Gling-Glo [Original recording reissued]

Björk | Format: Audio CD

Product Details

• Audio CD (September 2, 2003)
• Number of Discs: 1
• Format: Original recording reissued
• Label: One Little Indian Us
• ASIN: B0000AYL44
• Also Available in: MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (21 customer reviews)
• Amazon Best Sellers Rank: #75,121 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

42 of 43 people found the following review helpful:

4.0 out of 5 stars Björk does jazz..., December 12, 2004

By 

ewomack "ewomack" (MN USA) - See all my reviews
(TOP 500 REVIEWER)    (VINE VOICE)   

This review is from: Gling-Glo (Audio CD)

Björk does jazz. And it's good. Her voice rings out like on no other album, with all the shrieks and screams she's known for. Here lies the definite proof of her vocal prowess. None of the electronic treatments of her other work coat the music (which may not please everyone). Most of the songs feature only voice, bass, drums, and piano; the usual jazz quad arrangement. And an added bonus: she sings fourteen of the sixteen songs in Icelandic. Song titles such as "Brestir Og Brak", "Ástartöfrar", and "þaÐ Sést Ekki Sætari Mey" make this pretty clear. In fact, the liner notes and nearly all of the text on the album appears in Icelandic (the album credits even list her as "Björk Guðmundsdóttir" - one can see the impresarios at Elektra saying "How about cutting it down to just 'Björk'?). She also sings two jazz standards in English, "Ruby Baby" and "I Can't Help Loving That Man". All around a great sound with great performances.

Björk must have been experimenting at the time of this album's release. It was recorded in 1990; well before 1993's "Debut" and while the Sugarcubes were still offically together. Perhaps she flirted with the idea of becoming a jazz vocalist? Or maybe "Gling-Gló" just represents a one time experiment? Either way, Björk would've made a great jazz vocalist, but most of her fans likely prefer the direction she eventually went in. Consequently, not every Björk fan will probably appreciate this album. Nonetheless, it stands as a testament to Björk's artistic diversity and vocal abilities.

27 of 27 people found the following review helpful:

5.0 out of 5 stars Bjork works her magic into the jazz scene perfectly, January 7, 2004

By 

Joel P. Mann "permoda" (Grand Rapids, MI United States) - See all my reviews
(REAL NAME)   

This review is from: Gling-Glo (Audio CD)

Whether or not you're a Bjork fan, this is a most interesting album to look into. Out of all of Bjork's published recordings, this has by far been the most well received in her native country of Iceland, and for good reason; though lacking the electronic and avant garde twists that her solo career has come to embody, Gling Glo represents Bjork's role in the Icelandic music scene, her uniqueness and power as a singer, and her ability to slide flawlessly from genre to genre. On the album, Bjork and Trio record Icelandic versions of classic and not-so-classic jazz standards, as well as jazzed up versions of traditional Icelandic songs. For Bjork fans, this cd will only be slightly surprising, as the familiar wails and yelps are just as present as they have always been...including the scat-like gibberish always at hand in her more recent solo work. Most importantly, the music is great, featuring impressive piano, percussion, and bass playing.

26 of 28 people found the following review helpful:

4.0 out of 5 stars decent album - worth it for bjork fans interested in understanding her musical influences, January 7, 2006

By 

LCB - See all my reviews

This review is from: Gling-Glo (Audio CD)

i wish people would take the time to check their information before writing reviews. but of course that's the trade-off we get with web reviews right - as opposed to reading a newspaper or magazine writer's take on something, which has to be fact-checked.

two things from previous reviews need to be addressed. laura laureate writes of bjork, "has success gone to her head? does she think she can 'do it all'? so far she has made fairly smart choices... but she is hitting a wall with gling-glo". if you looked at the title of the album you'd see that this is a reissue. gling-glo was released in the states in 2003, but originally recorded and released in iceland in 1989-1990. this is a full five years before post, when she was still playing with the sugarcubes and was barely known-of here in the states. so this was actually done way before the "smart choices" laura speaks of. besides which, musicians don't play music just for the benefit of the purchasing public. bjork and the very famous icelandic jazz trio she's playing with on this album had played together several times, and had really enjoyed themselves. so they recorded an album together. sometimes musicians play music of a type or genre that they're interested in, or to play with musicians they like, and the result ends up influencing their later work. in that sense i find it pointless to ask whether she can "do it all"; the fact that she tried it is what's interesting for us music fans.

steve parker writes of the trio that "somehow they manage to completely miss the essence of jazz... It's like learning a foreign language from a book, without ever hearing it spoken... somewhere between New York and Iceland something crucial got lost in translation.". perhaps that's because this is an icelandic jazz trio, popular in iceland, recording mostly icelandic folk songs, for an icelandic audience. musical traditions always morph and change when translated across cultures. it may not jive with our definition of the genre but that doesn't make it any less valid or successful as music.

on this album, bjork is playing with the gudmundar ingólfssonar trio. the trio is one of the most popular jazz groups in iceland. given the context, i think it's a fairly successful album. the jazz is "light" to american tastes, but enjoyable nonetheless. reminds me of the stuff played in the soundtrack to harry met sally, all the stuff that's iconically associated with warm christmassy winters in new york city. perhaps that's what happens when jazz is translated into a snowy, cold clime. not groundbreaking, but pleasant.

bjork, on the other hand, shows her incredible vocal range on this album. her jazz singing is compelling and successful. one of the reasons i initially fell in love with her solo music is because of her very jazz-like take on pop singing. (disclosure: i'm a jazz musician and fan, but i'm also a pop fan, and like most styles of music, i think the two genres are incredibly hard to "mix" and get right.) what i really like about this album is that it's an opportunity to hear bjork's vocals in a more "traditional" setting. for me, it proves her real abilities as a singer. plus it seems to have had a positive influence on her later work.

overall, if you're a bjork fan, a fan of light jazz, and/or a musician interested in hearing the various influences upon bjork's music, this album is definitely worth it. i just wish i knew icelandic so that i could sing along!