Product Details

• Actors: Marlon Brando, Al Pacino, James Caan, Diane Keaton, Robert De Niro
• Directors: Francis Ford Coppola
• Writers: Francis Ford Coppola, Mario Puzo
• Producers: Francis Ford Coppola, Albert S. Ruddy, Charles Mulvehill, Fred Fuchs, Fred Roos
• Format: Box set, Closed-captioned, Color, Dolby, Letterboxed, Original recording remastered, THX, Widescreen, NTSC
• Language: English, German, Italian, Latin, Spanish
• Rated: R (Restricted)
• Number of tapes: 6
• Studio: Paramount
• VHS Release Date: May 6, 1997
• Run Time: 541 minutes
• Average Customer Review: 4.4 out of 5 stars  See all reviews (881 customer reviews)
• ASIN: 6304467540
• Amazon Best Sellers Rank: #151,544 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com essential video

Throughout his long, wandering, often distinguished career Francis Ford Coppola has made many films that are good and fine, many more that are flawed but undeniably interesting, and a handful of duds that are worth viewing if only because his personality is so flagrantly absent. Yet he is and always shall be known as the man who directed the Godfather films, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are our very own Shakespearean cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate, and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as an attempted cash-in, but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself. --Bruce Reid

On the DVD
People used to say this was Frank Sinatra's world, and the rest of us just lived in it. After watching the multiple special features in the box set The Godfather: Coppola Restoration, one might conclude it's actually time for a cultural and historical revision: This is the Corleone family's world. The rest of us better tread lightly. Actually, the point of the half-dozen or so features crammed onto a disc accompanying the beautifully restored The Godfather, The Godfather II and The Godfather III, is that The Godfather movies have penetrated popular culture in such a deep and meaningful way that they are second-nature to everything. David Chase, creator of and writer on The Sopranos, for example, describes in the featurette "Godfather World" that his hit HBO series was intended to be the story of the first generation of mobsters actually influenced by Francis Ford Coppola's hit trilogy. Joe Mantegna calls the three films "the Italian Star Wars." (Mantegna co-stars in The Godfather III.) Alec Baldwin says no matter what one is doing, one is compelled to stop and watch the films if they're on television. Richard Belzer calls the films "a religion."

And so on. A number of people similarly testify in "Godfather World" to the importance and ubiquitousness of The Godfather and its sequels in American life. There's no point in arguing, so its best to move on to the other featurettes, including "The Masterpiece That Almost Wasn't," reviewing in detail much of what has been said about Paramount's mistreatment of Coppola, about casting fights (Steve McQueen as Michael?), about the studio's assumption they were getting a quick-and-dirty B-movie, and about producer Robert Evans' determination to keep his choice of director and unlikely actors under his wing. Fresh information within the special features, however, begins with "… When the Shooting Stopped," a fine study of post-production on The Godfather, with several surprising and fascinating facts. Among emerging details is an explanation of why Michael Corleone's scream toward the end of The Godfather III is silenced out. (Hint: it was meant to be the inverse of a sound effect in the first movie.) "Emulsional Rescue: Revealing The Godfather" talks about the painstaking work of restoring the first two films, beginning with a phone call from Coppola to Steven Spielberg (after the latter's DreamWorks studio became part of the Viacom family) asking if he'd request money from Paramount for restoration work. "The Godfather On the Red Carpet is a negligible series of fawning statements about the movie from hot young actors, while "Four Short Films" are brief and enjoyable takes on different aspects of The Godfather's impact on modern living. --Tom Keogh

Stills from The Godfather - The Coppola Restoration Giftset (Click for larger image)

Customer Reviews

Most Helpful Customer Reviews

185 of 189 people found the following review helpful:

5.0 out of 5 stars The New Restoration Collection does not disappoint!, September 22, 2008

By 

Cubist (United States) - See all my reviews

This review is from: The Godfather: The Coppola Restoration (DVD)

The new transfers for The Godfather Parts I and II are stunning. It really is like seeing them for the first time. All of the murky, faded colors have been restored to their original glory while still retaining the warmth of the film stock. Gordon Willis' then-controversial cinematography can finally be seen they way it was intended on these new discs. If you have the original box set, it is worth it to double dip if only for the restoration job on these two films.

