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Editorial Reviews
From Publishers Weekly
Acclaimed comics writer Ellis (The Authority; Transmetropolitan) here creates a Mission: Impossible–style force for the 21st century. The Global Frequency is a worldwide organization comprising 1,001 members, each with a specialized talent, which combats unconventional threats to public safety. Some of these menaces are the stuff of science fiction, like a cyborg warrior gone mad. Others are potentially quite real, such as an attempt to release lethal viruses in London. This first volume collects the first six issues, each illustrated by a different artist: Leach, Fabry, Steve Dillon, Roy A. Martinez, Jon J Muth and David Lloyd. Although each artist has a different style, they all impart a grimly realistic look to Ellis's world. The Global Frequency bills itself as a rescue operation, but in practice, violence is their stock-in-trade, and it's sometimes graphically explicit. Ellis occasionally makes political and even satirical points, but for the most part these tales are dismayingly superficial. Characterizations are minimal or nonexistent. For example, the most prominent character, Miranda Zero, the Frequency's head, comes off as little more than severely businesslike. The protagonists don't seem to be conflicted over their lives of violence and danger, and the antagonists don't have multidimensional personalities. Nor is there much suspense, since few of the plot twists and turns that one expects from the genre are present. Ellis and his collaborators achieve little here, and the endings are merely unsurprising, foregone conclusions.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Customer Reviews
Most Helpful Customer Reviews
5 of 5 people found the following review helpful
Format:Paperback
In case you haven't read the plot synopsis or the other reviews, here's the deal. The Global Frequency is a worldwide network of experts, geniouses, military and police officers brought together by Miranda Zero to save the world from itself. This is a science fiction comic with wormhole singularities and cyborgs, but there are no superheroes. These people are as ordinary as they can get given the world they live in.
It used to be that stories in comic books were largely confined to a single issue and that multiple issue stories were big events. Now multiple issue stories are the norm, designed to fill out collections.
Instead of breaking new ground, Warren Ellis is taking us back to old ground and reminding us that a good story can be told concisely.
Each issue of Global Frequency is a different story by a different artist. When this is done right it can be excellent, as in the second story in this collection which is illustrated by Glenn Fabry. In it Ellis posits what it would actually take to build a cyborg. Human skin and bones and muscle can't support 2 tons of machinery, so Ellis comes up with a vaguely human looking mass of muscle and machine, and Fabry illustration is beautifully horrific. Unfortunately there's the downside of when an artist and story don't blend. The final story in the collection is illustrated by David Lloyd of V for Vendetta fame. In the story a woman runs across rooftops, leaping from building to building, gymnastically scaling scaling fire escapes and jumping across traffic. It should be thrilling, but only about half of the pictures really have the energy of the story. This was disappointing, especially from such a classic artist.
I felt like there was something lacking in Planetary, especially in the beginning. I didn't see why the main characters mattered. They were window dressing to the story. Any character could have been inserted and the story would have been exactly the same. But here, in Global Frequency, it's quite clear why each operative is selected. Sometimes they're a specialist in the problem, sometimes they just happen to be the person physically closest to the crisis, but whatever the reason the characters in each story is always the right person for the job.
This is a great collection of short stories. The stories are smart and concise, and overall the art is good and right for each story.
It used to be that stories in comic books were largely confined to a single issue and that multiple issue stories were big events. Now multiple issue stories are the norm, designed to fill out collections.
Instead of breaking new ground, Warren Ellis is taking us back to old ground and reminding us that a good story can be told concisely.
Each issue of Global Frequency is a different story by a different artist. When this is done right it can be excellent, as in the second story in this collection which is illustrated by Glenn Fabry. In it Ellis posits what it would actually take to build a cyborg. Human skin and bones and muscle can't support 2 tons of machinery, so Ellis comes up with a vaguely human looking mass of muscle and machine, and Fabry illustration is beautifully horrific. Unfortunately there's the downside of when an artist and story don't blend. The final story in the collection is illustrated by David Lloyd of V for Vendetta fame. In the story a woman runs across rooftops, leaping from building to building, gymnastically scaling scaling fire escapes and jumping across traffic. It should be thrilling, but only about half of the pictures really have the energy of the story. This was disappointing, especially from such a classic artist.
I felt like there was something lacking in Planetary, especially in the beginning. I didn't see why the main characters mattered. They were window dressing to the story. Any character could have been inserted and the story would have been exactly the same. But here, in Global Frequency, it's quite clear why each operative is selected. Sometimes they're a specialist in the problem, sometimes they just happen to be the person physically closest to the crisis, but whatever the reason the characters in each story is always the right person for the job.
This is a great collection of short stories. The stories are smart and concise, and overall the art is good and right for each story.
