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Global Scriptwriting
 
 

Global Scriptwriting [Paperback]

Ken Dancyger (Author)

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Book Description

June 25, 2001
Global Scriptwriting offers a look at an exciting new phase in screen storytelling, as writers and directors from all over the world infuse traditional forms with their own cultural values to create stories that have an international appeal and suggest a universality among readers, viewers, and listeners. A unique blend of screenwriting technique and film studies, Global Scriptwriting discusses screen stories as they have evolved through the years, focusing first on the basics of scriptwriting, then going on to afford a more sophisticated look at script via different models of scriptwriting: the Hollywood model, the independent model, the national model, and various alternative models. It examines the internationalization of storytelling, and illustrates how particular innovations have helped national screen stories to international success.


This book is the first to incorporate the basics of the classical form with the innovative edge of the last decade, as well the culture specific changes that have taken place outside of North America. It offers readers a view of the enriched repertoire available to writers resulting from the introduction of cultural perspectives into traditional story forms. Specific topics examined include, the ascent of voice, the search for new forms, the struggle between style and content, and the centrality of megagenre.




Includes numerous case studies and examples
Focuses on how adaptation, innovation, and cultural values combine to create internationally successful stories

Frequently Bought Together

Customers buy this book with Alternative Scriptwriting, Fourth Edition: Rewriting the Hollywood Formula $21.77

Global Scriptwriting + Alternative Scriptwriting, Fourth Edition: Rewriting the Hollywood Formula


Editorial Reviews

Review

"Global Scriptwriting is a treat of a read, going in-depth into the many voices and stories that are told away from the meddling hand of Hollywood."
-The Writer's Guild of Britain

From the Publisher

This book is the first to incorporate the basics of the classical form with the innovative edge of the last decade, as well the culture specific changes that have taken place outside of North America. It offers readers a view of the enriched repertoire available to writers resulting from the introduction of cultural perspectives into traditional story forms. Specific topics examined include, the ascent of voice, the search for new forms, the struggle between style and content, and the centrality of megagenre.

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Inside This Book (learn more)
First Sentence:
In order to understand the basics of script-premise, character, structure, and all the dramatic properties of film narrative-we need to consider a number of questions whose answers will conceptualize the substance of this chapter. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
character layer, filmic storytelling, plot layer, global tale, nonlinear story, dramatic arc, single main character, screen story, international storytelling, fall shape, experimental narrative, catalytic event, gangster film, major plot point, genre expectations, police story, screen stories, nonlinear narrative, dramatic properties, pastoral values, powerless person
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Private Ryan, Billy Wilder, New York, Spike Lee, Oliver Stone, Ang Lee, Michael Mann, Hong Kong, United States, Captain Miller, John Ford, World War, America America, Fritz Lang, Stanley Kubrick, All About Eve, Steven Spielberg, The Patriot, American Beauty, Mike Nichols, Shall We Dance, The Godfather, Von Trier, All About My Mother, Natural Born Killers
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This book cites 95 books:
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