From Publishers Weekly
A multifaceted writer, Cherry ( My Life and Dr. Joyce Brothers ) is difficult to classify. Her fiction is better written than her poetry, yet her poems in this collection have a lyrical rather than a narrative base. Despite the fact that Cherry speaks constantly of God and has a number of poems built around the life of Christ, her understanding of a higher power seems predominantly earth-bound: "At night, God and I slept on our grassy beds, / He in one hut, and I in another." As in the Song of Songs, the lover addressed in these poems is at once mundane and divine. In short, there's nothing surprising in the poet's perceptions. Reading through the volume, one rushes toward the secular poems which fill the second half, only to discover these are even more cliched and intrusively rhymed: "Into darkness, out of light / I plunged. Breathy in midlight, / I lost sight / of all below-- / there was no / bright crescendo. . . ." A suite of short poems written to the music of an unnamed Soviet composer stands out in retrospect as the book at its finest, but even there mundanity is pervasive.
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
Perhaps inspired by the recent successes of such writers as Robert Bly, many poets are opening up their work to the spiritual, mystical elements of experience. Among these is Cherry (English, Univ. of Wisconsin-Madison), whose latest volume begins with a selection (entitled "Common Prayers") of scripture and Old Testament-inspired verse. Here, Cherry is at her best as she moves beyond the literal into the transcendental; her use of rhyme is at times strained (she end-rhymes "guard in" and garden"), at times inventive. In the next section, she offers erotic poems; some have wonderful interior rhyming, but in others the imagery moves disturbingly into self-cruelty. The final section, "Joyful Noise," includes poems ranging from the hilarious tour de force "Grammaire generale," which moves deftly between sexual and grammatical terms, to the boring sentimentality of "Evensong." All in all, this is a very uneven collection; recommended only for comprehensive poetry collections.
- Judy Clarence, California State Univ. Lib., Hayward
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
- Judy Clarence, California State Univ. Lib., Hayward
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
