Tyler raps about hurting women. He loves paradoxes and spends a lot of his time with the mysterious Dr. TC. For the uninitiated, Tyler is the defacto leader of OFWGKTA (Odd Future Wolf Gang Kill Them All) and spends the majority of his time (especially nowadays) in the media's spotlight. This may be because he is only twenty years old, raps about raping and killing women and somehow, seems more charismatic than those twice his age. If anything, Tyler has finally created the album he's always wanted to hear.
Much like Eminem's public-service-announcement skits, Tyler opens with the aptly titled "Goblin," which on paper, could only be described as an extended skit that is backed by the progressive clinks of piano keys and the every-now-and then filmic-sounding strings of a digital/sampled orchestra. Put simply, it is all very cinematic-sounding. A nice start to the album. "Yonkers" features several odd samples and really, should be titled "Yonkers feat. Dr. TC" since he can be heard assisting Tyler throughout the entire track with his vocals (especially on the chorus.) This is a great example of what can be done with very little instrumentation and is probably the most popular track on the album. Frank Ocean makes an appearance on the track "She" which is heavily reminiscent of 90's R&B, though everything on the album sounds like it was infused with a dose of found-sounds. The hats and snare sound borderline tinny and stray from that surgical/clinical sound many high-production R&B tracks usually flaunt. "She" takes a nice break from the over-the-top energy of tracks like "Radicals" and "Yonkers" and sends us down to Mellow-ville for some much needed relaxation. This would be the slow dance song at an OFWGKTA concert.
"Transylvania" and "Nightmare" act like companion tracks. On "Transylvania," Tyler raps in a heavily-tuned down voice. Oddly enough, it sounds different from Dr. TC's voice so on the album, Tyler effectively has: his normal voice, the voice he uses on "Transylvania," and then the voice he uses for Dr. TC. It's an interesting experiment and certain verses really stand out on the track but in the end, it will be interesting to see/hear a live rendition of the track. Again, the beat sounds heavily muffled, almost like it was recorded on a laptop mic, transferred to tape, lightly mastered and then transferred back to digital. "Nightmare" reintroduces Dr. TC and replaces the classic snare drum sound with what sounds like tightly-bound chopsticks hitting a wall (with medium reverb). The beat doesn't try too hard to impress and begins with synthetic vocal samples but then brings in glockenspiels and various synth hits. "Tron Cat," begins with singing but then goes straight to the rapping featuring, Dr. TC, again! Tyler creates an interesting transition as the track begins with a string + piano combination but then slips into industrial-sounding synth work, paired with cowbell and dirtied drums. What an odd coupling! With "Her," Tyler seems to peel away at the layers of polish and post-production most studios would spend thousands of dollars to include. He includes the sound of a digital metronome (which ultimately functions as the beat) and the light-sounding, almost chime-like synth playing throughout the entire track sounds more like credit-music than a track on a rap album. But then again, Tyler's goal is not to create memorable beats or sample dope instrumentals, everything is supposed to sound raw and unedited. This is brave and like most of his other beats, it features several changeups and expands on the simple-sound of the chime synth. This is why the beats, all by themselves, are ultimately compositions instead of simple loops.
"Sandwitches" is expanded with a previously unheard minute-long intro. This is that Jimmy Fallon ish! Tyler raps about his father, his rebellion, privileged kids and school shootings. Hodgy Beats, on the other hand, raps about his lost love for his mother, religion, mental issues and reproduction. A pinnacle of the OFWGKTA genius, especially when it comes to lyrical prowess. This is probably the second most popular tracks. "Fish" contains the aptly titled hidden track "Boppin' B*tch," which makes absolutely no sense. Though it is much more interesting that "Fish," traditional rap albums usually reserve the hidden tracks for the end of the album. Tyler just does whatever he wants it seems. In any case, "Boppin B*tch" is basically about meeting a girl at the club. Nothing more to it, really! And it's better than "Fish!" No it's not. "Analog" is like a good horror movie. Hodgy raps about going on a date and the chorus explains that the date is taking place next to a lake. Again, Tyler is using a pitched-down version of his voice. The beat is very R&B and far from scary-sounding. Both Tyler and Hodgy do an excellent job fooling the listener into believing that the date is going to end with either rape or a drowning but the bridge "watch the sunset, we can watch the sunset" proves that nothing bad happens. In the end, it's nothing more than a song about love. And lakes.
"B*tch Suck D*ck" is probably the most crude track on the entire album. It should also be mentioned that the beat (at first) sounds like those cheap Fruity Loops beats polluting Google search but eventually, transforms into a semi-complex-sounding beat. On the whole though, the lyrics really show that OFWGKTA is really just a bunch of teenagers. But the beat shines, in the "composition" sense. It also sounds like an extremely crude and unpolished rendition of early Ludacris songs. Dr. TC shows up again in "Window." This time, Tyler invites Domo Genesis, Frank Ocean, Hodgy Beats and Mike G for a private therapy session. The scenario for this track is that each member reflects on their newfound fame and current state of mind. The whole time, Dr. TC listens and offers valuable advice. Everything ends though, of course, with Tyler shooting up the entire room. He guns down Domo, Frank and Hodgy. After the incident, Tyler, sounding extremely remorseful, begins to cry. Very Slim Shady. "AU79" is an oddity (and I have used variations of this word several times already but hear me out.) It is purely instrumental. To be quick, Tyler makes no effort to hide that the beat was probably composed using synthetic/sampled drums and instruments. The bass drum follows a robotic syncopation paired with fake-sounding claps and squelchy synths resonating all throughout the track. Interlude? Nah, it works fine as a track. Again, very forward-thinking stuff.
"Golden" is the closing track on the non-deluxe edition of GOBLIN and on this one, Dr. TC plays a rather important role. As the track progresses, you can definitely hear Dr. TC reciting some of the lines with Tyler and this is when it slowly becomes apparent that Dr. TC is, in fact, Tyler himself. (Fight Club anyone? Tyler Durden?) DR. TC is also all of his other alter egos: Tron Cat, Ace, Wolf Haley and Tyler himself. (Again, very Marshall Mathers.) In the end, Tyler threatens to commit suicide and we are left with a cliffhanger. "Burger" sounds like a recent track since Tyler makes direct references to the Jimmy Fallon performance and even takes a stab at Zach de la Rocha (lead singer for Rage Against the Machine.) Tyler and Hodgy both spend time reciting some fundamental OFWGKTA signature phrases, making reference to freeing Earl, Tyler's iconic ski mask and their disdain for 2DOPE BOYZ. "Untitled 63" is all jazz and synths. Very R&B but with a taste of 2011. Ending with "Steak Sauce," Tyler raps Weezy-style with no chorus for three straight minutes. Though this all sounds like a freestyle, it seems more like an extended reflection on everything Tyler and OFWGKTA have accomplished up to this point.
Overall, the album feels like a quasi-cinematic experience as we follow Tyler into what gradually becomes an introspective (and ultimately inconclusive) journey into his own mind. If there ever is/was a time to act like a nineteen-year old, it would be now. Tyler is, after all, only twenty-years old. I'd say he has a couple more albums in him, which gives him enough time to re-invent himself two, maybe three more times.