Carried over from the original set are all of Francis Ford Coppola's commentary tracks for the three films. On The Godfather one, he appropriately enough, starts off by talking about the film's famous opening scene and how it was supposed to start with the wedding but a friend suggested he do something else. Coppola talks about how he organized the elaborate wedding sequence and shot it only 2-3 days! He talks about the pressure he was under by the studio and in read danger of being fired because they didn't like what he was doing. This is pretty solid track that we've come to expect from the veteran filmmaker.

Coppola's contributes another excellent commentary for The Godfather Part II. Initially, he had no interest in doing a sequel and dealing with studio bureaucracy. He suggested Martin Scorsese for the job. The studio balked at this idea and accepted all of Coppola's terms. The veteran filmmaker talks at length about the development of the Corleone family from Part I. Coppola is engaging and very articulate, delivering a top notch track that is well worth a listen for any fan of this movie.

Finally, there is Coppola's commentary for The Godfather Part III. One of the heated debates the filmmaker had with the studio was over Pacino's hair. He wanted Michael to look older and like a man in crisis, while the studio didn't want to mess with Pacino's distinctive looks. Coppola defends his casting of Sofia and feels that she delivered a "real" performance because she wasn't an actor. He also addresses the scathing criticism she received as in fact an attack on him. This is a solid track with good observations and analysis by Coppola -- better than the film itself.

The rest of the supplemental material is spread out of two discs. Thankfully for those who did not buy the first box set all of the extras from it have been carried over with a whole other disc of brand new material.

The fourth disc features all the brand new material and starts off with "Godfather World," which takes a look at how The Godfather films influenced popular culture, including parodies on The Simpsons and South Park, and how it informed the characters on The Sopranos. All kinds of celebrities, from William Friedkin and Alec Baldwin to author Sarah Vowell who sing its praises with clips of shows and films that reference it.

"The Masterpiece That Almost Wasn't" tells the story of how Hollywood had changed at the end of the 1960s with the demise of the studio moguls and the rise of the film brats, the first generation of film students who became filmmakers. One of them, Coppola, ended up being picked to direct The Godfather. This is an excellent look at how the director almost didn't get the gig and why.

"...When the Shooting Stopped" examines the post-production phase of the first film. Coppola battled with the studio over the length of it. Executives initially did not like Nino Rota's score for the film and samples of some of his original and revised cues are played.

"Emulsional Rescue: Revealing The Godfather" takes a look at the newly restored transfers for Part I and II and how they preserve Gordon Willis' gorgeous cinematography. This featurette takes us through the restoration process, showing before and after examples.

"The Godfather on the Red Carpet" is a forgettable featurette shot during the premiere of Cloverfield with various minor celebrities gush about the films.

"Four Short Films on The Godfather" features celebs citing which one they prefer, Part I or II. Another one has Richard Belzer, and the man who adapted the films for the stage, quote their favourite lines, which turns out to be quite funny. The third one sees Coppola talk about his love of cannoli and how made it into the film. Finally, Coppola answers the question about what happened to Clemenza in Part II and why he died.

The fifth disc starts off with "A Look Inside," a feature-length documentary about The Godfather trilogy done when Part III was being made. As a result, a lot of the major players were interviewed. We see Coppola at work on this film with on-set footage of the director working with Pacino. We also see Coppola working on the script with author Mario Puzo. The doc then goes back to the first film with Coppola's battle with the studio over casting Brando, Pacino, et al. with fascinating vintage screen tests and rehearsal footage. This is an excellent extra that goes into great detail.

"On Location" revisits key locations in the lower east side of New York where they shot parts of all three films and how they transformed them into various historical periods.

"Francis Coppola's Notebook" examines how he adapted Puzo's book into the first film. Coppola shows us his notebook that he used as his master document that he would constantly refer to. This featurette provides fascinating insight into the man's creative process.

"Music of The Godfather" features an audio excerpt of a conversation Coppola had with composer Nino Rota about the music for the film. Also included is footage of composer Carmine Coppola (Francis' father) working on Part III. Francis talks about working with his father.

"Coppola and Puzo on Screenwriting" features the author talking about the origins of his novel while Coppola discusses adapting it with Puzo into the films.

"Gordon Willis on Cinematography" features the man talking his approach to the look of the film and the choices he made and why.

"Storyboards - Godfather Part II and Part III" allows you to see sketches for the look of both films and see how Coppola planned to shoot them.

"The Godfather: Behind the Scenes 1971" is a vintage promotional featurette done at the time of the production of the first film. This is a fantastic snapshot of the times.