6 of 7 people found the following review helpful
Format:Paperback
The Global Frequency is an organization of one-thousand specialists headed by Miranda Zero. Their task is to handle threats that conventional forces are unequipped to handle. At first we get the impression that the Frequency is secret when a character remarks that they do exist (like the M&Ms in the Santa commercial). But members of the Frequency can leave their jobs at a moments notice by saying they are on the Frequency as if everyone knows about them.
Specialists are contacted by a special portable phone. They also seem to all have a "special case" that is never explained (although one character is asked if he got weapons from his case). Members are top in their field, whatever it happens to be.
I felt the Frequency was not grounded well enough, like the author wanted to tell the story before working out the details. One-thousand unique agents doesn't seem like it could be terribly effective but it seems that the right agent is always close at hand. There is very little repetition of character (mostly just Miranda Zero and Aleph) but you may spot a cameo or two. Each story is also drawn by a different artist thus weakening the feeling of continuity.
The threats in this volume include a man who is a walking nuclear bomb, a rogue bionic man, a memetic invasion, a cult hostage situation, a town that may have seen an angel, and bioterrorists using ebola. Very interesting stories but I am not sure why the Frequency was needed for the hostage story.
Specialists are contacted by a special portable phone. They also seem to all have a "special case" that is never explained (although one character is asked if he got weapons from his case). Members are top in their field, whatever it happens to be.
I felt the Frequency was not grounded well enough, like the author wanted to tell the story before working out the details. One-thousand unique agents doesn't seem like it could be terribly effective but it seems that the right agent is always close at hand. There is very little repetition of character (mostly just Miranda Zero and Aleph) but you may spot a cameo or two. Each story is also drawn by a different artist thus weakening the feeling of continuity.
The threats in this volume include a man who is a walking nuclear bomb, a rogue bionic man, a memetic invasion, a cult hostage situation, a town that may have seen an angel, and bioterrorists using ebola. Very interesting stories but I am not sure why the Frequency was needed for the hostage story.
3 of 3 people found the following review helpful
Format:Paperback
Global frequency is easily my favorite comic/graphic novel series of all time. I've read all 12 issues and they are pretty amazing. I'm not saying this lightly. I've read most of Alan Moore's stuff, most of Frank Miller's stuff, most things by Bendis, Kirkman and Waid.
This is the only series where I have forced myself to stop reading in mid story because the effect was so powerful.
I guess this stuff isn't for everyone. If you're into series dealing with the "mythology" of superheroes then this might not be for you. However, if you enjoy powerful stories that don't require previous knowledge of existing universes, then this series is for you. Warren Ellis is at the top of his game here. Any fans of William Gibson or Neal Stephenson should love this series as well.
It's really top notch and well worth buying the entire series.
This is the only series where I have forced myself to stop reading in mid story because the effect was so powerful.
I guess this stuff isn't for everyone. If you're into series dealing with the "mythology" of superheroes then this might not be for you. However, if you enjoy powerful stories that don't require previous knowledge of existing universes, then this series is for you. Warren Ellis is at the top of his game here. Any fans of William Gibson or Neal Stephenson should love this series as well.
It's really top notch and well worth buying the entire series.
Most Recent Customer Reviews
Have you ever prayed that someone's watching over you?
To me that's the question that this bok answers.
See, there are 1,001 people on the Global Frequency. Read more
See, there are 1,001 people on the Global Frequency. Read more
Published 22 months ago by Adriano1977
Great!
It's so damn good! Every sub-story/plot is original and stylish. The different artists collectively capture Warren Ellis's vision in a way that's complete and cohesive. Read more
Published on June 9, 2008 by Niladri Bora
"THIS IS ALEPH, AND YOU'RE ON THE GLOBAL FREQUENCY!"
I'VE BEEN A BIG FAN OF ELLIS' OTHER WORK AND STUMBLED UPON THIS TITLE. I FEEL THIS IS SOME OF HIS FINEST WORK! WHAT A GREAT STORY.
I LOVED IT!
I LOVED IT!
Published on January 22, 2007 by SPW
Back to Planetary (7/10)
Another worldwide secret organization that specializes in obscure events. Why doesn't he just go back to planetary and give the series the attention it deserves....... Read more
Published on April 13, 2006 by Joshua Brooks
Good series start
This is an enjoyable action comic with a premise that will keep it from getting stale. 'Global Frequency' is a shadowy, wordwide group of trouble-shooters. Read more
Published on February 13, 2005 by wiredweird
Ellis is on fire!
Known more for his revamp of Stormwatch and the creation of the Authority, Warren Ellis managed to create an exciting comic about non-superheroes. Read more
Published on October 19, 2004 by Hizon
An incredible premise, brilliantly done
The premise of Global Frequency is of a group of 1001 volunteers who have been tapped for their particular talents to respond to emergancy situations the globe over. Read more
Published on August 4, 2004 by Z. Brock
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