Ettrich and Isabelle Nuekor, a couple whose relationship can only be described as extraordinary--their love is so strong that Isabelle actually succeeded in rescuing Vincent from death. Because all actions have consequences, and extraordinary actions have extraordinary consequences, Isabelle's rescue of Vincent causes Chaos to actually achieve consciousness, an awareness he/it will lose if things are allowed to progress the way they have since the beginning of time. Seeking to shift the cosmic balance in his favor, Chaos works through various emissaries to lure the now pregnant Isabelle back to the land of the dead; it seems that if her baby is born there, Chaos will remain sentient. Before the novel's touching conclusion, Isabelle's dilemma will touch the lives of all those around her in surprising and sometimes lethal ways.

Along the way, Carroll waxes poetic about the nature of love, friendship, responsibility and the very fabric of reality. Even the pettiest of his characters manage to evoke sympathy, primarily because the villains of the piece are manipulating them in heinous ways. And those villains--Carroll knows heroes need formidable foes, which he provides in the malicious John Flannery and the smooth as silk Putnam. These two positively ooze evil as they try to force Vincent and Isabelle into increasingly untenable positions.

Charming and absolutely enthralling, Glass Soup displays the creativity, intelligence and wit for which Carroll has become famous. As it says on the front flap of the book's dust jacket, "For connoisseurs of imaginative fiction, the novels of Jonathan Carroll are a special treat that occupy a space of their own." Glass Soup is perhaps the best example of that phenomenon to date.
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15 of 20 people found the following review helpful:
5.0 out of 5 stars GOURMET GLASS SOUP & CARROTS OF WONDER, October 22, 2005
This review is from: Glass Soup (Hardcover)
Once again Carrolls work causes bouts of discussion about exactly what the story is about and ' this doesn't work for me ..' and ' that is a bit ambiguous ..' or '...his finest piece of work since...' and '....I will never look at scrabble in the same way again ..' ...BUT ...people that is EXACTLY what a good book should do !!!!
You should be stimulated into talking about it....it should make you angry, sad , happy, annoyed....heartbroken...awe-struck....you should laugh, you should cry !
If you have read it and it has provoked a reaction, be that positive or negative, then the story has worked ! It has made you think !
I have been reading Jonathan Carrolls' work from the first book published and no I didn't like every book he wrote, I am not a Carroll groupie, but I have READ every book he has wrote and each one causes a huge reaction within me and have loved him for it.
If I have to pull a favourite from the past then Bones of the Moon it would be for its exploration of life within death which is certainly the topic of Glass Soup and its predecessor White Apples. I for one and am happy that the author has returned to his weird imagery of yore ' a la Bones of the Moon and Child Across the Sky ' but that is merely a personal whim as many readers were ehthralled by the very subtle weridness of the likes of The Wooden Sea and Kissing the Beehive. As with all of his books his characters are brilliantly alive and reactive to the scenes he sets, they are consumate in their life be they human, bear or otherwise ! ......and he is an absolute master in teasing the readers sensiblities and dangling carrots of wonder in front of your eyes causing you to read on and finish the book. I often wonder what it would be like to actually listen to Carroll read from his own words and would have no doubt that he would have made a fine travelling storyteller in medieval times.
Is it fantasy ?....all fiction is fantasy so that question is not really one you should be asking...
Is it frightening ?....Is it this ?..is it that ?...
Why are you reading this review when you should be reading the book and finding out for yourself and eating his carrots !
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4 of 5 people found the following review helpful:
5.0 out of 5 stars Excellent Carroll Novel, March 6, 2006
By 
This review is from: Glass Soup (Hardcover)
The important thing to remember when thinking about _White Apples_ and its follow up, _Glass Soup_, is that these are primarily love stories. The tensions between chaos and control, the willingness to love the current form of the universe while maintaining openness toward its eventual demise, are all analogs of romantic love: what preserves it, what kills it, what makes it grow. Carroll doesn't write genre fiction, but if he did, he is probably best understood as a magical -- or even supernatural -- realist. He maps our real lives, and our emotional lives, onto a fantastic landscape. His books are our hearts writ large. Only the imaginative can comprehend the insights provided by such imaginative work. If you're not used to this type of writing, try it...with an open mind.
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Simon Haden, John Flannery, Vincent Ettrich, Isabelle Neukor, Leni Salomon, Petras Urbsys, Kyle Pegg, Flora Vaughn, Great Dane, Sunday Suits, Suzy Nichols, Babby Basket, Beth Haden, Bob the Bear, King of the Park, Los Angeles, Blue Morpho, Range Rover, Vienna Woods, Ernest Hemingway, Michael Salomon, Porsche Cayenne
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