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The Godfather (Widescreen Edition)

1,065 customer reviews

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Frequently Bought Together

The Godfather (Widescreen Edition) + The Godfather Part II - The Coppola Restoration + The Godfather Part III - The Coppola Restoration
Price for all three: $33.33

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Editorial Reviews

BRANDO IS DON VITO CORLEONE, THE SYMPATHETIC GODFATHER OF A NEW YORK CRIME FAMILY, WHOSE BUSINESS IT IS TO MAKE OFFERS PEOPLE CAN'T REFUSE. VISUALLY BEAUTIFUL AND IMAGES OF TIMES ANDLOCALES CONTRAST THE FILM'S GRAPHIC VIOLEN.


Special Features

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Product Details

  • Actors: Marlon Brando
  • Directors: Francis Ford Coppola
  • Format: Widescreen
  • Language: English (Dolby Digital 5.1), French (Dolby Digital 2.0 Mono)
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Paramount
  • Run Time: 175.00 minutes
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (1,065 customer reviews)
  • ASIN: B0001NBNB6
  • Amazon Best Sellers Rank: #62,133 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "The Godfather (Widescreen Edition)" on IMDb

Customer Reviews

Most Helpful Customer Reviews

102 of 113 people found the following review helpful By Art on February 6, 2010
Format: Blu-ray
This review is based on the "Part 1" disc from the box set. I literally can't believe that people are saying that there's no difference between this and the DVD version. I had to do a side-by-side comparison to make sure, but there's no question that this new blu-ray is noticeably more detailed on a 40" LCD set.

It's also got a noticeably different color balance, in accordance with cinematographer Gordon Willis's original instructions, which makes it that much more baffling that people can't see any difference. In addition to the color difference, there is noticeably more detail, especially in darker scenes.

Yes, it's dark; yes it's grainy. That's the way it was shot. But if you are any kind of a fan of this movie, you owe it to yourself to see this beautiful new restoration.
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51 of 62 people found the following review helpful By David Zampino VINE VOICE on August 24, 2001
Format: VHS Tape
Rarely does a film manage to express the power of a novel from which it was based -- but "The Godfather" does manage to do quite well. Realizing that the entire second section of the novel could not be fit into the movie (but was cleverly woven into "The Godfather, part 2") Puzo and Coppola produced a film which was remarkably consistent with the remainder of the book (although there are a few 'jumps' in the plot which make more sense to someone also familiar with the book). The cast for this picture could not possibly be better -- both in the first-rate Hollywood actors AND in the on-location Sicilian actors selected for those portions of the movie filmed on that island. Brando is perfect as the aging Don, Pacino portrays the inherently moral but tormented Michael extremely well, Caan is ideal as the hotheaded Sonny, and Robert Duvall, in the best role of his career, is splendid as Tom Hagen. (And I loved Simonetta Stefanelli as Apollonia)! In addition to the writing and the casting, the filming and cinematography was also excellent. Who could ever forget Sonny's murder at the toll booth? And the baptism scene? Classic filmmaking at its best. I can't recommend this picture highly enough -- although I would strongly encourage the reading and re-reading of the novel as well.
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21 of 24 people found the following review helpful By Robert Morris HALL OF FAMETOP 500 REVIEWERVINE VOICE on June 27, 2003
Format: VHS Tape
After I purchased Mario Puzo's novel, I stayed up most of that night reading it. Two years later, this film adaptation appeared and I have since seen it (as well as Godfather Part II) more than a dozen times. Francis Ford Coppola deserves all of the praise and awards these films have received over the years. He should also be admired for insisting that Pacino and Brando be cast in two of the major roles despite strong opposition from Paramount. Coppola assembled a superb cast but also an equally talented crew. Those who share my high regard for it no doubt have their own favorite scenes. Mine include Michael's enlistment of a bewildered young man's assistance at the hospital until members of the Corleone family arrive to protect their don, the sequence in the restaurant which results in the killing of Sollozzo and McCluskey, Tom Hagen's discussion with Jack Woltz during dinner, Michael's reunion conversation with Kay as they stroll in a New England village, and the montage of executions during the baptism. None of the extensive violence in the film seems gratuitous. Each major character is fully developed. The cinematography and score are outstanding, although neither was even nominated for an Academy Award. Dark as this film often is, it also has its lighter moments, as during the wedding celebration when Luca Brasi rehearses his remarks before presenting a gift and later when Clemenza teases Michael good-naturedly about Kay Adams. For me, the single most interesting element in the film is Michael's gradual development from his family's baby brother (albeit a war hero) to its ruthlessly efficient don. Once he volunteers to kill Sollozzo and McCluskey, his destiny is assured.Read more ›
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42 of 52 people found the following review helpful By Dennis Littrell HALL OF FAMETOP 500 REVIEWERVINE VOICE on November 23, 2004
Format: VHS Tape
This is one of the greatest films ever made. Any doubt about that can be dispelled by watching the movie. I missed this when it first came out, and then a curious thing happened. For some reason I thought I had seen the film. One decade and then two went by and I kept hearing what a great film The Godfather was. But I was unimpressed because I thought I had seen it.

I don't know what film I had seen, but it wasn't The Godfather. Seeing this film for the first time over thirty years after the fact of its production is a startling experience. The Godfather is a work of art from first scene to last. There is the most amazing adherence to that fiction which is truer than fact.

I would like to say that I played cards with Mario Puzo who wrote the novel from which the film was adapted and who famously worked with Coppola on the screenplay, but in fact I only played cards with some people who had played cards with Puzo. Ah, such is the effect of celebrity. Puzo became like Coppola something of a legend after this film was produced, and everybody suddenly knew him or played cards with him. Everybody, from the most unsophisticated celluloid fan to the most erudite and jaded critic had walked out of that theater after 171 minutes mesmerized and delighted and emotionally moved by an uncompromising look at not just a Mafia family, but the psychology of families since time immemorial. The truth that we have all lived and experienced was made large on the screen in the form of the Corleones. I can guarantee you that audiences from every culture on the planet would understand the underlying psychology of this movie and take it to some serious extent as their own.
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