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  • Glidecam HD-2000 Hand-Held Stabilizer
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Glidecam HD-2000 Hand-Held Stabilizer

| 11 answered questions

List Price: $499.00
Price: $479.00 & FREE Shipping. Details
You Save: $20.00 (4%)
Only 13 left in stock.
Sold by FilmWare Products and Fulfilled by Amazon. Gift-wrap available.
  • Hand-Held Stabilizer
14 new from $479.00 3 used from $399.00
$479.00 & FREE Shipping. Details Only 13 left in stock. Sold by FilmWare Products and Fulfilled by Amazon. Gift-wrap available.

Frequently Bought Together

Glidecam HD-2000 Hand-Held Stabilizer + Manfrotto 3433PL 577 Rapid Connect Adapter with Sliding Mounting Plate + NEEWER® 160 LED CN-160 Dimmable Ultra High Power Panel Digital Camera / Camcorder Video Light, LED Light for Canon, Nikon, Pentax, Panasonic,SONY, Samsung and Olympus Digital SLR Cameras
Price for all three: $554.66

Buy the selected items together

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Product Description

Hand-Held Stabilizer

Product Details

  • Product Dimensions: 5 x 9 x 17 inches ; 6.8 pounds
  • Shipping Weight: 7.9 pounds (View shipping rates and policies)
  • Shipping: This item is also available for shipping to select countries outside the U.S.
  • ASIN: B0020LB0MO
  • Item model number: HD-2000
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (70 customer reviews)
  • Amazon Best Sellers Rank:
  • Product Warranty: For warranty information about this product, please click here
  • Date first available at Amazon.com: October 2, 2001

Customer Questions & Answers

Customer Reviews

It makes videos look so smooth!
As far as i'm concerned, it's worth every penny just because of how much time it saves you on set.
This device takes a lot of practice and a lot of time to balance.

Most Helpful Customer Reviews

25 of 28 people found the following review helpful By matt wolfe [cc] on July 5, 2011
Verified Purchase
Looking to give more fluid movement to your videos? I definitely like this if you are shooting on an HDSLR setup like the Canon/Nikon/Panasonic/Sony DSLRs that are real popular in video right now.

For a video example (and since Amazon won't allow external links), simply click on my profile, click on my website, go to the VIDEO dropdown, click on BABY VIDEOS, and look for the video BABY LIAM. It was shot with this Glidecam 2000, the Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-inch LCD (Body Only), and the Canon EF-S 17-55mm f/2.8 IS USM Lens for Canon DSLR Cameras.

Obviously if you are using a setup like this, focus control is an issue - to which I simply recommend setting your lens to focus on infinity to give you the longest focal field achievable with your lens, and step back away from the subject. If that is not possible, at least get a lens with a large focus ring and plan out your shot BEFORE you press record.

But for the Glidecam 2000. As with every review, you must consider management of expectations. Once you see a product in relation to what else is out there and what else costs whatever, then you can really see where the product exists.

-You have to readjust weight if you add or take parts off your rig, such as changing lenses, adding or removing an eternal mic, etc. This can be time-consuming.
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12 of 12 people found the following review helpful By Vdub TOP 100 REVIEWER on January 21, 2014
Verified Purchase
I researched and thought very hard about which stabilizer to invest in. I was very close to getting the Opteka for a significantly lower price, but what always seems to happen is I quickly outgrow it and end up buying the real deal anyway and spending more than if I had just bought what I really wanted to begin with. Well the Glidecam definitely IS the real deal.

Initial setup does take a bit of time. If you don't know what you're doing and need to follow along with the instructions, it might take about 15 minutes to put together, not including balance fine-tuning. But the bulk of the time you will spend will be in balancing it. You mainly just need to screw together a few metal parts, and mount the "quick release" plate to your camera. Not too bad.

This is the tricky part that you'll really need to practice on. The first time I balanced it, I just put all 10 weights (5 on each end) on the Glidecam and started playing with it, I was too excited to properly balance it. I suppose overweighting is better than underweighting, but it was much harder to control smoothly with overweighting, even though I was already noticing a massive improvement of my wide-angle motion shots. I then went back to properly re-balance it. I actually ended up needing 2 weights (1 on each end) to get that perfect floaty feel.

Once you are in the ball park of how much weight you need, the easiest way to fine-tune it is to adjust the length of the vertical bar. Even the tiniest adjustments will cause very noticeable changes in control. If you just lengthen the bar by a few millimeters, it gives lowers the center of gravity ever so slightly, which is what I needed to do to get my vertical balancing perfect.
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12 of 14 people found the following review helpful By aceofbase on July 14, 2011
Verified Purchase
I got the HD2000 for use in home/family videos so did not want a very expensive solution. The 2000 is a good size for my gripped 7D, rode SVM, and I use 10-22 and 24-105 lenses they balance nicely. I use a manfrotto 394 quick release plate, it is a sturdy plate that releases the camera quickly and easily because the lever is on the side. It also has a built in fluid level which aids in balancing. I bolted a stack of small washers to the glidecam baseplate so they push up against the 394 and hold it in place (very tightly too).

Setup with the glidecam is tricky there is no getting around it but the manual is well written and there are lots of videos on youtube. I recommend getting the rig close to the balancing point (weights), then sort the drop time (length of pole/weights), then fine tune the front/back and left/right balancing (with screws). I learnt to balance it by putting the removable pole from the glidecam forearm brace on the edge of a table or bench and prop it up to get the support pole vertical, then while holding the brace against the bench put the glidecam on so that it hangs freely then you can adjuct the front back and side to side screws with the other hand. Once you get the hang of what you are trying to achieve this method is very quick to balance. I make markings on the pole and baseplate for each lens but sometimes have to tweak slightly with each change. With this setup I have the weight pole ~3/4 extended, with 4 weights on each and the 394 attached to the middle hole 3rd from the back.

Using the glidecam is what will take most people some time to master, I still need lots more practice! Countering any back/forwards sway and accurate panning are the trickiest things to start with. I highly recommend getting the forearm brace.
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