From Publishers Weekly
In this quietly amusing interpolation of the creation story, a childlike, mirthful God in a halcyon Garden of Eden talks himself into a magnificent world. With impish eyes surrounded by a fuzzy cloud of beard and hair, his enraptured thoughts turn, one by one, into things. Then, a peculiar infatuation, borrowed from other creation traditions, captures him: squash. "I like that name . . . I think I'll use it again. Acorn squash. Butternut squash. Even zucchini squash. I might have a game and call it squash. Or put my hand on something and press down hard and call that squash." Saving the best for last, God ends by fashioning some company for himself--something, "well, more like me." While some underwhelmed adults may not tune in to the fun of this rendition, children will delight in the endless naming of species and guess-what-comes-next descriptions. Glowing as if floodlit, Ferri's soft, sunny watercolor and colored pencil illustrations embody the utter beneficence, if not the omnipotence, of a God children may accept as their friend. Ages 4-8.
Copyright 1993 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Kindergarten-Grade 4-- Genesis is the firm foundation of this text, but its superstructure is a fresh, lively, conversational retelling of creation. In an inspired opening, God makes the universe in a "big breath," and then says, "So far, so good!" Light is His answer to "something to go with the darkness," and plants happen when he puts his ear to the Earth and thinks, "I'd like to hear something growing." When he comes up with the name "squash," he likes it so much that he uses it again--and again. Finally, he wishes for "some company." The answer is "People! Men and women and boys and girls and small babies for the boys and girls to hold and sing to and help take care of . . . ." When people in their diverse multitudes appear, he asks them to love the world, and to speak to him: "I'll be around. You may not see me. But . . . think of me. I'll be thinking of you." Not cute, sentimental, or syrupy, this approach is genuine and spiritual and accessible. The stylized, decorative watercolor and colored-pencil illustrations are soft edged and gentle. That they are not so freshly imaged as the text, however, can be seen in the characterization of God: a benign old white male with a long fuzzy beard, he is cute and, alas, conventional. --Patricia Dooley, University of Washington, Seattle
Copyright 1993 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.