"The Filmmakers" are text biographies of key crew members.

Also included are 30 additional scenes from the four eras, spanning the entire trilogy. Much of this footage was inserted into the first two films when they were shown on television.

"The Family" gives you a handy organization chart for the Corleone family. You can see who everyone is and how they are related.

Finally, there are "Galleries" with trailers for all three films, stills, a collection of portraits of enemies of the Corleone family, and footage of the Academy Awards wins for the first two Godfather films.

245 of 258 people found the following review helpful:

5.0 out of 5 stars A faithful restoration of the originals, September 22, 2008

By 

Keith Paynter "videoplusdvd" (Regina, Sask. CANADA) - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: The Godfather Collection (The Coppola Restoration) [Blu-ray] (Blu-ray)

For those crying for the "Godfather Saga"/"Godfather Epic" versions, you are missing the point. Restoration expert Robert Harris (and countless others) worked for over a year from the best available print materials (as the original negatives are badly damaged and faded) to restore the first and second films to their original theatrical glory, which is something these iconic films of American Cinema deserve. That is the point of restoration.

If you are looking for a "wow" disc to show off your Blu-ray home theater sound and video, this is not it. If you are looking to experience modern American Gangster cinema in its 1970's glory, this is as close as you are ever likely to get, muted sepia-esque color, film grain and all.

These were not done exclusively for the home market. The priority was that they were restored for theatres, because that is where they would be judged the most critically, and all indications are that they do not disappoint. Never watch these films in your living room with the lights on. Watch them like you do in the theater, lights out, to appreciate the effort that went into these films.

818 of 895 people found the following review helpful:

5.0 out of 5 stars If there was ever an offer you couldn't refuse, it's this!, June 12, 2001

By 

J. G. Malta "jgeoff.com" (Toms River, NJ USA) - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: The Godfather Collection (The Godfather / The Godfather: Part II / The Godfather: Part III) (DVD)

Francis Ford Coppola and Paramount Home Entertainment held a press conference and street fair in Brooklyn, and yours truly was there! The exciting news, of course, was announcing the release of THE GODFATHER DVD COLLECTION on October 9, 2001! If the preview of the set is any indication, then I must say this will be the crown jewel in any DVD collection!

The three films will only be released together in this set. The Godfather and The Godfather Part III will each be on one disc, and The Godfather Part II will take two discs. The first of the good news? Francis Coppola has recorded full-lenth audio commentaries for all three films!

But wait, there's a fifth disc that will blow your socks off! Check this out -- the bonus disc contains 3+ hours worth of special features, including: > "The Godfather Family: A Look Inside" documentary > "Francis Coppola's Notebook", an inside look at taking the book to screen! > "On Location" with production designer Dean Tavoularis! > "The Godfather Behind The Scenes" 1971 featurette! > "The Cinematography of The Godfather"! > "The Music of The Godfather" -- two featurettes! > "Coppola and Puzo on Screenwriting"! > Storyboards from GF2 and GF3! > "The Corleone Family Tree" character and cast bios! > Academy Award® acceptance speeches! > Photo galleries with captions! > Theatrical trailers! > Filmmaker bios! > Corleone Family timeline, with real-life events mixed in! > Never-seen alternate opening of GF3! > And "all" of the extra footage found in the televised Godfather Saga!

The picture quality looked fantastic -- Coppola's American Zoetrope did a wonderful job restoring the films! From what I could tell, the sound quality was perfect, and the on-screen menus looked great. And the DVD packaging looks very nice.

All three films are in widescreen format with English 5.1 surround sound, French mono, and English subtitles.

Perhaps the only "bad" news I heard was that there were no plans at this point to release the chronological version on DVD. Francis said that the films were meant to be seen with the flashbacks, and I tend to agree. The biggest plus of having The Godfather Trilogy or Epic on tape, or watching The Godfather Saga on TV, was all the extra footage included. Well, the bonus disc in The Godfather DVD Collection contains "all" of the extra footage, and even something we've never seen anywhere before: an alternate opening for The Godfather Part III. Francis didn't give a firm "no" though; he cited technical reasons for not being able to include all the extra footage on DVD: the different scenes are in various levels of production ("they weren't mixed and scored"), making it difficult to add them seemlessly with today's technology. Maybe, but they seemed to be okay in the boxed sets and on TV to me.

Do yourself a favor and order the biggest DVD release of all time!