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I lent my copy of John Burnside’s The Glister to a friend the moment I finished it. I wanted her to share the novel’s troubled beauty and its bleak but tender outlook on the urban predicament, the state of the nation, the human condition--well, pretty much everything. “It’s a triple murder mystery,” I explained. “Teenage boys are being wiped out. So is the landscape where they live.” In my view, The Glister was not only a thrilling and engaging read but an unusually multi-layered and nuanced work of startling transcendence and importance. No one could think otherwise. Everyone should try it.
She said she was puzzled by the last scene, yet only a few weeks later she was recommending The Glister to her reading group and naming it her Novel of the Year. “So, you read it again?” I asked. But no, she hadn’t needed to encounter it a second time. As soon as she had finished its final page, a little baffled by its meaning, the story had started haunting her. It brewed in her subconscious as all great fiction does until, level by level, the book’s unnerving ambiguities began to clarify themselves, she was getting it. “It’s a sleeper,” she said, mixing her metaphors. “It creeps up on you.”
My experience of The Glister has been much the same. It is a novel with an afterlife. It continues to steep in my imagination one year after reading it and to imprint its indelible images on to my comprehension of the modern world. I now cannot help but recognize Burnside’s devastated, weed-choked Innertown in almost every industrial city that I visit on both sides of the Atlantic. And I better understand the dangerous boredom of those adolescent gangs on street corners throughout the world, their brutal, plucky hopelessness. But most importantly the novel has taught me that if we want to find an optimistic narrative to help us cope with our failing cities, their increasingly toxic landscapes and their splintered families, we have to hunt for it, as Burnside has, in the darkest corners and in the most menacing of company and not deceive ourselves with bright, narcotic fairytales.
Quite what the glister of the title is, I cannot say for sure. The novel doesn’t want to tell me exactly. It wants me to be teased. But I’m still brewing on the question, I’m still haunted by the book. There is no greater praise than that. --Jim Crace
(Photo © Lorentz Gullachsen)
--This text refers to the Hardcover edition.
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Most Helpful Customer Reviews
24 of 24 people found the following review helpful:
4.0 out of 5 stars
Lyrical Terror,
By
This review is from: The Glister: A Novel (Hardcover)
John Burnside's The Glister opens in a modern day ghost town. The chemical plant that once fused the city with life and prosperity has been closed and left to rot. Everything in the town can be described as dead and deformed. The town's adults are apathetic, depressed and diseased. The children are violent, promiscuous, and haunted. But no one ever leaves the town, unless of course, they disappear.
This book is not a typical horror or mystery novel. It's more of a very long dark fable complete with an abstract ending and an obscure moral. This is not an easy read; it can best be described as uncomfortable and difficult. Burnside manages to infuse every aspect of his tales with menace, down to the last comma. There is sex, violence and adult language--the majority of it committed by young adults. It's also the kind of book that may torment it's readers for months. If there is a more terrifying or disturbing novel out there, I have yet to read it. I'd warn anyone considering the novel that it is scary and edgy. You may not like it, but you should definitely read it.
11 of 11 people found the following review helpful:
4.0 out of 5 stars
It Shines but not Shimmers,
By
This review is from: The Glister: A Novel (Hardcover)
The town and the people of Innertown have never been the same since George Lister's chemical plant shut down, especially the woods. There is something evil in the woods. Every year a boy or two disappears, never to be seen or heard from again. The police won't do anything about the disappearances as there is no sign of foul play. There are a few people who believe otherwise and they are town policeman, John Morrison in addition to Leonard and his friends. It seems that Morrison knows there is evil hiding in the woods but he just like the rest of the authorities will not do anything about it. So it is up to Leonard and his friends to fight the darkness, before it claims the rest of them.
Having never read any of author, John Burnside's other previous works to go off of what type of author Mr. Burnside is; I thought The Glister was a hauntingly dark and gruesome piece of work. That is a good thing. It drew the reader in and enveloped them in Evil. I couldn't stop reading. The Glister is like riding a horrifying roller-coaster ride that you can't get abandon till the end, so all you have left to do is just hold on tight and enjoy the ride. I like that horror fans as well as anyone looking for a good scary will enjoy The Glister. This is one book you will want to get your hands on as soon as possible. You won't regret it.
15 of 17 people found the following review helpful:
3.0 out of 5 stars
Great character studies, Terrible plot,
By
This review is from: The Glister: A Novel (Hardcover)
Much like previous reviewers, I found the premise of this novel intriguing. Disappearing children, mutated animals, a crooked run-down town's cover-up. Reading the book flap makes this novel out to be a dark, twisted tale. In the traditional sense, this is not the case. The story portrayed on the book flap never really occurs. The flap jacket paints a story of a group of kids on a quest for answers to the dark town secret. In reality, this entire premise consists of one major scene that involves a stereotypical, unoriginal belief one kid has formulated.
When looked at as a character study, this book is a winner. The characters are well fleshed out and Burnside does a fine job of getting the reader to fall quickly into the stories of these characters. The writing that accompanies these characters is superb. As others have stated, the entire book is taut with a dark, lingering air of horror throughout the book. That is why the last 30 pages are such a major disappointment. The climax and ultimate unveiling of the mystery is thin, lazy, and rushed. Ultimately Burnside should have put these characters in a setting he could handle or wrap up this premise with a decent ending. I feel cheated after taking the time to read this book, albeit slim, only to come up with a pathetic ending.
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