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God in the Gallery: A Christian Embrace of Modern Art (Cultural Exegesis) Paperback – October 1, 2008


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Product Details

  • Series: Cultural Exegesis
  • Paperback: 192 pages
  • Publisher: Baker Academic (October 1, 2008)
  • Language: English
  • ISBN-10: 0801031842
  • ISBN-13: 978-0801031847
  • Product Dimensions: 9.1 x 5.9 x 0.8 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #437,749 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Siedell likens Christians' encounter with modern and contemporary fine art to St. Paul's discovery of the altar to an unknown god on Mars Hill (Acts 17:23). Responding to those who have called for a separate Christian art (particularly Francis Schaeffer and H.R. Rookmaaker), he strives to reveal what modern art is only able to point to, not to name. Siedell uses his in-depth knowledge as former art curator and current assistant professor of art history at the University of Nebraska at Omaha to argue that perceptions of this legitimate cultural practice can be nourished by a robust Nicene Christianity. These disparate essays tackle subjects both ambitious (a history of modern art) and esoteric (a single work by artist Enrique Martínez Celaya; the conflict between art critics Harold Rosenberg and Clement Greenberg). Siedell's love of contemporary art is obvious, but his sometimes abstruse writing doesn't always clarify his formidable subject; indeed, it may reinforce some Christians' view of modern art as unapproachable. His primary audience is clearly art specialists, whether students or professionals; Siedell's interesting thesis may not reach the larger audience it deserves. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From the Back Cover

Is contemporary art a friend or foe of Christianity? In God in the Gallery art historian, critic, and curator Daniel Siedell constructs a framework for interpreting modern art from a Christian worldview. He contends that art is not antithetical or hostile to Christianity but is in resonant dialogue with it. Siedell also examines the function of art criticism and the role of visual art in Christian worship and experience.

"Dan Siedell is an exceptionally thoughtful and articulate observer of the very difficult intersection of religious belief and contemporary art. The book is full of unexpected and promising confluences. Here a reader will find the principal secular theorists of modernism, but this book is also 'nourished by Nicene Christianity' and informed by a wonderful range of authors, from Florensky, Levinas, and Wyschogrod to Seerveld, Wolterstorff, Walford, and Dyrness. This is a tremendous book, a genuine effort at dialogue in an arena marked by the near-complete absence of open exchange."--James Elkins, E. C. Chadbourne Chair in the Department of Art History, Theory, and Criticism, School of the Art Institute of Chicago

"God in the Gallery is a seminal work of interpretation, a guide for skeptics and faithful alike, in which Siedell offers a most profound, encouraging survey of contemporary art. An Emmaus Road encounter for those traveling on the path of contemporary art, Siedell's careful and loving attention paid to known and unknown artists will surely open our eyes. A must read for all of us laboring in the art world and in the arts academia."--Makoto Fujimura, artist; founder/creative director, International Arts Movement

"Daniel Siedell's passionate appreciation for common grace is apparent on every page of God in the Gallery. This is a book that should be widely read not only for its penetrating account of the contemporary art world but also for its larger understanding of Christ and culture."--John Wilson, editor, Books & Culture

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Most Helpful Customer Reviews

25 of 26 people found the following review helpful By Matthew Milliner on October 15, 2008
Format: Paperback
(This review first appeared at firsttthings.com)

In a recent book assessing the state of evangelical scholarship, Mark Noll refers to "a boomlet in evangelical art history [that] rests squarely on the work of the Dutch Reformed scholar Hans Rookmaaker." Had Noll seen Daniel Siedell's book God in the Gallery, he might have thought differently. Siedell is a long way from Rookmaaker, and his book--whether or not it can be called evangelical--is no boomlet. God in the Gallery is an impressive detonation in and of itself.

The Christianity-and-art conversation is gridlocked. The stalled traffic includes those who are profoundly suspicious of the art world, and those who are infuriated enough by this unforgivably "conservative" suspicion that they, in turn, write contemporary artists a theological blank check. A book capable of broaching this impasse has long needed to be written--but who would have suspected it would be this good? What makes God in the Gallery noteworthy is that it addresses another gridlock as well, that of contemporary art. The traffic in this case involves those liberated by the end of modernity to explore spiritual directions, and those committed to keeping art a staunchly secular enterprise. "The art world," insists Siedell, "is growing increasingly uncomfortable with its collective unbelief."

Siedell's qualifications enable him to address both these dilemmas. He is a firmly ecclesial Lutheran with deep--one might say overriding--sympathies for the Orthodox Church. In addition, Siedell holds a Ph.D. in contemporary art (he studied with noted critic Donald Kuspit), and he is a seasoned curator with a decade of gallery experience.
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By Charley on January 13, 2014
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Dr. Siedell knows his stuff. His knowledge of art history is superb and his his take on a religious gleaning of art is albeit risky(since spirituality is a taboo word in art camps) but much appreciated. An enjoyable read. I recommend.
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I had to read this in a course at the Christian college where I attended undergraduate studio art school - we thoroughly discussed the text against a dozen other texts on faith and art and this is one that I will continue to refer to.

While my classmates and I rarely agreed completely with an author we read, our goal was to explore literature and concepts that helped us work through our questions and challenges as artists who believe in God, and this book led to a lot of notes and writing for my final research paper. I am grateful for how much this author's work assisted my lifelong study of God, art, and what they mean in my life.
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