12 of 12 people found the following review helpful:
4.0 out of 5 stars
Honeymoon trials, May 11, 2010
Edith Wharton won the Pulitzer in 1921, for her social romantic tragedy "Age of Innocence." What to do after a triumph like that?
Well, in Wharton's case, she went the opposite direction, with a gentle romance called "The Glimpses of the Moon." It's the cliched love-or-money storyline that's existed as long as love and money, but Wharton elevates it with some social satire and lushly sensual writing.
Nick Lansing and Susy Branch are young, attractive, clever, arty, and poor -- they are confidantes of the wealthy, but can't live like them. So Susy comes up with a scheme: they'll get married, and live for a year off the honeymoon gifts and guest houses -- and if either of them gets a better offer, they'll divorce immediately with no hard feelings.
All goes smoothly for the idyllic first months. But when staying in Venice, Nick finds that they are staying at a villa because Susy is helping the house's mistress meet up with her boytoy -- and that Susy's acid-tongued pal has just inherited a fortune. But despite their pact, Susy finds it increasingly difficult to imagine a life without Nick -- especially when he seems to be involved with a clever young archaeologist's daughter.
The story of "Glimpses of the Moon" is not the selling point of this onetime bestseller -- you can pretty much guess how it will turn out, and how many days the pact between Nick and Susy will last. In fact, it's kind of astonishing that Hollywood hasn't nabbed this one rather than the tragic "Ethan Frome" or the bittersweet "Age of Innocence."
But the beauty of "Glimpses of the Moon" is how it's presented -- Wharton's prose relaxes into a sensual feast of decayed villas, bright sunlight, rich colours and luxurious details. It slacks off as Nick and Susy's relationship deteriorates, but the first half is awash in beautiful imagery ("... a great white moth like a drifting magnolia petal"). And of course, we always have the overhanging symbolism of the moon.
And it wouldn't be a Wharton book without some social commentary -- in this case, about the idle wealthy eagerly snatching onto any trendy artist, illicit lover or amusement that will fill their empty days. And of course, the lesson that love should trump greed.
Wharton's knack for characterization doesn't hurt either -- Nick is a penniless artist hoping to keep this pact-marriage together, and Susy a social wit without many scruples, until she inadvertantly drives Nick away. The supporting characters could have a book devoted to each one as well -- the acid-tongued peer, a rather snotty young girl, and a desperate wealthy matron bouncing from one "toyboy" relationship to another.
"Glimpses of the Moon" is a simple boy-and-girl story, but with a clever social twist questioning what happens AFTER happily-ever-after. Romantic, sensual and sometimes tartly amusing.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars
One of my favorite love stories, August 29, 1999
By A Customer
I was completely spell bound by this book, you cant guess the end ,though i did try, You are in constant anticipation as to the next turn of events , and extatic one minute and ,holding you breath the next. what a fabulous ending.
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9 of 10 people found the following review helpful:
3.0 out of 5 stars
A charming story, October 19, 2000
Susy and Nick are a married couple without enough money to live on. They've made a pact to help each other mooch off their friends so that they can lead as luxurious a life as possible, as long as possible, and to part painlessly when their luck runs out. Right away, Susy falls afoul of Nick's scruples, which she didn't know he had. (Possibly he didn't know either, or at least, they had been unexamined and unexpressed.) The couple separate, and Susy embarks on a sort of journey in which she (rather belatedly) develops her own ethical compass. It's a sweet, uplifting story, if a bit predictable.
We also see a theme that Wharton develops further in "The Children": in these stories, the children of the very rich are sometimes neglected physically and emotionally. Their education and their spiritual and moral development are terribly neglected. In a way, Susy's and Nick's troubles might be derived from their own childhood neglect. This would explain why they are fully adult before being troubled by questions of ethics and morals, beyond simply trying to hold to what society will tolerate.
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